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The possibility of evil character traits
Morality in literature
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Recommended: The possibility of evil character traits
The question of what determines our moral code has been debated for centuries. Are some individuals born evil, or is it a learned trait? In Grendel, John Gardner gives the one-dimensional antagonist from ¨Beowulf¨ his own story. Grendel is a “demon” who lives in an isolated cave for much of his early life. When he ventures into the outside world, he becomes so mad at the Danish king, Hrothgar, that he starts a “war” where he attacks Hrothgar’s mead hall every night for twelve years. Hrothgar’s people view it as savagery, but Grendel seems himself as a punisher of humanity's sinful ways. Grendel merely decided what was right and wrong based on what the humans were doing; the punishment was just in his eyes. He realizes that humans are wasteful, …show more content…
In Grendel, John Gardner shows that Grendel’s sense of right and wrong is shaped by the sins of man. Grendel watches the humans commit unnecessary acts of violence, and he uses them to justify his war with Hrothgar. He watches human tribes fight with one another, and is appalled by how they waste livestock, burn villages, and slaughter people. He finds himself “sickened, if only by the waste of it.” (Gardner, 36) Grendel doesn’t understand why the humans kill unnecessarily, but he is viewed as a monster when he kills for his own survival. Hrothgar becomes the most powerful king in the land, and Grendel has watched him waste and sin more than anyone else. Grendel sees himself as better than Hrothgar, which justifies attacking him for punishment. A similarly influential event occurs when Grendel steps on a dead man one night while listening to the Shaper sing. The Shaper says a …show more content…
The Shaper is a blind man who comes to Hrothgar’s hall one day, promising to sing for their entertainment. He weaves an embellished tale of how Hrothgar’s ancestor, Scyld, had “rebuilt the old Danish Kingdom from ashes.” (Gardner, 42) Grendel witnessed the disorganized fighting that led to Hrothgar’s tribe consolidating his power, but the artful skills of the Shaper’s song almost lead him to believe that the lies are true. This confuses Grendel, because the Shaper must know the truth (one can’t lie about the past if they don’t know how it happened), so why does he say things that are blatantly untrue? More importantly, why does Grendel lose himself in the words of the Shaper? Grendel finds himself hanging onto every word the Shaper says, just because the songs he sings are beautiful in and of themselves. When Hrothgar builds a magnificent mead hall and celebrates with all his subjects, Grendel actually starts to believe that Hrothgar is a benevolent, wise king. He knows this isn’t true, but the Shaper continues to sing about Hrothgar’s greatness, and Grendel mentally goes along with it. All of this backfires, however, when the Shaper sings about Grendel being cursed by Cain. When Grendel is chased out of the hall after he finds the dead man, he realizes that the Shaper has his own version of what is right and what is wrong, just like everybody else. He says “if the Shaper’s vision of goodness and peace was a part of
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
Good vs. Evil in John Gardner's Grendel? & nbsp; John Gardner's novel Grendel gives the reader a new perspective on the classic "good vs. Evil" plot. From the start of the book the reader can tell that there is something very unique about the narrator. It is evident that the narrator is a very observant being that can express himself in a very poetic manner. The story is one the reader has most likely seen before, the battle between the glorious thanes and the "evil" beast. In this case, however, the "beast" is the eyes and ears of the. reader. This, of course, forces the reader to analyze situations in the book in the same way that Grendel does. By using this viewpoint, author allows his readers to see the other side of the coin. Therefore, Throughout the course of the novel the reader is able to understand how important to Grendel in defining the human. & nbsp; Grendel's first encounter with the human beings that he literally defines is not a pleasant one. After accidentally trapping himself in a tree he is discovered by a group of thanes out on patrol. Grendel expresses absolutely no hostile intentions towards these "ridiculous" (ch. 2). pp.24) creatures that "moved by clicks." (ch.2, pp.24) The thanes do not understand what Grendel is and are very uneasy about the whole situation.
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
What's the difference between good and evil? In John Gardner’s classic tale Grendel the line between good and evil is exceedingly blurred. Gardner does a phenomenal job of forcing the reader to question who the real hero of the story is. So is Grendel evil or simply misunderstood? To answer this question one must look at his basic character traits. Grendel is an unloving creature, he enjoys killing and torturing humans, and when he shows any sort of mercy, he later regrets it. Due to these facts it is impossible to label him as “good”.
