who went through a lot early on in his life. He made an effort to get his life on the right path by studying to be a religious man. He was uprooted from the home he knew and the people he loved. Elie had to grow up quickly and deal with things that were beyond his capacity. He had to work hard labor and sleep amongst people in deplorable conditions. Elie kept his faith but there were times in his young life that he had to question why this is happening to him and his family. When Hamlet lost his father he had to deal with situations that were beyond his control. His mother married his uncle, who in the end was responsible for his father’s murder. Thoughts of revenge emerged in his mind. He wanted others to suffer the same way he was …show more content…
In “A Street Car Named Desire,” Blanche’s tragedy at the end, is her being sent to an asylum. Her triumph is the happy thoughts she has of being whisked away on a luxurious cruise. Blanche would dress up in formal gowns which leads the reader to imagine her living an exquisite, fun filled life, even though these thoughts were in her head. Blanche is a woman who used her rich life and sexual prowess to deceive others. When her past is revealed, she loses her sanity and wants to hide, get away or give up. Stanley, Stella and Mitch were upset with Blanche for not being upfront and telling the truth until Blanche was driven to lose her sanity. Hamlet’s state of mind took a change towards women because of his mother’s betrayal and her part in the destroying of his father King Hamlet. Prince Hamlet had hatred toward his uncle Claudius because he finds out that he indeed killed his father and was sneaking around with his mother. His mother in return gets married right before his eyes and that angered him. Hamlet’s mind was set forth on revenge towards his family and his girlfriend family. At the end of the play, I feel Prince Hamlet had a positive affect by redeeming himself by taking action and accepting his own destiny for wrong doing. In Eliezer writing and telling of the story, “Night,” he wanted everyone to visualize through his suffering and his eyes on how the Holocaust came about and what it entailed. By going
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
In the plays A Midsummer Night’s Dream, by William Shakespeare, and A Streetcar Named Desire, by Tennessee Williams, love is what makes a person irrational. Throughout both plays, the idea of love constantly plagues the characters thoughts, and is the idea behind their actions.
When discussing the notion that “Love can often lead to the creation of an ‘Outsider’." there are cases in our literary examples that would agree with the statement, and some that would not. Outsiders in Much Ado About Nothing, Pride and Prejudice and A Streetcar Named Desire are created by both love and other themes, whether it be class, power, disinterest or a scandal.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
In conclusion, the story of Blanch Dubois in A Streetcar Named Desire is a very sad and pitiful one. Williams stirs the audience's emotions and basically begs them to show Blanch sympathy. I also believe that many people feel as Blanche did, alone, worthless, yet trying desperately to cover their emotion, which reaches out to the viewers in a more personal way. There could not be a more rattling ending than to see old pitiful Blanch dragged off to a nut house, leaving the audience in the same mood Blanche herself would have been.
Hamlet, a young prince preparing to become King of Denmark, cannot understand or cope with the catastrophes in his life. After his father dies, Hamlet is filled with confusion. However, when his father's ghost appears, the ghost explains that his brother, Hamlet's Uncle Claudius, murdered him. In awe of the supposed truth, Hamlet decides he must seek revenge and kill his uncle. This becomes his goal and sole purpose in life. However, it is more awkward for Hamlet because his uncle has now become his stepfather. He is in shock by his mother's hurried remarriage and is very confused and hurt by these circumstances. Along with these familial dysfunctions, Hamlet's love life is diminishing. It is an "emotional overload" for Hamlet (Fallon 40). The encounter with the ghost also understandably causes Hamlet great distress. From then on, his behavior is extremely out of context (Fallon 39). In Hamlet's first scene of the play, he does not like his mother's remarriage and even mentions his loss of interest in l...
Any great king must be compassionate, and Hamlet is the embodiment of compassion. He shows this through his great sadness after his father’s death. Unlike many others in the play, Hamlet continues to mourn long after his father’s death. In fact, he never stops thinking of his father, even though his mother rushed into a marriage with Claudius a mere two months after her husband’s funeral. Also, Hamlet shows the reader his compassion through
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
I believe that Williams passes on a strong message through the play, “Desire deteriorates our lives while our greatest fears stare us in the eye, the only reward we find is in knowing why we regret.” In the end, Blanche Dubois of A Streetcar Named Desire is a tragic figure. All she ever desired was a good, clean life. What she acquired was pain and illusion. One can only be relieved that Blanche finally emptied her secrets and came clean. Whether she ever actually got what she wanted or not, at least her torture even ours conclusively came to an end.
them an image of aesthetic beauty. Douglas’ version is desirable because it is beautiful, and possibly because it is, in fact, silver, and worth a great deal. A reader may also assume that the ‘fleur d’argent’ refers to coins arranged in the shape of a flower. Pictorially, ‘fleur d’argent’ translated as ‘flower of money’ compels the reader to imagine money, whatever type it may be, organized, rather than melted and molded, into the shape of a flower. The image then becomes both one of attractiveness and of financial acquisition.
The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.
Tennessee Williams wrote about Blanche DuBois: 'She was a demonic character; the The size of her feelings was too great for her to contain without the escape of the madness. Williams uses Blanche DuBois as a vehicle to explore several themes. that interested him, one of these being madness. His own sister, Rose,.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
In A Street Car Named Desire, the whimsical dialogues that Blanche Dubois embarks on throughout conversations with characters such as Stella and Stanley, work in tandem to leave the victims distraught by verbal lashes and painstakingly ardent dissertations of there personal motives for continuing to travel down the various dissipate inroads of there life. The often-demoralizing manner in which Blanche convolutes the actions of these characters, seemingly labels her with the nominal reputation as the two-faced, conflicted observer. There is the depiction of a critically honest blanche who will speak her mind in a manner that is oblivious to the thoughts and feelings of her recipients, vs. the caricature of an innocent, delirious blanche, whose deliberations delude and shroud her ability to maintain a unaltered, open-minded consciousness when engaging in conversations with characters. However, amidst Blanches barrage of demoralizing criticism that leaves her victims in a dumbfounded manner, she presents her critiques with painstakingly well-acclimated spurs of unrepressed honesty that brandishes her assertions and accompanies them with an intrinsically meaningful compassion that at times is mistaken by other characters to be uncultivated regressions of disenchanting rancor, vehemence, and indignation expressed towards the welfare and manifestos of the characters she is persistent upon contending with.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.