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Contribution of Marshall Mathers to modern Rap Music
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As one of the world’s most successful musicians, Marshall Mathers is the target of intense controversy. Mathers, better known by his stage name Eminem, is often written off as violent, misogynistic, and homophobic. Activist groups have picketed his concerts, parents have condemned his songs, and countries like Canada and Australia have even tried cancel his concerts. However, underneath the controversy, Mathers has revolutionized hip hop, turning it into a mainstream form of music. Mathers’ story indicates how artists must ultimately work without fear of controversy because that conflict indicates the presence of creativity and open thinking, which are both necessary for the progress of art. Thus, artists must forge on, working their craft despite criticism. …show more content…
Around the world, people have rejected him for having “absolutely nothing to do with the culture right now” (D'Addario). Journalists like Lauren Duca from the Huffington Post have noted that Mathers’ career “is really hateful and nasty” (Duca) and is “built on a foundation of normalizing hatred toward women” (Duca). They argue Mathers’ messages create a threatening environment for women and gays, like when he said he’d “punch Lana Del Rey right in the face twice, like Ray Rice in broad daylight“ (Eminem). Mathers even acknowledges this discord, using it in his songs under the persona “Slim Shady”. In “Without Me”, he says the world needs him “cause we need a little, controversy/ cause it feels so empty, without me” (Eminem). Shady recognizes the “controversy” and plays on people's objections, saying the world would be empty without his
A child of abuse and neglect, Chris McCandless awed the world with his inspiring trip across the nation to find himself in Alaska. Leaving his well off life and his problematic family behind to be true to his ideas of life. His life impacted the people who knew him well and the strangers that drove him to his haven. When the story of this young man hitch hiking across the country broke ground, it made many people question if this boy was just crazy or did he really have a true understanding on the day to day live we were living and where we were going wrong. Although some critics have conceived the idea that Chris McCandless was just a crazed mad man with schizophrenia and the unachievable idea of true happiness. Many believe he was a new
Randolph, A. (2006). "Don 't Hate Me Because I 'm Beautiful": Black Masculinity and Alternative Embodiment in Rap Music . Race, Gender & Class Journal, 200-217.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Ulysses Grant fought in many bloody historic battles but could not stand the sight of blood. Ulysses Grant was the 18th president of the United States and he made our country a strong powerful nation. He was a commanding general and he led the Union army to victory in the American civil war. He helped revolutionize America and gain rights for blacks by helping to create the 15th amendment. Our country thought that he really helped end all the inequality in our country and make a stronger nation. Ulysses Grant helped the passage of the 15th amendment which led to African American voting rights, everyone being more equal, slaves gathering and electing leaders to represent them, and African American freedom.
Marshall Bruce Mathers a.k.a. Eminem. Born October 17, 1972, grew up in Kansas City. From there he began his career as an individual white rapper. Not many white people are able to succeed in the rap industry, but Eminem has proved everyone wrong. He is now one of the most talked about persons on the earth. His lyrics offend some people, this sparks controversy and censorship. His lyrics containing things such as drugs, alcohol, death, homosexuals, sex and suicide. In some of his songs he includes lyrical slander towards bands like NSYNC, Christina Aguilera, Backstreet Boys, Brittney Spears and Puff Daddy. He views these bands as manufactured and as he calls them “faggots”. In one of his songs called “Marshall Mathers” he says “Boy girl groups make me sick, and I cant wait until I catch all you faggots in public, I’m a love it.” Most of the songs off his records he is bad mouthing homosexuals. This creates a ruckus in the media because the gay and lesbian parties protest outside of his concerts and award shows. These groups want Eminem to be either banned, have his records changed or a heavy censorship on his records. In response to these claims Eminem said “I am who I am, I don’t compromise my stuff for nobody.” That’s the way he is and that’...
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
This book is telling a story about two African American boys (Wes A and Wes P) who have the same name and grew up at same community, but they have a very different life. The author, Wes A, begins his life in a tough Baltimore neighborhood and end up as a Rhodes Scholar, Wall Streeter, and a white house fellow; The other Wes Moore begins at the same place in Baltimore , but ends up in prison for the rest of his life. Then why do they have the same experience, but still have a totally different life? I will agree here that environment (family environment, school education environment and society environment) is one of the biggest reasons for their different.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
In case you are not accustomed with the group Public Enemy, the subtitles names is a play of their album "It'll Take a Nation of Millions to Hold Us Back." Being not only a white hip hop fan, but a white kid trying to become a rapper, I have obviously been faced with the problem of society's non-acceptance of my type. I interviewed a friend of mine who I rap with quite often about his feelings on the subject of the white hip hop fan, and have long pondered it on my own. I read books and web sites recommended by friends and continue to search out more information on the subject. In this paper I look at the state of the white hip hop fan and of the white rapper, focusing mainly on the social and cultural impact, the way the white fan feels and is looked at by society.
After their deaths, Wallace and Shakur’s music can be found in many different cinematic works (examples). With the connecting over a common enemy, hip-hop has become an accepted idea that both whites and blacks enjoy today. In fact, shortly after Wallace’s death, a fresh face came into the game—Marshall “Eminem” Mathers. He went on to become one of the most significant and influential rappers of all time. Mathers is white, and would not have been able to become a part of the hip-hop scene without the conflict between the east coast and the west coast and everyone coming together because of it.
John Brown was an abolitionist who fought for freedom of slaves in the nineteenth century leading up to the Civil War. He was remembered for his bravery and dedication while taking action through the raid at Harper’s Ferry and the Pottawatomie Massacre. John Brown was a freedom fighter, religious warrior and political zealot. Although his violent approach was seen as an act of terrorism his ultimate goal was the emancipation of slavery justified by the word of God.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Eminem is a name that most Americans have grown to know about in the last year. Not only for his music, but for the controversy that his music brings. Many people are offended by his lyrics and they believe that he should be regulated in some way. In my paper I will give some background on Eminem, some examples of his lyrics, different points of view, and my personal beliefs on this situation.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .