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The theme of death in literature
The theme of death in literature
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The poem having the title “The Art of Drowning” says much about what Billy Collins will be discussing about through his writing. It gives off a tone of fearfulness and pessimism, considering the word ‘drowning’. Yet, it also seems like Collins is going to go over ‘the art of drowning’ with a questioning tone, in a way of breaking down the perspective of the person ‘drowning’. Overall, the poem appears to be about fearing life being worthless and/or how being one of millions does not make a difference in the world. Narrowing it down, Collins commences by questioning “how it all got started, this business about seeing your life flash before your eyes” (Collins 1-2). Collins is talking about how suicide was never a common action to follow through …show more content…
As he hits an angle of actuality, he says, “Survivors would have us believe … some bolt of truth forking across the water” (17-18). In a mocking tone, Collins suggests that the ones who live speak of a life changing moment that was shone upon them and the world is meant to believe the absurdity. He also emphasizes the ‘Light’, describing it as “dawning on you with all its megalithic tonnage” (20) to show much it is exaggerated by these so called ‘survivors’. He is a part of the minor crowd that does not believe in such ridiculous talk and states his opinion as, “But if something does flash before your eyes as you go under, it will probably be a fish” (21-22). Speaking harshly realistic, he points out that the person drowning is most likely to see something as minor as a fish than a grand truth or life vision. Throughout this stanza, he defines this type of death to be a quick, irrelevant death. Along with this, he accentuates the small difference it would make, like someone spitting in the …show more content…
Even in the first two lines he comments, “a quick blur of curved silver darting away, having nothing to do with your life or your death” (23-24). In these two lines, he dramatizes how irrelevant a life seems after one dies as he compares a micro piece of silver bolting away, not even clearly, but blurrily. Then he proceeds to add a transcendentalist idea with the line “the tide will take you, or the lake will accept it all … sink towards the … bottom” (25-26), noting that the person becomes one with nature after having a quick death. Soon after the lake takes the person into its waters, the person leaves “behind what [they] have already forgotten, the surface…” (27), which implies that once the person is dead, life will not be remembered and all that will be left is the hollow corpse. The last bit of “now overrun with the high travels of clouds” (27-28), makes death seem like flesh-to-earth decay, instead of taking into account an afterlife of some kind. After the person drowns, the lake restores its natural, tranquil state, as if nothing happened and the death of a person had no more significance than the death of a feral
In the second story of Drown by Junot Diaz, Yunior and Rafa have already been in the United States of America for about three years. In this story, their mother’s sister came to the United States. They travel to the Bronx in order to celebrate their aunts and uncles’ arrival. In Fiesta 1980, we meet their father and sister, and learn more about their mother. Through the way they all interact, we learn more about each family member’s characteristics and their family dynamic.
Junot Diaz's Drown, a compilation of short stories, exemplifies how the high standard of masculinity within the Latino community can have a detrimental effect on males. These stories are told in the first person by a narrator called Yunior. The different stories are told against the background of The Dominican Republic and the United States. The narrator highlights the different challenges that he faces throughout his childhood and into his young adult life. During this period, he struggles to find his identity which is expected by every Latino. In the Dominican Republic, a man’s manhood is closely tied to his identity, and Yunior is no exception. While in the process of finding his identity, Yunior is challenged with abuse, poverty and the lure of drugs, which leads to his addiction and his becoming violent .…
The author shows the reader the sea just as the sailor does as death, but more than death
Hiding from those who would find him and carry out the wrath of vengeance upon him, the protagonist plans his escape. About to dive in the rancid water and swim for it, a body in the shallows abruptly stops him. The bloated and decomposing corpse pulls the narrator back from his adrenaline-induced frenzy. After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death. Although he makes it out alive, the protagonist and his outlook on life are forever changed.
