Outlandish ambitions without any logic or regard for morality often results in disasters or death. Still, nothing seemed impossible for the selfish, brilliant, yet misguided scientist in The Birthmark by Nathaniel Hawthorne. As the stubborn antagonist and static character of the short story, Aylmer had intentions and ambitions to show everyone that his intellectual mind surpasses those who are imperfect. Hawthorne used Aylmer from the Birthmark to show that greedy behavior, interaction with nature and science, and ignorance can become dangerous to others once the mind operates independently without a second thought of morality.
A magnificent scientist, he was, as his experiments and creations boosted his fame in the scientific community. Aylmer "investigated secrets of the highest cloud region and profoundest mines" (Hawthorne 9), bottled "a gentle yet most powerful fragrance" (Hawthorne 12), created the most powerful and precious poison which he called the "elixir of immortality " (Hawthorne 13), and a cosmetic potion
…show more content…
In a way, his foolish ambitions and intentions highlight God's roles. In the text, the imperceptive scientist desires to be able to achieve the ultimate control over Nature, therefore, he studies the "wonders of the human body to create and foster a man" (Hawthorne 9). Also, Aylmer created powerful cosmetics to correct Nature's mistakes, such as his wife's birthmark. He wanted to achieve the impossible goal- produce and perform perfection. To Aylmer, the defective birthmark defines morality and imperfect humanity. It is a reminder that every living thing is flawed in a specific way. The idea of mortality seemed abominable to the scientist's perspective. One way to show his opinion is by denigrating his assistant, Aminadab, by calling him "thou human machine...thou man of clay" (Hawthorne 15). Aylmer wanted to make his wife perfect in order to erase the mortal
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
Aylmer as a mad scientist who seemingly only cares about his studies, not having any
Deadly and helpful, science is a dual-edged sword. Nathaniel Hawthorne is one of the first to emphasize this through his literary works. “Rappaccini's Daughter” and “The Birthmark” are two of his works where he teaches this lesson through the trials of his characters. Focusing on the motif of the “mad scientist”, Hawthorne brings to light the points that people struggle with humanity, learning to love themselves and others, and that science can be more harmful then helpful.
Stoehr, Taylor. Hawthorne's Mad Scientists. Hamden: Shoe String Press, 1978. Weinstein, Cindy. "The Invisible Hand Made Visible: 'The Birthmark'." Nineteenth Century Literature 48 (1993): 44-73.
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
################################# Part 3 ######################################## Nature doesn’t intend for things to be perfect, if it was the contrary we wouldn’t be considered humans. Nathaniel Hawthorne’s The Birth-Mark portrays the story of a scientist, Aylmer, so self-absorbed, and supercilious in his own power of science that he would go so far as to remove the intentional “imperfect” birthmark that Nature has bestowed upon his wife’s face. “Cannot you remove this little, little mark… Is this beyond your power… Noblest, dearest, tenderest wife… doubt not my power” (216). Hawthorne uses the birthmark as a symbol to represent the imperfection that is within the human species, the mark also draws out the imperfection of those who have encountered it by displaying their tendencies to overlook the flawless beauty of Georgiana and focus solely on her birthmark, “Some fastidious persons… affirmed that the bloody hand… quite destroyed Georgiana’s beauty… Aylmer discovered that this was the case with himself” (214). Nature’s symbol is a paradigm of omnipotence. To simply put, Nature created the grand design of human life, and governs over our society but allows us as people to do as we please with our lives, so long as we do not alter with Nature’s creation, “…Our great creative Mother… She permits us, indeed to mar, but seldom to mend, and like a jealous patentee, on no account to make” (217). Despite Nature’s intention, being the pompous scientist that he is, Aylmer believes himself to be something more than a microcosm of Nature’s creation. In other words, because of his unparalleled ability in the subject science, like other...
In Nathaniel Hawthorne’s, The Birthmark, he uses unperfected beauty to confirm that if God’s creations are meddled with the product is harmful. A scientist, Alymer is married to a beautiful women named Georgiana whose only flaw is a birthmark on her left cheek.
The birthmark is a compelling story of one man’s obsession with his scientific ability to produce perfection. Aylmer, a scientist, is married to a Georgiana who is a very beautiful woman. Not long after getting married Georgiana’s birthmark, which is in the shape of a tiny handprint on her check, really begins to bother Aylmer. He sees it as a flaw in an other wise perfect woman. Georgiana knows that her birthmark disgusts him and, having grown up not bother at all by it, begins to hate it herself. He asks if she has ever considered having it removed. This is not something she has considered since other people in her life, especially men, have always seen it as a “charm”. Aylmer being an amazing scientist almost sees himself as god and feels that he has the power to remove this imperfection. Georgiana, bothered by her husband’s reaction to her birthmark, agrees to let him try to rid her of it. She is taken to his laboratory and he immediately begins to experiment. After she finds Aylmer’s book of experiments, which all end in failure, she for the first time, has some doubt about how this will work and confronts him. He reassures her and begins to try a multitude of methods, with the help of his assistant Aminadab, which do not work. At one point, there are several experiments going on and he even refers to himself as a “sorcerer” (Hawthorne 232). Finally, he produces a potion, which she drinks, and the birthmark begins to disappear! Slowly though, even as the experiment is working, Georgiana is fading away. He finds that ultimately, the birthmark was connected to her very soul and in his trying to act god like he actually kills her. Really this short story just proves that science has its limits and no man should try to act like G...
