1. How were the astronauts portrayed in the film? Indentify scenes to support your answer.
The astronauts were a family unit due to the nature of the job. They supported one another’s missions, successes and catastrophes. They worked as team whether they wanted to or not. They pushed through the impossible to accomplish the goal. The family unit and support was shown throughout the movie, starting at the party Jim Lovell (Tom Hanks) was hosting to celebrate the walking and landing on the moon by Neil Armstrong. Another example would be towards the end when Lovell’s wife Marilyn asked Buzz Aldrin and Neil Armstrong to look after Lovell’s mom if and when there may be bad news. The scene when Lovell was warming up Haise because he was freezing
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One would assume the wives of the astronauts are friendly with each other, for instance at the scene at the end of the party Lovell’s wife made a statement about Armstrong’s wife probably not sleeping because he is in space. It shows she has concerns for the other astronaut’s wife. The Haise’s and Lovell’s wives were friendly with each other. Lovell’s wife told Haise’s wife what to say to the media after the launch of Apollo 13. Lovell’s wife showed several stages of emotions, for instance, scene when Lovell told her he was bumped up to the Apollo 13 mission, she was supportive and then expressed her concerns; next scene it showing her having a nightmare of the hatch opening up and sucking him out into space; the scene of them in the car as she tells him she isn’t attending the launch, even though her words didn’t directly expressed her emotions, her facial features did. Then there are times in the film when she has to be strong, for example, when she went to visit Lovell’s mother and to tell her there has been an accident, or the time at the end of the movie when she is waiting to hear the news, she doesn’t break down until after the landing then she is happy. I believe the portrayals of the wives are what any wife would feel and act in those times. They loved their husbands and it was shown throughout the movie and they were supportive of them as …show more content…
He stated “Failure is not an option.” He had them work and bring in the other teams to help come up with ideas. The scene in the board room with the team going over the route the astronauts are on how many hours they had left, and he said it wasn’t acceptable. They need more than what was on the board and to figure it out. The next decision was to turn off the power to the spaceship to conserve the resources they had on board. Then the engineer team had to come up with a way to eliminate the CO2 levels in the cabin with the supplies that were available to the astronauts. The scene in the film was done in a room with a few guys making a box with hose and the control room telling the astronauts how to assemble the box. Mission Controller John went to Mattingly home to get him to help navigate the spaceship back to earth. There was a concern the spaceship wouldn’t make it due to it was built for this type of incident. The scene is when the man talks to Gene about how the LM wasn’t built for anything but landing on the moon. Gene told them to figure something
Chicanos and Chicanas are often stereotyped by people based on crude and unfair assumptions but at the same time, these stereotypes are often based on the truth. Movie directors are no exception as they attempt to understand and give representation to entire Chicano/a and Latino/a culture in society. The trailer of the film, La Mission, Che seems to be happy with his life until he realizes his son, Jes, is gay. Che then finds himself in a struggle to accept the homosexuality of his son while at the same time, Jes is struggling to find his own identity and to fit into society. The trailer has distinct ways in how it represents and shows the intersection and issues of gender and sexuality, race and ethics, as well as class. The trailer represents
As a result, the sequence proves that through memory and blood, borders are suppressed, and the past is able to cross the line separating it from the present once more. However, this scene also establishes the foundations for the conclusion of the movie, since Otis, conscious that the past is a vital, defining force, capable of shaping individual identity, affirms that ‘Blood only means what [we] let it’, thus implying that although history haunts all aspects of our lives, since it constantly overcomes any demarcation line with the present, one can work through it and control its influence.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
The wife lived in denial, trying to live the life of a perfect person unaffected by what had happened to her son Buck. A certain image had to be upheld and everything else was secondary. Even the love for her husband was not as perfect as it was shown..She tries to keep these feelings and memories of her lost son buried deep inside her. She finds it very difficult to show any emotion concerning the fact that one of her sons is never coming back. She tried to portray an image of things being just perfect. Her portrayal includes not wanting to discuss anything that may upset her, she is always walking away from the conversation. It seems as though she does it in every scene. The scene that caught my attention the most was at the end, when she walked away from Calvin after he said he wasn’t sure if he still loved her. That is a pretty powerful statement, and you would think she would want to know why. I’m sure she did, she just didn’t know how to discuss it. So par for the course, she walked away, with something else she will have to tuck away for the rest of her life.
