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What’s Appropriation Have To Do With It?
Have you ever wondered about the different cultures and ethnic groups in America? What comes to mind when you hear the word race? How about ethnic culture? Did you know according to an article on Cliffsnotes, “Race refers to groups of people who have differences and similarities in biological traits deemed by society to be socially significant.” Meaning that the color of your skin is your race and that culture must be something else right?
Cliffsnotes also states, “Ethnicity refers to shared cultural practices, perspectives, and distinctions that set apart one group of people from another.” This means that an ethnic culture would be your historical background in a sense. So knowing this now makes me think what does appropriation have to do with this? We can find out the answer to this question by learning about black and white culture, similarities and differences, and appropriation of black culture.
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One of the growing cultures in America is the African American culture or more commonly known as black culture. Most people probably don’t even know that there is a difference between the two, even though they are very similar they both have different meanings. “African american culture is a combination of what was brought to this land by the african slaves, the segregation of blacks throughout american history and those values that make every american tear up when they see amber waves of grain.” ( Eshowoman Screen 1). Also according to Eshowoman black culture can be seen in religion, language, family structure, food, music, dance, literature, art and so much more. So African American culture is what the slaves made out of the culture already here and black culture is what society perceives as our culture. What about white culture? What exactly is
However, the boundaries for the black community are very permeable and black people come in all shades. Blackness can be defined as the set of beliefs, music, language, morals and ancestry that blacks tend to share. It is commonly thought that one has to struggle in order to be black. Black people tend to have a stronger sense of group identification than any other racial group in the United States.
The black culture is the minority culture in this instance and in most cases, it is dominated by the white culture which has imposed its ideas on them (Stuckey, 2013). When two different cultures come together, different types of cultural appropriations occur. These include transculturation, cultural dominance, and cultural exploitation. The appropriation between the white and black cultures, resulting in the African American culture, is defined by cultural dominance and exploitation.
Rogers from defines cultural appropriation “as the use of a culture’s symbols, artifacts, genres, rituals, or technologies by members of another culture” then it divides cultural appropriation into four different categories which is cultural exchange, cultural dominance, cultural exploitation, and cultural transculturation. Then it includes how other people define cultural appropriation. I would like to use this article to help my reader understand not only what cultural appropriation is and how it is bad but other people’s point of views and how they see it.
Although concerns about cultural appropriating cultural objects such as bindis, war bonnets, and kimonos have been receiving more attention, the effects of cultural tourism of modern Asian subcultures has been relatively ignored. This lack of attention may be due to the assumption of modernity as Western or a lack of an object that bears significant cultural meaning to the ethnic culture as a whole. However, if the potential effects are left ignored, cultural tourism of modern Asian subcultures may perpetuate harmful constructions of race. The visual analysis of Gwen Stefani and Avril Lavinge’s cultural appropriation of Harajuku culture reveals that it not only reaffirms Asian American female submissiveness and Asian American invisibility, but it also constructs meanings of race and whiteness that excludes American cultural citizenship from Asian Americans.
Brown, Ernest Douglas. "Africanisms in American Culture." JSTOR. University of Illinois Press, n.d. Web. 06 Mar. 2014.
In the article “What is Cultural Appropriation and Why is it Wrong? By Nadra Kareem Nittle and article “The Difference between Cultural Exchange and Cultural Appropriation” by Jarune Uwujaren. It talks about how cultural appropriation and about people wearing and using other cultural things such as the style of the clothes. It is usually known as borrowing but now it is not just borrowing since people who wear things/ objects with meaning and significance from other cultures do not even know the meaning. However, in cultural exchange it is much different when someone uses or does something that other cultures do for example, we celebrate Cinco de Mayo in the U.S, but it is the Latinos that live in the U.S who are celebrating and they are proud
In Stuart Hall’s “What is This “Black” in Black Popular Culture?” the historical implication of popular culture in the U.S is examined and the influence that blackness has in it is deconstructed. According to the text, the departure of European concepts of culture after WWII sparked a hegemonic shift as the United States emerged as a world power. Due to this, the U.S. became the epicenter of global culture production. However, since America has always had a large ethnic population due to slavery, the true face of American popular culture was black American vernacular traditions. Even today, slang that emerge from black ghettos and communities become highly popular with people of other races. In fact, much of black culture is not just our culture,
“Cultural appropriation refers to picking and choosing elements of a culture by a member of another culture without permission” (O’Reilly). For example, white people steal certain parts of African American culture. They exploit it, misuse it, and whitewash it. “Exploiting a culture deprives the culture of the credit they rightfully
The African American community is supposed to be united under the Black race, but that is where the problems come in. Under the ethnicity of African Americans, and have pride in their skin color and are supposed to be joined together, there is a system of separation within the different shades of “Black.” In the black community, there are all kinds of shades of black, yellow, light, brown, dark brown, and other shades. According to Dr. Ronald Hall, a social work professor at Michigan State University, "As a result of having been colonized particularly by Spaniards, the British, etcetera, a lot of people of color internalize and idealize values for lighter skin because that is considered the norm.... ... middle of paper ...
African American culture is defined as the learned, shared and transmitted values, beliefs, norms, and life ways carried by this group of people, which guides their decisions, thinking, and actions in patterned ways. The individual in society is bound by rules of their culture. Culture of people are different in that the same events that maybe fear- inducing in one culture, maybe anger-inducing in another culture (Leininger's, 1991).
Despite the restrictions imposed by slavery, African Americans have made significant contributions to American culture in music, literature, and cuisine.
As I reflect on who I am and which culture I identify with, I am met with reservation. My parents are both Black Americans, they were both born and raised in the United States, their parent were also born and raised in the US. It is obvious that we derive from African descent; our skin color and physical features yet I find it difficult to relate or identify with my African heritage as slavery has played a pivotal role in separating us from our African origin. African enslavement left us devoid of a way to define ourselves. It severed familial ties and deprived us of any viable opportunity to reclaim them.(www.huffpost.com) We are descendants of African slaves but when I speak to someone who was born in Africa or research African culture, I
For example, one of the most popularly used “tenets” of black culture discourse is that “there is a distinct black culture that is different from (and perhaps, though not necessarily, in opposition to) white culture.” (Shelby 2009). This is relevant to every study about black people, in which blackness is always analyzed in comparison to whiteness, white culture, and white people. This is not without reason as it is hard, especially when discussing American society, to separate “blackness” from “whiteness” wholistically, considering blackness was originally viewed as a physical performance - of strength, talent, and physical and sexual entertainment - which led to whites literally “putting on” black physical identities to embrace that performance (Lott 1993; Shelby 2009). Other tenets of black culture include the idea of black people rediscovering their black culture, as well as black people viewing their culture as a positive ‘social good”, as opposed to the negative social rhetoric of black
Cultural Appropriation, a controversial topic that has been swirling around the fashion industry for almost three decades. Appropriation is when members of a dominant culture incorporates elements of an oppressed minority culture into that dominant culture. This becomes an issue when minority groups do not have a say or are not recognized for the designs created based off of those cultures. These elements used by the dominant culture often become distorted or used to mock or to attribute to the negative stereotypes already misportrayed by society. A line is drawn where cultural assimilation meets appropriation when cultural elements are portrayed out of original context and the meaning is lost.
If the appreciation for different cultures is not done correctly, it can seem to be cultural appropriation. Any piece of a culture can be stolen, mocked, and disrespected, from music, clothing, food, etc. As a society with such a vast amount of cultures, it is important to know the difference between multiculturalism and cultural appropriation. We can unknowingly steal or disrespect another culture all while thinking we are appreciating the culture.