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Conflict between creon and antigone
Sophocles Antigone common essay
Character Analysis Of Antigone In The Play Antigone
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In Sophocles play, Antigone, the reader explores many aspects of a Greek tragedy. In this play, a complex family follows a series of mishaps after hearing from a “seer.” After the family thinks they have overcome the worst, they then endure two brothers fighting over both of their rightful places on the throne. In the end, both of them die, but one, Eteocles, was buried a king, and the other, Polynices was left to be untouched a “traitor.” Their sister, Antigone, feels it is her rightful to disobey her uncle, Creon, who sets a decree that declares Policies was to be left unburied. She called this “the doom reserved for enemies marches on the ones we love the most” (Fagles 1984, 59). From the very beginning of the play, the audience can see that Antigone is loyal to her family. “He’s to be left unwept, unburied, a lovely treasure for birds that scan the field and feast to their heart’s content” (Fagles 1984, 60). Polynices was to be left untouched, which could have resulted in a “divine punishment” by the gods in which he would have been sent to hell dimension. Because of her devotion to her brother, Antigone risked her life in order to save him from this eternal damnation. Her sister, Ismene, even notes that she is “truly dear to the ones who love you” (Fagles 1984, 64). Throughout the entire play, Antigone identifies strongly as being apart of a family and because she is a member, she felt as though it was her family duty to take care of them in the after life. When talking about her own mother’s death by hand, she said, “But if I had allowed my own mother’s son to rot, an unburied corpse – that would have been an agony!” (Fagle 1984, 82). Even when Antigone was accepting her punishment from Creon, she still had... ... middle of paper ... ...n order to bury her brother, however, this act got out to the rest of the country because Polynices’ body was left out in the open. So, to the reader, it seemed as though the family drama of Creon was left for the citizen’s to see and judge. In order to rule a successful country, there needs to not be a focus on the inner happenings of the family, but there does need to be a concentration on the country as a whole. So, in conclusion, both sides clearly have valid points whether they be for the right reasons or not, it is all up to the interpretation of the reader. Antigone was right because it is her brother, and he died her brother. Because of this, he deserves a proper burial. On the other hand, Creon was also right because he was the new king of Thebes, and he needed to assert his authority with the people or else he would have been seen as a weak king.
The play starts off with Antigone discussing what happened with her brothers Polyneices and Eteocles, with her sister, Ismene. Antigone wants her sister to come and help her give their brother Polynices a burial because she was not given one. Ismene decides not to help her sister becuases she is scared of the law Creon declared. Anyone who buries Polyneices will be punished. Croen is surprised to find out that Antigone buried Polyneices because she is a woman. To make an example out of her and to not lose his pride as a king. Antigone later dies and Hamaon, Creon’s son kills himself because Antigone was his soon to be wife. Since Hamaon died Creon’s wife killed herself because she could not bear to lose her son. The play Antigone is a Tragedy
ee cummings once said, “to be nobody but yourself in a world which is doing its best, night and day, to make you everybody else—means to fight the hardest battle which any human being can fight.” That quotation is exemplified in many works of literature, but the opposite is too. No matter what people try to be or not to be, they don’t always succeed. For example, in the play, Antigone, by Sophocles, the character, Antigone displays the idea of being her own person, but Creon displays the opposite of that.
To begin with, an in depth analysis and understanding of Creon's intents and actions must be established in order to evaluate the reactions of Antigone and Ismene. The central conflict of Antigone derives from Polyneices' betrayal to the city of Thebes. As the ruler, Creon naturally feels compelled to exert his authority by refusing Polyneices a proper burial "for the birds that see him, for their feast's delight" (162). The grotesque imagery evoked not only illustrates Creon's endeavor to discourage further rebellion, but also portrays a personal defense to protect his pride; this need to reassert his pride significantly heightens with Antigone's involvement. From Creon's perspective, leniency represents vulnerability within a leader "if he does not reach for the best counsel for [Thebes], but through some fear, keeps his tongue under lock and key"(167). Throughout the play, the symbol of "tongue" frequently recurs, illustrating how society cond...
The play Antigone by Sophocles is a Greek tragedy that focuses on a family and a city that has experienced great upheaval in recent years. Out of the ashes of war fought between two brothers, Eteocle and Polynice (sons of Oedipus), their uncle Creon is now ruler of the city of Thebes. Creon’s first order as the new king is that Polynice, the rebel brother, will not be sanctified by holy rites and will lie unburied on the battlefield whereas Eteocle will be honored and buried with respect. Oedipus’s two surviving children, Ismene and Antigone, remain in Thebes and under their uncle’s care. When hearing Creon’s decree that Polynice is forbidden to be buried, Antigone decides to ignore this law and honor her fallen brother by burying him.
Antigone is loyal to her family readers can see that when she says “ Their it is, and now you can prove what you are: A true sister , or a traitor to your family” ( PR. 26-27). This quote shows that Antigone is loyal to her family because she wants her sister to be a true sister like her because she is going the break the law for her brother. Antigone is also seen as loyal to the gods when she says “ That final justice, that rules the world below makes no such laws” ( 2. 57-58). Antigone is seen as loyal because she says the final justice of her being killed doesn’t matter because she did something good for the gods, so they will be loyal back to her. In the greek tragedy Antigone, Antigone has the tragic flaw of loyalty to her family and to the gods, which leads to her
Antigone did the right thing by defileing Creon's strict orders on burying Polynices because the unalterable laws of the gods and our morals are higher than the blasphemous laws of man. Creon gave strict orders not to bury Polynices because he lead a rebellion, which turned to rout, in Thebes against Creon, their omnipotent king. Antigone could not bare to watch her brother become consumed by vultures' talons and dogs. Creon finds out that somebody buried Polynices' body and sent people out to get the person who preformed the burial. Antigone is guilty and although she is to be wed to Creon's son, Haemon. He sentences her to be put in a cave with food and water and let the gods decide what to do with her. He was warned by a blind profit not to do this, but he chooses to anyway, leaving him with a dead son, a dead wife, and self-imposed exile.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
At the beginning of the play, Antigone is upset about a decree Creon, the king, made (190). The decree states that her brother, Polyneices, was not allowed to be buried, because Creon believes that Polyneices was a “traitor who made war on his country” (211). Antigone has a very strong love for her brother and the gods, therefore she believes Polyneices deserves a proper burial according to the laws of the gods (192). Antigone says to Ismene that she [Antigone] will go against Creon’s decree-which states that if anyone buries Polyneices they will be killed (190). Antigone is extremely angry with Creon for creating the decree, to the point where she decides to make a big deal about the burial, instead of lying low and doing it in secret (192). Antigone even tells Ismene to “Tell everyone!” that she [Antigone] buried Polyneices when everyone finds out, and not keep it a secret-although Ismene doesn’t listen (193). Antigone’s decision not to do the bur...
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
The failures of Creon leadership represent the limitations of autocratic government and thereby serve to promote democracy. At the play’s opening, Creon is portrayed sympathetically. He presents his decree preventing the burial of Polynices as just retribution for his crimes against Thebes and as an effective way to prevent pollution (Sophocles 62). He feels further vindicated because the chorus, consisting of elder representatives of the populace, supports the decree. Even Antigone’s impassioned defence, which invokes the “unwritten and unfailing” (73) laws of the gods, appears to have no impact on the chorus, who states that “she does not know how to bend amidst her troubles” (74). This perception of Creon begins to shift upon Antigone’s death sentence. Although the punishment seems as cruel and excessive, Creon firmly believes it to be a necessary deed. He is “eager to display his full control of a crisis barely averted...