In Euripides’ play The Bacchae, the ideals that were the foundation of Greek culture were called into question. Until early 400B.C.E. Athens was a society founded upon rational thinking, individuals acting for the good of the populace, and the “ideal” society. This is what scholars commonly refer to as the Hellenic age of Greek culture. As Athens is besieged by Sparta, however, the citizens find themselves questioning the ideals that they had previously lived their lives by. Euripides’ play The Bacchae shows the underlying shift in ideology of the Greek people from Hellenic (or classical), to Hellenistic; the god character Dionysus will be the example that points to the shifting Greek ideology.
In this shifting Greek society the cultural value that will experience the most dramatic shift is idealism. Fleming’s Arts and Ideas describes idealism as, “An idea or mental image that tries to transcend physical limitations, aspires toward a fulfillment that goes beyond actual observation and seeks a concept close to perfection” (55). Euripides begins his play with Dionysus describing the events that occurred until the present. Dionysus was a half-god, born of a human mother and Zeus; this is first example of the “ideal” being questioned. The fact that Dionysus describes himself as a god is the heaviest blow to the “ideal” however. Dionysus states on multiple occasions, “(I), appearing as a god to mortal men” (ln. 42), and “I was born a god” (ln.63). These statements reflect Dionysus’s ignorance to who he is, and the forgotten Greek sentiment of “know thy self”. It is not only the audience who recognizes that Dionysus is lacking the ‘ideal” attitude of a god but reasonable characters of the play will pick up on this as well.
...
... middle of paper ...
...trated this by betraying the trust that people had in men and the gods with his foolish and reckless action against Cadmus and his family. Dionysus refuted rational thinking by letting his emotions for revenge stand in the way of his contemplating how a god should behave. In doing all the things Dionysus has destroyed the ideal way one would expect a god to conduct their self. Euripides portrays a Dionysus that single handily destroys all the cultural values of Hellenic Greece; however, Euripides is able to capture the changing values of his audience and pave the way for the culture of Hellenistic Greece to begin to dominate societal thought.
Works Cited
Marien, Mary W., and Flemming, William. Arts and Ideas. Belmont: Thomas Wadsworth, 2005. Print.
Euripides. Three Plays of Euripides: Alcestic, Medea, The Bacchae. 1st ed. New York: W.W. Norton, 1974. Print.
Throughout Aristophanes’ “Clouds” there is a constant battle between old and new. It makes itself apparent in the Just and Unjust speech as well as between father and son. Ultimately, Pheidippides, whom would be considered ‘new’, triumphs over the old Strepsiades, his father. This is analogous to the Just and Unjust speech. In this debate, Just speech represents the old traditions and mores of Greece while the contrasting Unjust speech is considered to be newfangled and cynical towards the old. While the defeat of Just speech by Unjust speech does not render Pheidippides the ability to overcome Strepsiades, it is a parallel that may be compared with many other instances in Mythology and real life.
In Euripides’ The Bacchae and in the Medea, there are significant binary oppositions in both plays. Binary opposition is the two opposite terms, such as good versus bad. Binary opposition is used to present both sides of a contrast (Marvin, 1). In The Bacchae and the Medea, Euripides used binary opposition to highlight the central themes. The significant binary oppositions that are used are men versus women, foreigner versus citizen, and god versus man.
I decided to analyze the similarities and differences between the two gods: Zeus and his son Dionysus. Even though Dionysus is of the same lineage of Zeus, this does not mean they share all of the same characteristics of one another. They differ greatly in attitude, appearance and morals. Zeus is considered the king of all gods, and he proudly uses his powers for his own amusement and pleasure, often at the expense of others lives. Whereas, Dionysus is the god of wine and fertility and he uses his powers to bring both pleasure and an escape from the grief that plagues ones mind but this can come at a cost leading the consumer to become unpredictable and easily influenced through overindulgence and addiction.
Aristophanes, although he wrote in 420 BC, parallels much of Greek society with that of today's. He disrupts the audiences' comfort thro...
In The Bacchae, Euripedes portrays the character of Pentheus as an ignorant, stubborn, and arrogant ruler. These character flaws accompanied with his foolish decisions set the stage for his tragic downfall. Pentheus' blatant disregard to all warnings and incidents, which prove that Dionysus is truly a god, lead him to his own death. In the end, his mistakes are unforgiving and his punishment is just.
Greek culture and religion are very different compared to modern day. In Greek culture, many rituals were performed and sometimes on alters. Many people of this time looked up to the gods and put them on pedestals. In today’s culture, aspects of Hercules and other mythological character are very evident. Modern Society has somewhat changed the story of Hercules. They glorified him as a ladies man with big muscles. Hercules was all that but he also had a very bad temper, which shows in many examples of sacrificial prayer. (Stewart,22).
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Throughout a person’s life, one goes through the process of rebellion. In the play Medea, a work in translation by Euripides, mythology is symbolic of rebellion. This statement will be proven through the analysis of mythology as fully symbolic of suppression. It will also be proven through an analysis of the world around the character Medea and analysis of Medea’s actions.
The play The Bacchae by Euripides tells us many things about how the Greeks experienced and exercised concepts of religion, authority, family, knowledge, and morality. In this play a mortal man defies the wishes of a young god. Now this man, Pentheus, is not just any man he is the king of Thebes as well as the young god’s first cousin. The god, Dionysus, is the son of Greek God Zeus and a mortal women, Semele. She is also one of the daughters of Pentheus’ grandfather, Cadmus. The king does not want to allow the citizens of Thebes to religiously worship the god and this is where the problem lays between the two. This essay will look at the concepts of family, especially the role of women, religion, and morality within the play itself.
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
C. M. Bowra in “Sophocles’ Use of Mythology” gives the rationale behind the Attic dramatists’ preference for myths in their plays:
Dionysian was the primal aspect of reality, as well as raw nature, life and death, pleasure
This paper aims to study two significant playwrights, Sophocles and Euripides, and compare their respective attitudes by examining their plays in respect to plot and character structures. To achieve this goal, the paper is organized into two main sections. In the first section, we provide a brief biography of both Sophocles and Euripides. The second and last section includes summaries of Sophocles’ Electra and Euripides’ Electra which were based on same essentials and give an opportunity to observe the differences of the playwrights. This section also includes the comparisons that are made by our observations about the plays.
Euripides’ The Bacchae is a play about the cult of Dionysus, and more specifically about what happened to the city of Thebes after the king, Pentheus, prohibited the worship of Dionysus. The play begins with a lengthy monologue from Dionysus, in which he describes his birth, and journey throughout the East. As the first character to appear in the play, he also explains the reasons why future events will take place. He describes the actions of his mother’s sisters, his aunts, and the actions of the king, Pentheus. Dionysus is a vengeful god, and the message that this play sends to the audience is that “When insulted, gods do not forgive” (line 1818).
At the bottom, the Dionysian…must be free; he will not be tied or bound or confined or obligated. To do as he wishes when he wishes, that’s the ideal. To wait, to save, to store, to prepare, to live for tomorrow – that is n...