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The yellow wallpaper psychological criticism AND SYMBOLISM
Human nature of the yellow wallpaper
The yellow wallpaper psychological criticism AND SYMBOLISM
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After reading the short story, did you find that the atmosphere changed from the introduction to the conclusion of the short story?
After reading the story I found that there is a shift in the atmosphere from the introduction to the conclusion of the story where the mood transitioned from genial, cozy, and snug to depressing, eerie, and frightful. In the beginning of the story, the speaker and her family move into a "beautiful place, quite alone, standing well back from the road, quite three miles from the village"(page 4). John is “very careful and loving, and hardly lets [her] stir without special direction” (page 4) The shift of mood initiate when the speaker begins observing the “repellent, almost revolting unclean yellow”(page 7) wall
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As time goes on, she starts getting frustrated and a little bit delusional. She is not just glance at them anymore; she starts noticing the patterns on the wallpaper, and this can be viewed as an indication of hallucination. Moreover, she sinks into her imagery world and seriously thinks there is a woman trapped inside the wallpaper. She believes John is plotting something. By the end of the story she crawls over her husband and this is the point where we ultimately know she is crazy. The strange yellow wall paper greatly contributes to the eerie atmosphere and mirrors the horrifying mood of the story. The author's degree of insanity has gradually increased during the period of living in the room with the yellow wallpaper. By the end of the story, she becomes completely insane and believes she is the woman who is being trapped in the hideous wall paper and finally reaches …show more content…
As the story progresses provide three examples of when the female narrator showed a change with regards to her personality and actions. Did she get 'better' or 'worse' as the story progressed?
At the beginning of the story, the narrator, Jane, appears to be a normal woman with great imagination and curiosity although her husband John claims that she has a "temporary nervous depression—a slight hysterical tendency" (page 3).The first shift regards to Jane's personality and actions lies in her discovery of the hideous yellow wallpaper after they move into what she calls a "haunted house" (page 1). She feels uncomfortable and becomes a little bit unconscious. Furthermore, the second shift begins when she sinks into her imaginary world within the yellow wallpaper; the awful wallpaper has "dwells in [her] mind"(page 11). She is gradually "getting dreadfully fretful and querulous"(page 11). Her delusional state utterly takes her over as she hallucinates the patterns on the wall paper as "a woman stooping down and creeping about behind that pattern"(page 13). She starts to sleep at morning and observe the "woman inside the wall paper" at night. The last shift regarding to Jane's personality and action appears to be when she claims that "the front pattern DOES move"(page 18) because "the woman behind shakes it"(page 18). Moreover, she sometimes "think[s] there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over"
The wallpaper in her bedroom is a hideous yellow. "It is a dull yet lurid orange in some places, a sickly sulphur tint in others" (pg 393) The wallpaper is symbolic of the sickness the author has by the end of the story. Yellow is often a color associated with illness. It’s been suggested that she herself was clawing at the paper during moments of insanity. But there are many times when she is sane, and sees the marks on the wallpaper, and she writes about how others who had spent time in this room tried to remove the paper as well.
All through the story, the yellow wallpaper acts as an antagonist, causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection on the wallpaper caused her much distress.... ...
Her mental state is again revealed a few pages later when she states, "It is getting to be a great effort for me to think straight" (Gilman 430). Related to thought disorder is obsession, which the protagonist displays in her relentless thoughts about the yellow wallpaper which covers her bedroom walls. The narrator begins her obsession with the yellow wallpaper at the very beginning of the story. "I never saw a worse paper in my life," she says. "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study" (Gilman 427)....
Her use of sensory words to describe the wallpaper and how is she is seeing things within the paper show she is not in her rational mind. The woman claims the wallpaper smells yellow (Gilman); a color cannot be smelled. Her senses are heightened because of this wallpaper. In her depiction of the wallpaper’s design, the narrator writes in great detail the images she is discovering. The curves of it “commit suicide”, the patterns “crawl” and “creep”, and there are “unblinking eyes are everywhere” (Gilman). In her mind, she is animating an inanimate object. The wallpaper becomes a terrifying object for both the narrator and the reader. Strangely, she also sees a woman trapped inside of the wallpaper, shaking invisible bars. Possibly due to her own circumstances, she is imagining herself as that very woman inside the wallpaper. Like the woman trapped, she also feels imprisoned and helpless. She repeatedly asks, “What is one to do?” (Gilman) as if she has no choice on what she wants to do. Her use of physical words to illustrate the wallpaper allows the readers to first feel her negative emotions but then sympathize with
Jane’s new home seems to make her feel very uncomfortable from the beginning of “The Yellow Wallpaper” when she states “that there is something queer about it.” She says that John tells her the vacation home will be a good place for her, but even seems unsure of that proclamation herself (Gilman 956). Jane begins to describe her environment and speaks of how she is unsure of exactly what the room was used for before her arrival. She speaks of bars on the windows and strange rings on the wall. More significantly she speaks of the “repellant” and “revolting” wallpaper on the wall that seems to disturb Jane a deal more than any of the other odd décor in the room. She also speaks of how the children must have really hated it and that is why is has been peeled off in places (Gilman 957). The wallpaper continues to bother Jane throughout “The Yellow Wallpaper”, but Jane also begins to dislike her husband.
