Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Definitions of cyberpunk
Definitions of cyberpunk
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Definitions of cyberpunk
Blade Running to Cyberpunk Labels are a product of too many ideas that describes a field. Cyberpunk fiction is a genre that has only recently received its due respect as an art form. This label is the cause of great controversy when it comes to actually defining cyberpunk. To any definition, there are arguments to its validity and consistency, but there are some generally accepted traits of Cyberpunk (CP). CP is a reflection of the pop-culture of the eighties, an extension of Science Fiction that entangles hard and soft technology, and its stories contain realism. The eighties began the era of the CP movement. CP's early works reflected raw, young ideas of people who "refused the limits offered them by mere custom and habit (Sterling p 3--"Cyberpunk in the Nineties)." Across the world, technology was interfacing with the general population. The underground of New York, Tokyo, and London (Sterling p xii--"Preface to Mirrorshades) was writhing with desire for release. CP was an answer to that. It integrated the rock videos, synthesized music, and new technology of the decade, put it in context with the current social scene and then fast-forwarded it. The writers tended to have disregard and even disrespect for traditional publishing. In the nineties, the edge of the movement has worn off with the acquisition of maturity and success. "Good" CP retains most of those qualities today, with minor adjustments in style, such as having finer narrative, superior character development, and more insightful futurism (Sterling)." The integration of technology and narration has always been present. Uneducated readers may see CP as the same thing as Science Fiction. Any Cyberpunk would beg to differ. Though CP is derived from Science Fic... ... middle of paper ... ...berpunk was not visible to most of the literary public. Some of those fantastic components in Bladerunner are realistic in modern day. So many opinions exist about what is and isn't Cyberpunk Fiction. Three elements have been (generally) agreed upon to be traits of the genre. They include reflections of the pop-culture of the eighties, combining of hard and soft technology, and an element of realism. Cyberpunk is more than an extension of Science Fiction, it is a literary movement that is growing and maturing. Though it has lost some of its young rawness, Cyberpunk remains a saucy defiance to the mainstream. Sources and Bibliograpy Bruce Sterling. "Peface to Mirrorshades". New York: Ace Books, 1986 Tonya Browning. "Writing about Cyberpunk Packet" Fall 1995 Bruce Sterling "Cyberpunk in the Nineties" Larry McCaffery's Interview with William Gibson
Kurt Vonnegut’s science fiction, short story, “Harrison Bergeron” satirizes the defective side of an ideal, utopian American society in 2081, where “everyone was finally equal” (Vonnegut 1). When you first begin to read “Harrison Bergeron”, through an objective, nonchalant voice of the narrator, nothing really overly suggests negativity, yet the conclusion and the narrator's subtle description of the events show how comically tragic it really is. Vonnegut’s use of morbid satire elicits a strong response from the readers as it makes you quickly realize that this scenario does not resemble a utopian society at all, but an oppressive, government and technology-controlled society. “A dystopian society is a
Before World War I, the literary term known as the Utopia emerged. Many people believed that society would be happier if the individual made sacrifices for the “common good”. However, the war changed all of that. Society began to fear governments in which everyone was the same and was ruled by a dictator. Thus, the genre of the dystopian novel emerged. “Dystopian novels show that any attempt at establishing utopia will only make matters much worse.” (Dietz, 1996) Fahrenheit 451 by Ray Bradbury and 1984 by George Orwell are considered classic examples of this genre by such critics as Frank Dietz, Beaird Glover, and Donald Watt. These distinct novels both warn against utopia through the portrayal of the protagonist begins as part of a society in which the individual is non-existent, come into contact with influences that cause their rebellions, and eventually come into contact with some upper hand of the government.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
The main genre of Fahrenheit 451 is science fiction. Science fiction is “a form of fantasy in which scientific facts, assumptions, or hypotheses from the basis, by logical extrapolation, of adventures in the future, on other planets, in other dimensions in time or space, or under new variants of scientific law” (Harmon 468). Fahrenheit 451 is a science fiction novel because Bradbury is basing the novel on the fact that in some sort of dystopian futuristic society books will be banned and if you are caught owning books; your home must be burned.
In this futuristic film, Harrison Ford is a Bladerunner, a man who by using an eye scanning machine and asking questions can determine if a person is really human or is rather genetically created. In the meantime, three of these non-humans find out they only have a four year lifespan and try to find a way, through foul means more than fair, to extend their lives. This culminates in a rather disturbing fight between the leader of these non-humans and Harrison Ford’s character.
Gibson, William. "Johnny Mnemonic." Writing About Cyberpunk. Ed. Tonya Browning. The University of Texas at Austin, Fall 1995.
