Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Major themes in a streetcar named desire
Major themes in a streetcar named desire
Female roles in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Major themes in a streetcar named desire
A Streetcar Named Desire is a play about a fragile woman that comes and visits her sister and her new husband. She ran out of her own town because of her partners.The husband is not accepting of his wife’s sister and hassles her as much as he can. Blanche DuBois is Stella’s older sister, who was a high school English teacher in Laurel, Mississippi, until she was forced to leave her post. Blanche is a talkative and fragile woman around the age of thirty. After losing her childhood home, Blanche arrives in New Orleans at the Kowalski apartment and eventually reveals that she is completely lacking the necessities to live. Though she has strong sexual urges and has had many lovers, she puts on the front of a woman who is completely untouched. …show more content…
Stella possesses the same upper class childhood as Blanche, but she jumped the sinking ship in her late teens and left Mississippi for New Orleans. There Stella married lower-class Stanley. After Blanche’s arrival, Stella is torn between her sister and her husband. Eventually, she stands by Stanley, perhaps in part because she gives birth to his child near the play’s end. While she loves and pities Blanche, she cannot bring herself to believe Blanche’s accusations that Stanley dislikes Blanche, and she eventually dismisses Blanche’s claim that Stanley raped her. Stella’s denial of reality at the play’s end shows that she has more in common with her sister than she …show more content…
These shadows and cries were all apart of her imagination and symbolized Blanche decline into to her own world instead of staying in reality. The Varsouviana polka that was playing the last time Blanche saw her husband, Allen, before he killed himself. The song only ends when she hears a gunshot. The polka symbolizes Blanche’s loss of innocence. The suicide of the young man she had loved dearly began her decline into madness. In scene seven, Blanche was singing a song called, “It’s Only a Paper Moon.” The song is all about love turning the real world into a “phony” fantasy. As she is singing it in the tub, Stanley is telling Stella about her past. This counteracts Blanche’s fantasy and
(BlancheStella) • Blanche says to Stella that she is not perfect herself, so she should not be telling her to fix her problems when Stella was the one not making an effort to fix her own issues with Stanley. Blanche believes that Stella should be treated better than how Stanley treats her. It disgusts me how Stanley hits Stella and always being so violent towards her. Stella does what she can to be a devoted wife and is a dedicated caretaker towards her husband’s needs.
A Streetcar named Desire was written by Tennessee Williams, during the restless years following World War II. The play was based on the life of a woman named Blanche Dubois. Blanche was a fragile and neurotic woman, desperate for a place to call her own. She had been exiled from her hometown Laurel, Mississippi after seducing a seventeen year old boy. After this incident, she decided to move to New Orleans with her sister Stella. She claimed she had to move, in result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Her sisters husband, Stanley Kowalski is very suspicious seeing that Blanche seems like an ambitious woman. Therefore, he decides to investigate her. He wanted to make sure Blanche didn’t sell the plantation for her own good. As he begins to find out more about her past, all of Blanches lies catch up to her. Soon, her circumstances become unbearable.
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
... ignorance; and this was the undeniable tragedy that caused her downfall in the end. Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning. Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her violent husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws which blinded him from seeing the beauty and love Blanche had to offer. Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
In contrast, Stella is overly mild-tempered and always striving to please. Generally, she is able to adapt to all situations. This ability to adapt proves to be useful, as both her husband and her sister, Blanche, have such strong personalities. From the beginning, it is apparent that Stella often plays the peacemaker. She was able to foresee that Stanley and her visiting sister would clash. In hopes of avoiding any confrontation, she warned them both to be on their best behaviour. Stella is soft-spoken, speaking only when it is needed, and expressing her grief only when it overwhelms her, whereas Blanche is the opposite: an outspoken woman, with many opinions.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
The drama is basically about a married couple -Stella and Stanley Kowalski- who are visited by Stella's older sister, Blanche. The drama shows the caustic feelings of these people putting Blance DuBois in the center. The drama tells the story of the pathetic mental and emotional demise of a determined, yet fragile, repressed and delicate Southern lady born to a once-wealthy family of Mississippi planters.3 No doubt that the character of Blanche is the most complex one in the drama. She is truly a tragic heroine.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
In A Streetcar Named Desire, Tennessee Williams develops a story of two estranged sisters. Blanche comes to New Orleans from Mississippi, mourning the loss of her husband, and attempts to connect with Stella after years of separation. Blanche, throughout the novel, has light shone upon her and her story of what really happened to her and the sisters’ family plantation. Light, within the play, serves a crucial role in developing Blanche’s character and, ultimately, the truth of why Blanche really comes to New Orleans. Williams begins the story with Blanche arriving at dusk, looking for her sister.