The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men and then the speaker’s juxtaposition of vanity with “the
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
As the narrator is lying in the murky water he starts to think about: “fog on the lake, insects chirring eerily and felt a tug of fear, felt the darkness opening up inside me like a set of jaws.” (371). You can see how the thought process made the narrator see and fear what he was becoming, possibly by being in the water next to the dead man he could see himself in that same position, dead somewhere if he did not change his ways. Later as you read further, the narrator states: “I pushed myself up from the mud and stepped out in to the open…everything was still. This was nature.” (371). It is almost like we as the readers get to see the rebirth of the narrator into a new, possible better individual. As is the murky water cleanses his soul and awakens a new being inside the
In Longfellow’s poem, The Tide Rises, the Tide Falls, Longfellow states “The little waves, with their soft white hands, / Efface the footprints in the sands.” By personifying the waves in the ocean, longfellow reveals the truth that all humans eventually die and their mark on the world is erased, like the waves wash away the footprints. In this imaginative way, Longfellow shows how no one lasts forever. Multiple times in other parts of the poem, Longfellow writes “And the tide rises, the tide falls.” Longfellow is expressing that the ocean is continuous, regardless of what happens. After losing his second wife, Longfellow was very depressed, and in this poem he is accepting that life goes on after someone dies. Using his imagination, Longfellow states the truth of the inevitability of death and the fact that life does not stop in the event of
These lines also symbolize their music tastes, as the pool players seem to know something about the deep jazz culture. Imagery is also used in this poem, as it also creates an image of their intense dancing and self-indulgent enjoyment of life which distracts them from the final sentence of the poem, “Die soon” (11). This explains why there is a cost to such enjoyment of life and why it cannot be ignored at the end of the day. Nonetheless, as there are no direct examples of figurative language in the poem, some of the descriptive details as being implied metaphors in their demonstration of young men.
The lantern and the snow are both bright and shiny, showing that they carry some hope, but the skipper’s eyes are emotionless, spiritless, and dead. There are no lingering emotions in the skipper’s eyes; no sadness, no remorse, not even any more confidence. Unlike the daughter who still has “salt tears in her eyes” (line 82), showing that she dies painfully and with a heavy heart, the skipper has no emotion mentioned. The author’s description of the skipper’s eyes finalizes how he felt nothing towards what he had brought his daughter into. This connects back to Longfellow’s message as it depicts how overconfidence can destroy a person without control. Judging by how the skipper felt no emotion in his final moments, he wasn’t aware of what was going on around him. The skipper still wasn’t aware that he destroyed himself; it happened uncontrollably. Longfellow also uses imagery to describe how the fisherman saw the daughter’s hair. It was like “brown sea-weed/ On the billows fall and rise” (lines 83-84). Readers feel sympathy and pity for the daughter whose body is helplessly being swung around by the waves. An innocent and loving being is destroyed because of the skipper’s
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
The popular American Poet, Billy Collins, is playing a significant role in the evolution of poetry. His writing style evokes an array of emotions for the reader. Every stanza in his poetry passes the satirical standard that he generated for himself over his career. Collins swiftly captivates his readers through his diverse use of figurative language. More specifically, his use of vivid imagery paired with humorous personification and extended metaphors create his unique style of satirical poetry. This developed form of writing appeals to a large crowd of people because the generally accessible topics that he discusses are fairly easy to resonate for the common man. However, his poetry offers an interesting perspective on what otherwise would be simplistic ideas. The main themes and concepts that are being presented in each of his writings are revered and coveted by the general population. An appealing aspect of his writing is his ability to directly convey the main idea within the poem. As a result, the reader can understand the meaning of his work with ease. The typical beginning of his work gives the reader a slight taste of what is to come. Billy Collins’ unique writing style and various trademarks directly influenced by his ability to propagate an array of emotions for the reader, his humorous tone, and the accessibility of the topics he describes within his poetry.
An essential key to the theme of “The Diver” is through the subtle yet prevailing use of Biblical references. From the very beginning of Currie’s poem, a simile is used when describing the “bridge like a Roman fort”. This helps to set the tone that something important is about to happen and also provides a Biblical base to the structure of the poem. Lines four to six describe the man’s journey up towards the bridge. This journey can be compared to Jesus’ struggle towards the top of the hill where he was crucified. Perhaps this man was also carrying a “load on his shoulders”, so to speak. The poem becomes even more Biblical as “others bet upon his chance”, much like Jesus’ own fate. As the diver prepares for the inevitable, his situation has Biblical meaning. “At the summit of the span he rose/ his arms outstretched/ flung a cross against the sun”’, are perhaps three of the most powerful lines in the poem. These lines are followed by much anticipation from the crowd below. The dive symbolizes the end of something, which is also supported when “The river circling away/ grew silent as held breath/ still as death”. These lines make is seem as though everything, and everyone, even the river, are “holding their breath” in anticipation of the outcome of the dive. Then, starting at line twenty-one, the rebirth begins, as, “from unknown depths/ his head broke the water/ shook out a crown of sunlit spray. There is a strong Biblical presence in the comparisons used in this poem, which help to support the theme of hope and rebirth, while providing powerful imagery.
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
For this assignment, I have decided to write about a famous poem of Billy Collins which is titled as ‘Introduction to Poetry’ written in 1996.