In the play Antigone written by the playwright Sophocles, Sophocles has different views of how the authority of the state over an individual should be. Sophocles attitudes of these views are shown in the Antigone, states have authority over their subjects and the subjects should obey them no matter what, regardless if what the ruler orders is right or wrong and that individuals should follow god’s law over the ruler or state’s law.
The play starts with the exchange between Ismene and Antigone. Ismene argues that they should follow the state’s law, “…next that we are ruled of the stronger, so that we must obey in these things, and in things still harder” (Page 93). Sophocles is showing this view through the character Ismene and that people should
In every story there is a main lesson to learn a kind of "Big idea" your supposed to get called the theme. A stories theme can be anything from a will to survive to a quest for power.In Sophocles' "Antigone" he revealed through conflict, characters, and setting that the central theme is that divine authority is more powerful than human authority.
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
Steffi Graf stated, “You can have a certain arrogance, and I think that's fine, but what you should never lose is the respect for the others.” This quote helps me prove that there's no point in someone having a high status, if they don’t treat their people right. They'll just get disrespect in return and become a low status in their people’s hearts. In Sophocles tragic play Antigone, King Creon’s self importance and high level of arrogance caused many consequences in the drama such as death itself and miscalculations of choice making. The King of Thebes thinks of himself better than everyone because of his power of the throne. Thinking that the king rules alone and if one to ever disobey the King, they are to bare consequences.
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
sense of loyalty leads to her simultaneous violation and observance to the duty of women
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
Being a good citizen often involves doing something out of the ordinary to help others. Sometimes, that involves going against the will of others to do what the good citizen might think is best. Although this is traditionally the case, the biggest factor in being a good citizen is great respect for the nation in which one lives. If one wants to be a good citizen, he or she might go out of his or her way to help others, however, must do so within the rules of the nation. In the Greek Drama by Sophocles, entitled Antigone, the hero, Antigone, shows, what I would call, bad citizenship. How is this? Why is she being a bad citizen?
In the plays Antigone and the Crito the two lead characters, Antigone and Socrates, showed completely different ideas regarding their responsibilities to the State. Antigone believes in divine law and does what she thinks that the Gods would want her to do. Socrates, on the other hand, believes that he owes it to the State to follow their laws whether he thinks they are right or not.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Political power results from the fear of force. The individual acts out of a fear of consequences of disobedience and in accordance with the desdire for self-preservation. Political Authority results from a belief in the moral correctness of the organization in question. The individual acts of a sense of obligation and acknowledges the right of the ruler, morally, to rule and the moral correctness of the laws are accepted. The laws are obeyed for their own sake.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
In the play Antigone, Sophocles writing can be very controversial. He explains different perspectives of justice through the fates of the characters in the play. Creon and Antigone both would claim to have the law and Gods on their sides. They bring acceptable evidence for their reasoning to be true for their thought of the right way to carry out justice. Creon is certain that his ability to be king will justify leaving Polynices unburied. On the other hand Antigone sees justice as the ability to bury her brother. Conflict explodes with their inability to compromise over what is the definition of justice. Justice has a different role to play in any individual’s life because gender differs from man to women and society sometimes looks down upon women. Justice should be served and women should have the same divine rights that men do.
“Do what you believe is right.” This is a phrase common to us all, brought to our attention by parents, reinforced by teachers, and preached by leaders. But how does one define what is right? Is it what we believe in our hearts, or is it what we know is acceptable? This is a predominant dilemma that can be traced throughout society, and is the main focal point of Sophocles’ play Antigone. Written in 441 B.C., Antigone is one of the earliest records of the conflict between Natural law and Positive law. Sophocles deftly exposes these two philosophical standpoints and their respective moral and political aspects by way of the two main characters, Antgone and Kreon. Antigone is a champion of Natural law, while Kreon practices the Positivist approach. Both characters deem their behavior superior towards the other, and both assume religious justification for their actions. Sophocles ultimately proves that with so much support for each philosophical standpoint, a solution to the dilemma is hardly in sight.
Ultimately, I find that Antigone is a play that can be interpreted in many different ways. Through the examination of characters, events and scholarly arguments I have attempted to show that the catalyst for Antigone’s tragic end stems from the edict of Creon, an edict that as a ruler he is within his rights to make – but which Sophocles ultimately forces Creon to acknowledge as wrong. However, whilst the actions and events leading up to this event cause Antigone to disregard the law in order to pay burial rites to her brother, her treatment of Creon and acceptance of her fate must show that she herself accounts for a decent share in the responsibility for her own death.