Gardner plays Grendel as like a child when he first discovers the the new world. For example, Grendel announces, “ I played my way farther out into this world” (Gardner 16). This shows Grendel’s first look in the real world. He first thinks that this world is going to be a fine place to live. Unfortunately, Grendel explore more into the world and sees the “Burning eyes of the strangers” (Gardner 17). To explain, Grendel has never seen such people in his life, so he starts to rethink life. In other words, his exploration of the world of humans changes the way he perceives the creatures in the underground world. This mentally changes his self
In John Gardner’s Grendel, the Shaper is an important contributing character that carries the plot in a historical sense. During the first encounter between the monster and the humans, Grendel hears of the stories and tales the Shaper is singing about in Hrothgar’s mead-hall. Throughout the story the Shaper tells about Danish history and the creation of man’s existence and Grendel is fascinated by this. After listening to the Shaper’s stories, Grendel starts to realize that what he is saying is not true, “I too crept away, my mind aswim in ringing phrases, magnificent, golden, and all of them, incredibly, lies,” and starts to question what is true and what is not (Gardner 43). The Shaper’s eloquent tales had a large effect on Grendel, “He told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side...I believed him! Such was the power of the Shaper's harp!” (Gardner 52). Gardner’s writing of Grendel sheds light on a whole new side of Grendel, as opposed to the monstrous being in Beowulf; so much so that we can see a divide in G...
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
One of the prevalent themes John Gardner mentions in the story of Grendel is that perceptions of reality between people are different. Gardner reveals to readers throughout the novel that words, events, experiences, and beliefs forge character’s realities. In Grendel perception of reality greatly affects people’s actions, their viewpoints towards life, and decisions. For example, Grendel’s perception of reality is that the world is solely mechanical and is created with his words.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
{1} Grendel, it seems, actually didn’t have too much exposure to humans before the start of the poem. He “hunted the moors” (17), likely subsisting on animals he had killed. The reasons why he started killing humans aren’t entirely clear; he had “growled in pain, impatient / As day after day the music rang / Loud in that hall” (2-4). He could also come across as merely curious, as he was “wondering what the warriors would do in that hall” (31-32). This raises a noteworthy attribute of Grendel – though he is often animalistic, he frequently is described as thinking, wondering, or otherwise displaying a human-like nature. The humans think of him not as a raging beast, but as a calculating criminal. But how calculated were these crimes? Grendel doesn’t seem to have planned his war on Herot, especially not that first night. The statements “[Grendel’s] Thoughts were as quick as his greed of his claws” (35) and “delighted with his night’s slaughter” (40) give the
The first example is the meeting with the dragon. The conversation with the Dragon foreshadows Grendel’s decision of being an anti hero, The Dragon seemingly knowing Grendel’s troubles, decides to deprave and completely tear apart the good within Grendel. Grendel begins to fit the trait of an anti heroism through desperation of wanting to change himself even if it can lead to harming others. The Dragon teaches Grendel that his only purpose in life is by thwarting every fixed system and to fundamentally act as an adversary against humanity. The Dragon also explains to Grendel that without his existence then there would be no human advancement, “Can’t you see that yourself? You stimulate them! You make them think and scheme. You drive them to poetry, science and religion, all you makes them what they are for as long as they last”(Gardner 72-73). The discussion with the Dragon, gives Grendel a reason to exterminate others rather than for self complacency. Another example is his view of the Sharper’s song, Grendel becomes addicted to the Sharper’s song, which creates a sense of sorrow and desperation for acceptance. He tries to change his ways by reproaching and rethinking the ideals of mankind, however he is eventually turned down, which forces Grendel to willingly accepts himself as the descent of Cain from the song of the Sharper . Grendel personally envies the sharper and tries to be like him, “Yet he, the old sharper, might make it true, by the sweetness of his harp, his cunning trickery. It came to me with a fierce jolt that I wanted it”(Gardner 55). After frequently listening to more of the sharper’s song, Grendel begins to learn more about humanity and how they react and live their lives. This causes Grendel to spend time to realize the flaw of his persona and decides to accept the fact that humans loathe him because he is different and
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
...zes humanity in this scene by portraying them as the evil beings instead of Grendel who is the helpless victim of their savage assault. The men attack Grendel solely because they could not understand him and because of his appearance. Grendel makes no attempt to harm the men but to communicate with them while they are the ones that savagely tried to kill him. John Gardner portrays the men as the real monsters who mercilessly tried to kill Grendel while he was defenseless. Grendel has another revelation due to this attack in where he states. “The world resists me and I resist the world… “That’s all there is.”(Gardner, 28) Grendel makes this assertion as a means to organized the ways he perceives the world. While he once saw the world as a confusing array of frightening images, now he can separate the world into categories: those who do not resemble him and himself.