Conclusively, dystopian texts are written to provide a warning about future times. Authors and directors use a variety of techniques to put their idea forward and have an impact of the audience. Rules that the chosen texts exhibit include that citizens have a fear of the outside world and all citizens adhere to a strict set of rules, but there is a main protagonist who scrutinises the governments or society’s nature. The rules that authors and directors use to put forward their messages of the moral issues human cloning and relying too much on technology and instinctively perusing traditions are evident throughout all three texts.
Dystopia, a word that inflicts feelings of malcontent, fear, a place where abysmal conditions are the new normal, this genre describes a society where everything has and continues to go wrong. This genre has gripped the hearts of many readers and is compelling for people of all ages. The dystopian book Fahrenheit 451 by Ray Bradbury is a thrilling book that introduces the reader to a world where the society tries to force everything to be perfect, and danger lurks around every twist and turn. The meaning of dystopia, the characteristics of the genre, and how it is presented in Fahrenheit 451, contributes to how one could understand the dystopian style of literature.
Cyberpunks or postmodern science fiction writers create their story into our everyday life and make it more real.
Dystopia represents an artificially created society to where a human population is administered to various types of oppressions, or a human population lives under the order of an oppressive government. The novel Fahrenheit 451 and the film V for Vendetta both effectively display this dystopian concept in their works. The nature of the society, the protagonist who questions the society, and the political power that runs the society are examples of how the novel and the film efficiently capture the main points of a dystopian society. The authors of the novel and the film use their visions of a dystopian future to remark on our present by identifying how today’s society is immensely addicted to technology and how our government has changed over the past decades. Furthermore, the authors use our modern day society to illustrate their view of a dystopia in our
Closely related to the apocalypse and post-apocalypse sub-genre dystopia films often take place around such apocalyptic events. The dystopia film also takes techniques and symbolism from sci-fy, fantasy, horror, thriller, and action films to create the frightening and uneasy diegetic world. The singular determiner for a true dystopia film centers around the fall or failure of some pivotal part of our lives. Dystopias usually fall into three
Gibson chooses words to aid the reader in imagining the "dystopia" of the Freeside, a place where the main portion of the book takes place: "For Case, who'd lived for the bodiless exultation of cyberspace, it was the Fall" (6). "The sky above the port was the color of television, tuned to a dead channel" (3). Gibson describes Freeside as if it is one of the worst places to go. Katie Cooper also describes the dystopia portrayed in this book as well. Gibson also uses words out of the science fiction terminology such as "jack-in and flatline" to encourage the reader to feel as though he or she is actually in the mist of cyberspace. Even the title of the novel depicts a certain characteristic of the book: "'Neuromancer,' the boy said, slitting long gray eyes'The lane of the land of the dead. Where you are, my friend Neuro from the nerves, the silver paths. Romancer" (243). Through Gibson's use of specific words he creates a constantly depressing mood and he allows the reader in many ways to visualize cyberspace themselves.
The defining characteristics of the cyberpunk genre have been debated since the beginnings of the literary movement. Some authors, classified as cyberpunk, question the very existence of this label, while others are in constant disagreement about the traits that make up the literature. Authors such as Bruce Sterling believe that cyberpunk is the integration of technology and literature in a world where the gap between science fiction and reality is rapidly closing; however, others such as Lewis Shiner have formed the opinion that this literature is merely a product of pop culture, hence it should not have any true literary importance. Furthermore, cyberpunk is said to be the voice of the underground in modern society, and the vision of a new technological world. These theories represent the different views of the major authors in this genre, thus it becomes difficult to define a literary style from such opposing views. A more constructive method is to analyze the major characteristics and styles used in the stories considered as cyberpunk. The negative portrayal of the integration of technology and society is a fundamental tenet of the literature, because it presents a pessimistic vision of scientific advancement. The genre's dark tones, seen in the styles of it's major authors, emphasize the bleak images throughout the futuristic fiction. The constant conflict between the individual and a technologically advanced society is a major theme of the genre, for it stresses man's insignificance. These characteristics are interwoven into the fabric of cyberpunk and form a bleak image of science fiction and the future.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
The Beat Generation was one of the first groups of writers to break down the barriers of traditional literature and set a precedent for future writers with their writing style, their way of life, and by the messages they portrayed. They were the kids dressed in black, hanging out at coffee shops, reading their latest poetry. They protested wars, were drug users, and openly expressed homosexuality, as they expressed every aspect of their life candidly. But, the Beats are best known for their writing style. It was unique for that time to cast aside conventional structures of sentences and poetry. They used dashes instead of commas and periods; to write the way a person hears speech. Their poetry had a style of it’s own, unknown to any other groups of poets at the time; no rhyming, no structure, and non-conforming beauty.