The wide range of skilful cinematic techniques used by Joe Wright and Seamus McGarvey in Atonement, has definitely given the plot new profundity and has proven this movie to be a work of true cinematic adepts. Atonement is not your typical "And they lived happily ever after" love story. It is passionate, tragic and suspenseful, with twists and turns that leave viewers astonished and heartbroken. The movie is set in 1935, in the English countryside. A naïve 13 ear old girl, Briony Tallis (Romola Garai), has to deliver a letter written by Robbie Turner (James McAvoy), an Oxford graduate, whom she secretly likes. She has to give the letter to her sister, Cecilia Tallis (Keira Knightley). Cecilia and Robbie have passionate feelings …show more content…
The scene where Robbie is typing a letter is match-cut and cross-cut with the scene involving Cecilia looking at herself in the mirror. The movie is non-chorological but with Paul Tothill’s marvellous and skilful editing, he has managed to make the transitions among scenes smooth and plausible. The non-chronological arrangement of scenes further emphasizes the confusion and also intensifies the plot. The rapid, dramatic and vivid scene changes and scenes involving changes in perspective or in other words, point of view editing, are other commendable aspects. For example, the scene where Robbie hands the letter to Briony is quickly followed by a flashback and Robbie realizing that he had handed her the wrong letter and then another quick scene change to Briony opening the letter. Wright takes good advantage of these rapid and intense scene changes to create anxiety and eagerness among the viewers to know what will happen next and in keeping them engrossed in the movie, also the point of view editing really helps in capturing the contrasted point of view of Briony and the viewers. There is a clever use of a typewriter playing staccato notes, in Dario Marianelli’s score for the movie. Marianelli employs the clack of a typewriter as the central music piece to the movie and this recurring and urgent one-note beat of the typewriter helps create tension and an ominous effect, increasing the intensity of the
The film starts off showing the only sincere moments that viewers will watch with cuts to beautiful fields and artistic shots of headlights coming down a road. Director Jack Riccobono is quick to come away from these scenes as he delves straight into the bitter world Rob and Kevin are divulged in. Their story is told through first person accounts of the films Rob and Kevin, showing viewers their life stories through their own words and actions. The director uses techniques commonly found in documentaries, such as having titles and narration, to fully engage viewers into the lives of the subjects.
I’m sure you’ve debated with yourself many times the book or the movie. This essay proves to you why the movie version is so much better. John Proctor was without a single doubt the best character in The Crucible. The film did an impeccable job of conveying a much better picture of what truly happened in the years 1692 and 1693. Even though many people may consider the book to be the better version of The Crucible their reasons do not compare to the reasons I have written to prove that the movie is the best version. The movie did a much better version of giving us more details and more personality out of the characters such as John Proctor. In the book, John Proctor was a dry and dull character but in the movie, he is incredibly influential.
The movie, Loving, directed by Jeff Nichols is based on a true story about Richard, and Mildred Loving, an interracial couple fighting for their rights to stay married, and be able to raise their family in the state of Virginia where in the 1950’s it was illegal to be married to a race other than your own. Richard Loving grew up in a small town called Caroline County in the state of Virginia, where he met Mildred and knew that he would do anything to be able to call Mildred his wife. Richard proposed to Mildred on an estate of land he bought for them to raise a family on one day. Mildred agrees to marry him, but unfortunately, they are aware that in the state of Virginia it is illegal for them to get married because of their anti-miscegenation law. They agree that they will go to Washington, D.C., where they will be able to become legally married. In 1958, Richard and Mildred Loving became legally married in Washington, D.C. When they return home to the State of Virginia they are harassed by the Caroline County police and thrown into jail because they got married outside of the state that they reside in, which is illegal in Virginia. Richard is set out on bail, but Mildred is forced to stay in jail for several more days. Richard and Mildred’s case was presented before a judge to decide the ramifications of their actions.