Throughout the book, many of the wives note how they wish that they were able to pursue their goals and dreams, but were unable to due to the fact that they had responsibilities as a wife. I think that by putting themselves in a position where they could be viewed as undeserving upper class members who did not work, it not created a dependency to their husbands financially, it portrayed them as women incapable of supporting themselves or their desires in life. “Upper-class women, like other women, experience dissatisfaction with their role as wives–with its expected mode of accommodation, unequal voice in family decisions, and sole responsibility for home and family”
Family in the novel is described as a group of people that have a unit or bond that they share each day
From countdown to splashdown, Apollo 11's mission was filled with some surprising twists and turns. It took a combination of luck, determination and guts for the crew of Michael Collins, Buzz Aldrin, and Neil Armstrong to get the Eagle to the surface of the moon with only 30 seconds of fuel remaining! Experience the moments leading up to the lunar landing with me.
The entire movie is littered with anxiety. The movie makes you anxious as to what may happen next. This primary example is the scene where Skeeter ask Aibileen to tell her personal stories for the book Skeeter is writing. This rose a very serious anxiety in both women. Skeeter also found other maids to also share their personal stories. This scenario caused extreme anxiety because in that day and time if you were to publish or talk about what the maids have to endure, you could be prosecuted or maybe even killed.
Society is a result of our interactions, and society guides our interactions. This all stems from social construction. Social construction conveys values, ideas and traditions. These values, ideals and traditions are created and become traditions that are then passed on. These traditions then come to be perceived as natural rather than cultural, which is often how media will display it and society unknowingly accepts.
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
“The Mission” is based on a true story that occurred around the borderlands of Argentina, Paraguay and Brazil in the years 1750’s according to the film and history. The Treaty of Madrid of 1750 with the Spanish and Portuguese caused both havoc and death for the people of the Guarini and the members of the Jesuits. The Jesuits, members of the church, tried to bring Christianity and civilization to the natives while keeping at peace with Spain and Portugal. The Jesuits were the teachers for the natives; Teaching them not only the Christian religion but also civilization. Father Gabriel, a Jesuit, is first introduced in the film when he is showing his respects to a former Jesuit priest killed by the natives. He walks through the South American
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual
Roger Donaldson’s film, Thirteen Days dramatizes the Kennedy administration reaction to the Cuban Missile Crisis. The film discusses a time when the United States had come close to a nuclear war with other nations. The film mainly focuses on showing the audience the United States perspective of the crisis. The Cuban Missile crisis was a thirteen-day long confrontation between the United States, Cuba, and the Soviet Union. This crisis started out when both the United States and the Soviet Union wanted to be seen as the most superior nation in the world. Therefore, both nations decided to use the technology they had in order to produce nuclear missiles and other weapons to show the globe how powerful they were as nations. The United States and
The film The Green Mile was originally written by Stephen King and later directed by Frank Darabont. It is based on the guards and inmates of a penitentiary’s Death Row during the great depression. There is a certain monotony that comes with working on Death Row and Paul Edgecomb, played by Tom Hanks, has become numb to the fact that he is paid to take lives; that is until John Coffey gets sentenced to death and is sent to Paul’s “green mile”. John Coffey is a very large black man that was accused of rape and murder of two little girls, and in the 1930’s having charges like that brought upon you was grounds for the death penalty, especially for a black man in the south.
Full Metal Jacket is written and directed by Stanley Kubrick. The film was released in 1987 and it is starring Matthew Modine (Joker), Vincent D’Onofrio (Pyle), Adam Baldwin (Animal), and R. Lee Ermey ( Guy.Segr. Hartman).