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Canada's women's roles and rights
Canada's women's roles and rights
Canada's women's roles and rights
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There were many important events that occurred in between the First World War (1914 – 1918) and the Second World War (1939 – 1945), but the event that is the most significant to Canada's history is the career of Emily Carr (1871 – 1945). Born in Victoria, British Columbia, Emily helped shape Canada as we know it today, her art serving as a doorway into Aboriginal culture even as she became an inspiration for women in particular and is now very well-known in Canada and even internationally (The Canadian Encyclopedia, paragraph #1). This report will explore the muses, challenges and eventual success of possibly one of the most important women in Canada's history.
Before 1919, Aboriginal/indigenous art and artifacts were virtually non-existent in the world of art, with almost no representation whatsoever and was “thought to be dying under the waves of white cultural encroachment on their lands, languages and cultural practices.” (The Canadian Encyclopedia, paragraph #4). After returning from a trip to England in 1899, feeling “cheated by 'bad health and circumstances'”, Emily felt isolated in Victoria, being in her mid-thirties and single, grouped with her sisters critical opinions of her and old friends having moved away or joined private groups such as 'The Married Ladies' Club' that she could not join. In 1905, she visited a small Aboriginal village by the name of Ucluelet, where she had often been to in her teen years and had been known as Klee Wyck, meaning “laughing one” in Kwakiutl (Tippett, Maria, Emily Carr: a Biography, p. 63-65).
When she arrived, Emily was remembered and accepted. She laughed more, made friends with people young and old and felt happy for the first time in years. It was also in Ucluelet tha...
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...r's date of birth and death with a question mark after wards is there to say that even though she passed away almost seventy years ago, her work and her legacy still lives on as more people buy her artwork and pay attention to the meaning behind her works.
Works Cited
Boothby, Alex, and Historica Canada. "Heritage Minutes - Emily Carr." Emily Carr. Historica Canada, n.d. Web. 10 Mar. 2014.
News, CBC. "Emily Carr's Art at Germany's Documenta Show." CBCnews. CBC/Radio Canada, 06 June 2012. Web. 3 Mar. 2014.
Shadbolt, Doris. "Emily Carr." The Canadian Encyclopedia. The Canadian Encyclopedia, 23 June 2013. Web. 10 Mar. 2014.
Slaughter, Graham. "Emily Carr Painting Sells for $3 Million at Toronto Auction."Thestar.com. The Toronto Star, 28 Nov. 2013. Web. 3 Mar. 2014.
Tippett, Maria, and Ann Cowan. Emily Carr, a Biography. Burnaby: SFU Publications, 1981. Print.
...t way, like Varley’s 1930 Vera, she remains a mystery, a forgotten artist, best known for he work as a muse, model, and wife. It is often wondered what kind of work she would have done if she had remained single mindedly focused on her art like the famous Emily Carr
David W. Blight's book Beyond the Battlefield: Race, Memory and the American Civil War, is an intriguing look back into the Civil War era which is very heavily studied but misunderstood according to Blight. Blight focuses on how memory shapes history Blight feels, while the Civil War accomplished it goal of abolishing slavery, it fell short of its ultimate potential to pave the way for equality. Blight attempts to prove that the Civil War does little to bring equality to blacks. This book is a composite of twelve essays which are spilt into three parts. The Preludes describe blacks during the era before the Civil War and their struggle to over come slavery and describes the causes, course and consequences of the war. Problems in Civil War memory describes black history and deals with how during and after the war Americans seemed to forget the true meaning of the war which was race. And the postludes describes some for the leaders of black society and how they are attempting to keep the memory and the real meaning of the Civil War alive and explains the purpose of studying historical memory.
In an essay called ‘Miss Leonora When Last Seen’: Why Americans Run Away from Home by Judith Caesar, she describes the situation regarding the way the townspeople felt towards Emily. Caesar says, “To the tow...
