Argumentative Essay: Making A Murderer

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True crime documentaries are a unique way to present information about real life criminal cases to audiences while at the same time educating and informing them about the implications of crime. That is what the average true crime genre fan might say. To this point, I call bullshit. True crime documentaries have nothing short of a biased, inaccurate reporting and presentation of facts in a way that reinforces the director’s personal agenda.
“True crime” is a misnomer because popularized true crime documentaries present a subjective, predilect perspective of the events in a way that is different from what actually happened. The entire true crime genre deals with violence, corruption, broken justice systems, abuse of authority, and a lack of definitive …show more content…

It engages in underhanded tactics of generating audience sympathy and support for the criminals standing trial for the rape and murder of an innocent woman. Making a Murderer successfully executes its aim of generating sympathy and support for the Averys through its presentation of evidence and manipulation of interviews to make the Averys seem more relatable, all the while demonizing anyone who is not in their camp. Making a Murderer is extremely biased in favor of Steven Avery and Brendan Dassey, yet the show does not recognize these biases at any point throughout the series. Producers Demos and Ricciardi never explicitly offer insights on their pro-Avery perspective. Due to this absence of transparency and accountability on the part of the filmmakers, the narrative of Making a Murderer seems more stale and biased because the documentary only presents one side of the story. Additionally, the documentary constantly shows the consequences that the trial has on Steven Avery’s elderly parents Allan and Dolores by including clips of them solemnly going about their daily lives while grappling with the reality that their son is in prison. This defensive position which supports Steven Avery and Brendan Dassey is clearly conveyed despite the apparent lack of commentary by the filmmakers themselves. Although there is a lack of authorial presence in Making a Murderer, this does not necessarily denote narrative ambivalence or neutrality. (Bruzzi, 276) All of the tactics employed by Making a Murderer’s producers reinforce the program’s stance in favor of Steven

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