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More handpicked essays just for you.
Essay on the history of surrealism
Essay on the history of surrealism
Essay on the history of surrealism
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Arthur Boyd is a renowned Australian artist, who started to follow in his family’s footsteps and began exploring his artistic abilities from after being conscripted to World War II; until his death in 1999. Boyd worked in a wide range of mediums including paintings, prints, drawings, sculptures and tapestries in ways that are highly inventive. His main influences were Australian landscapes, wartime, aboriginal rights and surrealism. Many of Boyd’s works were drawn from personal experience, symbolising human emotions, aggression against love and conveying themes around family relationships, values and religious beliefs. Born into Australia’s leading art era, Arthur Boyd had a childhood that was heavily influenced by the practices of his relatives, who were all perusing artistic careers. Through the support and advantage of his family, he went on to become one of the most influential painters in Australian history. Arthur Boyd was born in the year 1920 in Murrumbeena. He is naturally talented - he received no additional artistic training except for the night classes he attended in Melbourne. He spent all his free time occupying his painting hobby, creating …show more content…
Referred to by the Prime Minister, John Howard as a, “giant among Australian artists“ Arthur Boyd was made Australian of the Year in 1995. He returned to his love of landscape painting after purchasing this Bundanoon property, he continued this profession until the very end. “With the purchase ...[of Bundanon] ...came one of the most sustained forms of inspiration to Arthur Boyd's work.” (Breuer, E.) He died in 1999 at the age of 78, generously leaving his $20 million property available for the Australian public to see. Today the work of Arthur Boyd is displayed in all of Australia’s major
Through the three pieces, the landscapes reflect a painting style is more often associated with European Romantic art, however, unlike the others, the central piece showcases the sky painted with miniscule dots, a technique common within Indigenous art (Lingard 2014, 44). However, the fact that the sky is the only piece of the composition painted with this technique and is placed in the background while more European inspired art and images are placed in the foreground is potentially symbolic of the marginalisation of Indigenous people and their culture in contemporary Australian society. Within Bennett’s own life, he was brought up without his Aboriginal heritage ever being spoken of, describing it himself as “overwhelming Euro-Australian” (McLean 1996, 20). Thus, within his artworks, a dotted circle at the top of each composition includes black footprints facing away from the circle, which matches his personal experience of Indigenous culture being ‘left behind’ in contemporary Australian society. The artist lived in a time where he was connected to a variety of Indigenous experiences including his own as well as the servitude of his mother, and thus through the combination of these varying art techniques, Bennett evokes both discord and further represents the marginalisation of Indigenous culture
Brett Whiteley was born in Sydney on the 7th of April 1939 and died of a methadone overdose at age 53 in 1992. He is a well-known and celebrated artist both in Australia and internationally. Whiteley was awarded a range of prestigious art prizes including the Archibald, Wynne and Sulman several times. He is best known for his portraits, landscapes and sculptures. His unique perspective of the Australian landscape has endeared him to Australians (he was awarded the Order of Australia in 1991). Having grown up near the harbour in Sydney, (until he was sent to boarding school in Bathurst at age 8) the harbour features in many of his paintings. Brett Whiteley has explored emotions in his work through the subject of the art, colours and media used. He has brought many of his experiences and influences in life to his artwork. His response to alcohol and drugs as well as writers, musicians and other painters. Bob Dylan, Francis Bacon, Vincent Vah Gogh, Henri Matisse were paid tribute to by Whiteley as both inspiration and subject. Brett Whiteley uses the subjective frame as his work is
Indigenous Australian artist Gordon Bennett re-contextualises the work of Colin McCahon by borrowing and transforming key visual features. Bennett’s work challenges the viewer and gives them an alternative perspective of the culture and identity of Indigenous Australians. The quote by The National Gallery of Victoria states, “Often describing his own practice of borrowing images as ‘quoting’, Bennett re-contextualises existing images to challenge the viewer to question and see alternative perspectives.” This quote is clear through analyzing the visual features as well as the meaning behind the work of Gordon Bennett’s appropriated artwork ‘Self-portrait (but I always wanted to be one of the good guys)’ (1990) and comparing it to Colin McCahon’s
Media. The main means of mass communication regarded collectively. It comes in the form of t.v., radio, newspapers, magazines etc. The media has a way of portraying a story in a way that they want it to be seen by audiences. In other words, the media only tells us only what they want us to hear; which, may or may not be the truth or include the entire story. The media is always looking for the next best story and the competition to be the first one on the scene can be intense. A documentary by 9.14 Productions tells the story of a man and his art collection; The Barnes Foundation.
The biographic of Paddy Bedford in its simplest description, is an internationally successful Aboriginal artist living in the East Kimberly region of Western Australia. This might not sound like a person of iconic significant, but in this essay it propose that Paddy as one of the most celebrated contemporary artist in the history of Aboriginal art. It will critically examine Paddy’s achievements with reference to Jirrawun Aboriginal Art Corporation in the East Kimberly. But mostly discuss Paddy’s position in the public sphere of affecting the Aboriginal arts and culture community and will talk about aboriginal social change at play in Australian society today. In addition, the essay also interrogates the issue of social injustice and equal rights with cause of preserving Aboriginal tradition. Most importantly, it will indicate my deep understanding about what it means to be Australian from investigating Paddy Bedford life, as well as, the historical events surrounding the East Kimberly.
Henry Tanner and Alice Barney were both exceeding talented artists. Great artistic ability can be seen in both “The face of a Jew in Palestine and “the face of a Negro Boy’. While their painting techniques are similar, the two artists have their differences. In comparing these two works of art, I have learned that each artist possesses their own unique way of expressing their talent, even if it is art work of the same medium and style.
2002 The Post-Colonial Virtue of Aboriginal Art Zeitschrift für Ethnologie , Bd. 127, H. 2, pp. 223-240 http://www.jstor.org/stable/25842867
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
Aboriginal art is widely associated with the primitive and primordial nature of the Australian Indigenous culture. However, as it has become more popular globally, one must consider the authenticity of the Aboriginal art sold on the contemporary market. Eric Michaels essay, ‘Bad Aboriginal Art’ (Michaels, 1988) exposes his concerns with how we define certain art as being genuinely ‘Aboriginal’ and questions what external influences exploit and influence the validity and authenticity of Aboriginal art. The essay summons readers to question what they identify with Australian culture and whether or not White Australians have disordered the meaning of Indigenous art.
Robert Johnson I went down to the crossroads fell down on my knees. Robert Johnson went to the crossroads and his life was never the same again. The purpose of this essay is to tell you about the life of Robert Johnson. He is the root of much of the music of today. If he didn't influence the musicians of today directly, he influenced the bands that influenced today's music.
The Black Donnelly story is both interesting and sad. In one night a feud happened over devastating a family also making Canadian history. In years since the Black Donnelly massacre, their story has become a Canadian legend. It is known across the country has inspired books, plays, along with a television show. The "Black" Donnellys were an Irish family who emigrated to Ontario. Five of the family were murdered by armed people in the township of Biddulph in February 1880 also their farm was burned down, the culmination of long-standing conflict between the family and other residents. Nobody was ever convicted even though there were a few trials. The Donnelly family were never referred to as The Black Donnellys. The name was never used until Thomas P. Kelley, a very successful pulp fiction writer wrote his sensationalized account of the Donnelly tragedy in 1954 he titled it The Black Donnellys.
A tragic event is difficult to endure, but it can be one that helps a nation in the long run. The event can bring light to a bigger issue, or it can be the final straw before conflict arises. Emmett Till was a fourteen year-old boy, black boy that was brutally murdered by two white men in Mississippi in 1955. The murder of Emmett Till was a shocking event that made the country stronger because it brought both African-Americans and whites in the fight for equality.
A very prevalent phenomenon in today’s day and age is racism. Racism is made up of the beliefs, actions and behavior of people in society towards one another, which is, in turn, based on a racial hierarchy. Its effect is moreover taken as targeting an entire community in an offensive way. On a personal note I’d like to add; whenever I travel abroad I can remember instances when I am being called out or referred to as “Arab” or “Paki”. It definitely does not feel very good, and I fail to imagine what it was like for a young African-American boy named Emmett Till, who was born and brought up in America during the mid-twentieth century, when black people were still struggling with their rights.
Contemporary art is the art that has been and continues to be created during our lifetimes, which can include and represent the Australian culture, politics and music as well as in art forms such as portrait and landscape. Contemporary art is defined as art that is current, offering a fresh perspective and point of view and often employing new techniques and new media. Current art means work by both emerging and also established artists. Rosalie Gascoigne and Imants Tillers are honoured for their contribution showing the Australian landscape in fresh, new and transformational way. Whilst both are similar in their use of text and original interpretation of our landscape they are vastly different in their approach and creating meaning for their
... the greatest achievements of any painter, not only in Australia, but anywhere in the world, working in our time.”