Bravery can be showed by having strength, being willing to sacrifice, and standing up for yourself and others. Life will not be very fun if you do not try to make it fun. One has to be brave to make life fun. If one is not strong it would make it hard to be brave. If Holling was not strong then he would not have been able to play Ariel in the Shakespeare play. All of his friends showed up when he was was wearing yellow tights and feathers on his butt. He stayed strong and finished the play. “Still ringing in the hands of Danny Humfer, Meryl Lee and Mai Ti who were standing in the very front row.” (Schmidt 86) That moment was when Holling first saw all of his classmates watching him in the play. At first he only saw Danny’s parents, but then
For years Miss Emily was rarely seen out of her house. She did not linger around town or participate in any communal activities. She was the definition of a home-body. Her father was a huge part of her life. She had never...
Having to send Emily in her early days to live with her father was a burdensome nuisance. All of Emily's father's attributes were rubbing off on her, "all of the baby loveliness gone," (p.
Mcnab, Miriam. "Aboriginal Women's Issues". The Canadian Encyclopedia. Toronto: Historica Canada, 2006. Web. 8 Feb 2006
A small free kiss in the dark is a book written by Glenda Millard in 2009, the book shows the story of a young boy during the war. Also based on war, tomorrow when the war began, is a movie released in 2010, about a young group of people who return home from a camp to be confronted with a war. Both the book and the movie have similar characteristics and differences between them.
Kelm, Mary, and Lorna Townsend. In the days of our grandmothers: a reader in Aboriginal women's history in Canada. Toronto: University of Toronto Press, 2006.
In 1975 Mary Ellen Mark, an up and coming photojournalist, was assigned by The Pennsylvania Gazette to work on a story about the making of the film, One Flew Over the Cuckoo’s Nest, based off of the famous novel by Ken Kesey. The film was being shot at the Oregon State Hospital, a mental institution. It was because Mark was the still photographer on the film set that she was able to gain access to Ward 81, the only locked hospital security ward for women. The women in Ward 81 were considered to “be dangerous to themselves or to others” (Jacobs). Mark and Karen Folger Jacobs, a writer, were given permission to stay an extended amount of time at Ward 81. They spent a total of 36 days in Ward 81 getting to know the women that resided there (goodreads.com). Mark spent her time there photographing and befriending the women that were patients there. Even thought Mary Ellen Mark was known for being a photojournalist she argued that these images were never meant to be documentary, but pieces of art.
As time went on pieces from Emily started to drift away and also the home that she confined herself to. The town grew a great deal of sympathy towards Emily, although she never hears it. She was slightly aware of the faint whispers that began when her presence was near. Gossip and whispers may have been the cause of her hideous behavior. The town couldn’t wait to pity Ms. Emily because of the way she looked down on people because she was born with a silver spoon in her mouth and she never thought she would be alone the way her father left her.
Emily attempts to recapture her past by escaping from the present. She wants to leave the present and go back to a happier past. Miss Emily wants to find the love she once knew. “After her father’s death she went out very little; after her sweetheart went away, people hardly saw her at all” (243). Emily alienates herself from everyone when the two people she has loved most in her life go away. She becomes afraid to grow close to anyone in fear of losing them again.
Alice, Petry. A Rose for Emily.’” Explicator Spring 86. Vol. 44 Issue 3. p. 52. 3 p.. Ebook
Emily was kept confined from all that surrounded her. Her father had given the town folks a large amount of money which caused Emily and her father to feel superior to others. “Grierson’s held themselves a little too high for what they really were” (Faulkner). Emily’s attitude had developed as a stuck-up and stubborn girl and her father was to blame for this attitude. Emily was a normal girl with aspirations of growing up and finding a mate that she could soon marry and start a family, but this was all impossible because of her father. The father believed that, “none of the younger man were quite good enough for Miss Emily,” because of this Miss Emily was alone. Emily was in her father’s shadow for a very long time. She lived her li...
Growing up Emily’s father, Mr. Gierson, made her stay in the house and not socialize with others. He taught her that he was only trying to protect her from the outside world. Mr.Gierson was a rude man who felt that things should go his way; therefore, his daughter hopelessly fell for him because she did not know any oth...