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Well argued analysis of the bayeux tapestry
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Near the Normandy coast of northern France, the village of Bayeux houses a remarkable treasure. The Bayeux Tapestry may be found in its own museum in the former Great Seminary of Bayeux. Also known as the Tapestry of Queen Matilda or the Cloth of the Conquest. This tapestry is unusual. Because it is a very long, narrow strip of linen measuring 70 meters by 50 centimeters. Or about 220 feet long. And only 20 inches tall. The tapestry is actually an embroidery of William the Conqueror's invasion and conquest of England in 1066. It consists of 51 scenes with over 1,500 figures. Including warriors, horses, other animals, ships, castles, weapons, and other objects. Latin words are embroidered on the scenes. To explain what is taking place at each
The Ghent Altarpiece (began by Jan’s older brother Hubert Van Eyck; although the majority of artwork was done by Jan himself) functioned as a polyptych with 24 separate panels. The subject of the Ghent Altarpiece is the commemoration of the fall to the redemption; or rather, the rise of Christianity, the fall of Christianity (sin), and then redemption (Christ's sacrifice that saves mankind).
The Portinari Altarpiece (1476-1479) by Hugo van der Goes, is an astonishing Netherlandish masterpiece (figure 1). Situated in the Galleria degli Uffizi amongst the Italian masters, it dominates the space in terms of size and virtuosity. In considering the complexities of its treatment and meaning, any analysis needs to integrate a number of points. Recent technical development has allowed new revelations but this needs to be assessed in the context of Hugo’s stylistic and physiological proclivity, the demands of the donors and the function of the altarpiece within a contemporary fifteenth century context.
The Bayeux tapestry was a source used for storytelling. Specifically it shows the events leading up to and, the final result William duke of Normandy’s conquering of England. When looking at the scenes of the tapestry many ideas of what is being represented can be made even without prior knowledge. While a scene is easily known it is more difficult to differentiate individual characters or groups within each scene. For example, picking the scene shown on page 236 of Lucien Musset’s The Bayeux Tapestry this scene is a major part in William’s conquest of England.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Italian Baroque was a period through the late sixteenth century to the mid eighteenth century that included motion in paintings that created drama and tension. One of the most influential artists of Italian Baroque was known as Michelangelo Marisi da Caravaggio, most known as simply Caravaggio. Caravaggio went against the norm of popular baroque art, which before the time focused more on the religious experience in a painting. Instead, Caravaggio mostly focused on the realism of the specific scene of the paintings. His style of Baroque painting influenced many artists during the baroque period but also modern artists. Caravaggio used very dramatic uses of lighting and was very talented when it came to capturing physical aspects of his subjects as well as emotional well-beings.
The Ghent Altarpiece painted in completeness by Jan and Hubert van Eyck in 1432. This altarpiece is filled with symbolism. One of the most important pieces of the altar is the Deity Enthroned, which represents the Lord in Christianity. The painting covered with symbols and words. The artists portrays many signs with different meanings from the deity’s clothes to the background.
words that help capture what is medieval art. The artists behind these pieces of artwork
In conclusion, these things are important because without them- our clothing now would be different. Thing about it. Some of the things you wear every day- come from things back then. Clothing for these people was like school uniforms for you. Fashion was not a choice, but a
Peaceable Kingdom is a painting done by Edward Hicks that is found in the National Gallery of Art in Washington DC. This location houses one of the 62 different versions of this painting. This specific piece of art work was completed in 1834 was given to several different owners until Edgar William and Bernice Chrysler Garbish gifted it to the museum in 1980 after their death. 3 All 62 versions of this painting are similar, yet different. The different paintings include varying details, but they all include the same theme. It is said that the paintings were based off of engravings done by Richard Westwall, showcasing an array of animals with children in a forest. All of Hick’s Peaceful Kingdom paintings include this scene and exude Edward Hick’s favorite scripture verse.
The object of this book, Early Medieval Art, is to convey the theme “tradition not only receives and transforms, it literally invents a tradition upon which it founded itself” (p. 15) concerning art of the early medieval era. The purpose of this book is to summarize and offer knowledge of medieval art, that will then be included in the greater series of books by other specialists for Oxford University Press. Lawrence Nees accomplished his argument successfully by following the chronological production of the art and the traditions that are imbedded within them. Although, his thesis is strongly supported, Ness’ failure is found in his over reliance on the artwork itself, which then leads to the masking of his personal arguments.
Many people are familiar with the pyramids and tombs of Ancient Egypt, yet not as many know about the different types of art created by the lower classes. Documentaries, movies, and television shows rarely mention the more standard art that was created, that didn’t take years of hard labor to create. This art can be compared to the drawings that many people make today, as a hobby to do in their freetime. The only difference is that the Egyptians made art for more practical purposes, and rarely for fun. You would likely find a lot of these pieces in plebian burial sites, or packed away in museum storage. Though they lack the renown of the pyramids and tombs, the different styles and types of art created by the Ancient Egyptians have just as much value as the larger accomplishments, but for different reasons.
Reading Museum Service, (2005)“Britain’s Bayeux Tapestry at the Reading Museum”, Reading Borough Council (Reading Museum Service), Berkshire, UK, [Accessed on the 1st July, 2010]
The British Monarchy of Henry VII led the United Kingdom into a new direction. Henry VII changed the governmental system used, along with other things that affected the society of the England. King Henry VII of England redirected the Yorkist and Lancastrians, putting an end to the war between them and expanding the British monarchy. The War of the Roses lasted for thirty-two years. The Tudor dynasty began with Henry VII and continued its reign for one hundred and eighteen years.
In the art world, the medieval periods were traditionally though to be the unproductive phase of Europe between the decline of Rome and the Renaissance. Our modern feelings toward medieval art are far more appreciative. The main intent of Medieval art was to express Christianity which was also a common bond between a wide spread and diverse Europe. For this reason most of the art found from medieval times originated in monasteries and churches. European art during the Middle Ages can be divided into four periods. These four periods include Celto-Germanic art which ranged from 400 to 800 A.D. and was important in metal work. Carolingian art ranged from 750 to 987 A.D. overlapping 50 years of the Celto-Germanic period. The period of Romanesque art spanned mainly the eleventh and twelfth centuries, and was an important period for medieval architecture. Gothic art, the final period of the Middle Age art began in the Romanesque period around the twelfth century and went on until the sixteenth century. Artwork form these four periods all consist of distinct styles setting them apart from one another.
Marshall, Tristan. “The Tempest and the British Imperium in 1611.” The Historical Journal 41.2 (2003): 375-400. Print.