Braff himself has a warm, easy-to-watch screen presence. He can say nothing during the lull in a conversation, while the camera remains focused on his face, and it feels right. Portman and Sarsgaard are also genuine, each wonderfully relaxed in their roles. Production design is superb: details in every scene are arranged well, and the photography, by Lawrence Sher, is - like the story and the acting – unpretentious, never distracting, tricky or cute. This film never seems to manipulate us; instead it engages us, arouses our curiosity and amusement, bids us gently to care about Andrew and Sam and even Mark, leaving us entertained in the best sense. This movie is as confident, as secure in itself, as comforting, as a well worn pair of house slippers or your favorite reading chair. A splendid film. Grade: A- (09/04)
Into the Wild, a 2007 nonfiction film based on New York Times bestseller book written
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
Precious is an African-American female who is currently impregnated by her biological father for the second time. She is sixteen years of age and can neither read nor write. She constantly suffers pitfalls at her young age. She is heavily obsessed and is subjected to abuse at the hands of her vicious, dysfunctional, abusive, and unemployed mother. With the proper support from an engaged principal, teacher, and social worker, Precious’s life turns into the positive.
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
Then the question is posed to Mr. Lockwood, "How did it all begin?" The answering of this question is what my paper will explain. I will attempt to break down the opening scene and show how it all started. By using tools of film such as sound, editing, mise en scene, and cinematography, this paper will show how the scene was made as well. Mise en scene played an important role in this movie as with any other movie.
The coming of age novel, Atonement by Ian McEwan, discusses guilt, forgiveness, and the complicated nature of love through the struggles of growing up. The novel begins in England during World War II, where 13-year-old Briony Tallis is part of a family with dysfunctional dynamics. Her older sister, Cecilia, experiences true love with the family’s gardener, who is the son of their housekeeper, but their relationship is riddled with many obstacles. Most troubling is that Briony naively imagines their intimacy as something more aggressive towards her sister. Her innocence and shielded view of the world causes an unfortunate series of events that tears the family apart and alters the course of the rest of Briony’s life. In Atonement, McEwan demonstrates the maturation of love and how prosperous, yet destructive love can be between lovers and family alike.
Take a moment and think about how difficult it is going through an unexpected change having to do with leaving your old life, your hometown, and even your house by force. Well, that's what you call a sudden change that may leave a long-term effect on a person. Based on true story, In the book Night, movie called Life is Beautiful and article named “ The Journey to Europe: One Syrian refugee’s story” all show terrible experience through sudden changes of a person due to Religion and way life is going on in their own hometown that changes a person for life, but after going through the change they're able to continue a normal life.
The human experience is riddled with unpalatable truths that we discover as we journey through life. Influencing our values and attitudes by deliberately challenging the reader with humanity’s unpalatable truths, Ian McEwan prompts the reader to consider our own moral compass through the character of Briony Tallis. During the course of ‘Atonement’, McEwan demonstrates that actions and words inevitably have consequences on not only the individual but also those surrounding them. Throughout the three fundamental stages of Briony’s complicated life, her coming of age story has developed in the unpalatable obstacle of atoning for her mistakes. In misunderstanding, Briony appears naive; she thinks she can control aspects of her own world, acting
'For a text to be appealing, the audience must see the protagonist in conflict.'(respond critically by making close analysis with the text.) To be completed by the first week of the holidays.
The movie I chose to review was The Help. The Help takes place in the 1960s in Jackson, Mississippi. The movie focuses on the lives of two African-American maids, Aibileen Clark and Minny Jackson. Aibileen worked for a family who had a young girl that she helped to raise. The other maid, Minny, got fired from the first house we saw her working in because she used the homeowners’ bathroom without their permission. She ends up finding work with Celia Foote, who is not very popular among the other women in the town. After Minny found out Celia was having complications with her pregnancy, the two became very close. Celia even spent a whole night cooking a meal for Minny.
Sins are mistakes made in moments of weakness; everybody has weakness, thus everybody commits sins. These mistakes gone uncorrected leave guilt and regret, but because the nature of guilt is a feeling of responsibility for an action, it reflects the good in someone because at a subconscious level, they long for some form of redemption. The length at which two characters in The Kite Runner, by Khaled Hosseini, go to redeem themselves doesn’t necessarily show their “goodness”, but the level of guilt they experienced because of their sins. We find out that that the father, Baba, had an illegitimate son with his best friend’s wife, a Hazara woman, which in turn forced him to cover up his and Hassan’s relationship, not to mention his neglectful treatment of his legitimate son Amir due to their vast personal differences. Amir himself was cowardly when it came to defending his half-brother Hassan, his sins worsened when he sold Hassan out in order to bury his own guilt. While each character is good, Baba sacrificed more than Amir in order to redeem himself; though he was forced to cover up his relationship to Hassan, he did the best he could to give him and Amir a better life, and give back to his community.