A transformation took place during the story and it is evident through the narrator?s character. In the beginning he was lacking in compassion, he was narrow minded, he was detached, he was jealous, and he was bitter. Carver used carefully chosen words to illustrate the narrator?s character and the change. Throughout the story his character undergoes a transformation into a more emotionally aware human being.
The story begins with the narrator’s description of the physically confining elements surrounding her. The setting is cast in an isolated colonial mansion, set back from the road and three miles from the village (674). The property contains hedges that surround the garden, walls that surround the mansion, and locked gates that guarantee seclusion. Even the connected garden represents confinement, with box-bordered paths and grape covered arbors. This image of isolation continues in the mansion. Although she prefers the downstairs room with roses all over the windows that opened on the piazza the narrator finds herself consigned to an out of the way dungeon-like nursery on the second floor. "The windows in the nursery provide views of the garden, arbors, bushes, and trees”(674). These views reinforce isolationism since, the beauty can be seen from the room but not touched or experienced. There is a gate at the head of the stairs, presumably to keep children contained in their play area of the upstairs with the nursery. Additionally, the bed is immoveable " I lie here on this great immovable bed- it is nailed down, I believe-and follow that pattern about by the hour" (678). It is here in this position of physical confinement that the narrator secretly describes her descent into madness.
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of her time. She starts to see the pattern moving, and imagines it to be a woman trapped behind the wallpaper. The total deterioration of her sanity is reached when she becomes the woman she imagined in the wallpaper and begins creeping around the room.
Frightening details begin to unfold about the room, including: barred windows, a bolted down bed, and of course, the wallpaper itself (227). Gilman uses the imagery to create an air of suspense and insinuates the narrator’s coming fall into insanity. The setting of “The Yellow Wallpaper,” in large, leads to the narrator’s collapse. Almost instantly, the narrator’s already unstable mind perceives a ghostliness that begins to set her even more on edge. Her tense mind is then further pushed towards insanity by her husband,
In “The Yellow Wallpaper”, the main theme is confinement. The narrator is confined to a single room in a huge house. Her husband often spends his nights in town, to fulfill his role as a doctor. The narrator attempts to deal with her fears and isolation. Due to her confinement, she starts losing her sanity (Perkins 175). It can be seen that the narrator slowly turns mad. Her mind turns into a chaotic situation and she starts seeing shapes in the wallpaper. However, in reality, there is no woman entrapped in the wallpaper. The narrator thinks that way because she starts losing her grip on
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
The house is described as, “The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people” (251). However, Jane’s delusion is just that, a delusion encrypted by her mind to have her think she is living in quiet luxury. She goes on to talk about how the bed is nailed down to the floor, the walls are covered in scratches, the windows are barred, and there are rings in the walls. Obviously, Jane, despite being told by her husband that she is fine, is slowly beginning to lose sight of reality. The reader should know at this point that this “mansion” is nothing short of an insane asylum John has taken Jane to so she can rest and calm her troubles. But Jane and John’s troubles are only beginning when she is forced to sit in solitude with the awful yellow
In the short story, the Yellow Wallpaper, the narrator chooses to write about a married woman in a new home who ultimately falls down into a spiral of insanity. The Yellow Wallpaper centers primarily on the narrator and her discovery in the room she must stay in to rest. There she sees a yellow wallpaper that soon begins to take the form of a woman who is trapped, and is shaking the wallpaper in order to get out. The narrator continues trying to figure out the wallpaper and its pattern until eventually deciding to rip the wallpaper off in an attempt to free the creeping woman trapped inside. Thus, the narrator in the Yellow Wallpaper suffers a mental collapse by going insane in her attempt to understand the wallpaper which can be attributed
The narrator becomes obsessed with the wallpaper which causes her to believe the paper is moving. She states, “The front pattern does move – and no wonder! The woman behind shakes it!” The narrator believes there are many women behind the yellow wallpaper, but only one can crawl around, the woman strangles to climb through the yellow paper due to the pattern of it. Sh...
1. How does the opening scene contrast with what happens at the end of the story?