It is hard to say that one is human and perfect at the same time. Human beings are not capable of achieving perfection; if that would be so, humans would stop being humans. By nature the human race is full of flaws, some appearing as early as in the womb. From defects in the body, to defects in the mind, to the mistakes that one makes in quotidian life, it is impossible to deny that human imperfection exists. To try to manipulate humans into perfection is not only impossible, but it takes away the very essence of being a human being. The short story “The Birthmark” by Nathaniel Hawthorn, illustrates this teaching through the character of Aylmer, an ambitious and devoted scientist who is appalled by his wife Georgiana’s birthmark, believing it to be a perceivable sign of her human flaws and eagerly waits to remove it from her cheek. This story raises riveting questions such as, what is humanity all about, can human beings ever achieve perfection through science, is Hawthorn attacking science or a wider issue, and more significantly, should science take the place of God. Through the use of symbolism in “The Birthmark”, Hawthorn indirectly implies that imperfection is an essential part of being human and that science should not interfere; thus he is hinting his personal views toward science and its limitations over nature.
Nathaniel Hawthorne’s “The Birthmark”, is the story of a crazed scientist whose strive for perfection not only leads to the death of his beautiful wife, but the attempt of man to have power over nature. It follows the story of Aylmer and his obsession with removing the birthmark off his beautiful wife, Georgiana. “His unnatural fixation to his wife’s birthmark even consumes him in his sleep as he dreams of cutting it off much like scraping an apple off its skin.” (Snodgrass 29). This narrative explores the themes of perfection, and the conflict between science and the natural world.
The story’s tone is one of romantic controversy, a dilemma at a high level of existence. The scientist’s love for his craft competes very intensively with his newfound love for his wife. It is also very psychological, strictly dealing with the raw mind of its subjects as if the ominous narrator told the story from inside their mind, rather than observe it from the outside. He describes the processes that one may take to reach a certain degree of knowledge and to find the elixir of life, which is described in this story as the ultimate goal of the scientific community. Also, the narrator is very opinionated about events in the story.
Born on July 4, 1804, in Salem, Massachusetts, Nathaniel Hawthorne was the son of Nathaniel and Elizabeth Manning Hathorne (Pennell 1). Finding the harshness of his strict Puritan ancestors to be unsettling, Hawthorne later decided to add the “w” to his name to separate him from his predecessors (Leone 11, 12). In 1808, Hawthorne’s father dies of yellow fever while at sea (Pennell 1). Eventually, Hawthorne enrolled into Bowdoin College in Brunswick, Maine, in 1821 and graduated in 1825 (Leone 13, 14). In 1828, Hawthorne published his first novel Fanshawe, but the book received unfortunate reviews. Thinking he had failed miserably, Hawthorne sought to destroy all copies he could find. Starting in 1830, Hawthorne began having several short stories and sketches published in magazines and periodicals (Pennell 3). In the future, during the spring of 1838, Hawthorne met Sophia Peabody. Similar to Hawthorne, Sophia suffered from her fair share of illnesses and possessed enthusiastic artistic abilities and interests. Towards the end of that year, they were privately betrothed (Leone 16). Hawthorne found a job as a salt and coal measurer at the Boston Custom House in 1839. For the
Fabricating a type of the romantic artist who has radically creative powers that he exercises, Hawthorne creates in “The Birth-Mark” an extreme situation that bares the fundamentalism of the transcendental aesthetic. Accepting the premise that the artistry of nature, regardless of the apparent coarseness and lack of finish that some products may exhibit, is superior to the artistry of humanity because nature "works from the innermost germ," Hawthorne was initially critical of any discontent with the quantity and quality of nature's bounty. Should the reader emphasize Aylmer's Neoplatonism and his quest for ideal beauty, the disjunction between drama and assertion assumes a thematic function: it is Hawthorne's means to test the values of the ideal artist. Hawthorne even more
Nathaniel Hawthorne’s 1843 short story entitled “The Birth-Mark” is, at face value, a traditionally formatted Hawthorne story; it is a textbook example of his recurrent theme of the unpardonable sin as committed by the primary character, Aylmer, the repercussions of which result in the untimely death of his wife, Georgiana. However, there seems to be an underlying theme to the story that adds a layer to Hawthorne’s common theme of the unpardonable sin; when Aylmer attempts to reconcile his intellectual prowess with his love for his wife, his efforts turn into an obsession with perfecting his wife’s single physical flaw and her consequent death. This tragedy occurs within the confines of traditional gender
In today’s society, it seems that we cannot turn the television on or look in a