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The influence of fashion and fashion lifestyles in our society
Note on culture and fashion
The influence of fashion
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Davis, Fred. Fashion, Culture, and Identity. 1st ed. Chicago: U of Chicago, 1992. 5,27. Print.
“I speak, of course, of fashion and some of its many facts: its sources in culture and social structure”(Davis,5)
”in all societies clothes serve to communicate more or less standardized meaning about their wearers”(Davis,27).
Horn, Marilyn J., and Lois M. Gruel. The Second Skin: An Interdisciplinary Study of Clothing. 3rd ed. Boston: Houghton Mifflin, 1968. 11,28. Print.
“There are no peoples known, past or present, who do not wear clothing of some type. People may be unclothed, but they are never completely unadorned”(Horn, Gruel 11).
However, what is considered beautiful and what is sexually attractive are not the same for all people”(Horn, Gruel
This seems to be particularly important as the pressures of industrialization and urbanization in the late nineteenth century and early Twentieth century grew. Simmel appears to be attempting to find a place for intellectual freedom of the mind in a society where social assimilation of the newest fashion is preeminent and possibly capable of reducing intellectual differentiation. Despite being largely repetitive, Simmel uses effective evidence as he references primitive societies and certain historical examples. All in all, Simmel largely supports his paper by describing the inherent dualism that fashion externally expresses as simply a fact of life and part of social
Martin, Richard. (1991). The Deceit of Dress: Utopian Visions and the Arguments against Clothing Utopian Studies. No. 4, pp. 79-84.
Since clothing is one of the items that can represent and show people’s identity and a part of characteristics, people spend enough time and money to dress up. Although people put meanings and purposes on their clothing, it is still hard to judge people by just looking at their appearances because people dress the way they do for numerous reasons. The following is a cultural observation of a group of people based on their outfits. It was taken at a small café near CSULB on Sunday evening.
“A woman should some day write the complete philosophy of clothes. No matter how young, it is one of the things who wholly comprehends. There is an indescribably faint line in the matter of man’s apparel which somehow divides for her those who are worth glancing at and those who are not. Once an individual has passed this faint line on the way downward he will get no glance from her. There is another line at which the dress of a man will cause her to study her own.
Jennifer Craik . The face of fashion: Cultural studies in fashion. New York :Routledge ,1993.
Fashion plays an important role in the lives of billions all over the world; people, as part of a status craving society, turn to “fashion capitals” of the world for ways in which to dress and carry themselves. New York, Milan, and Paris are leaders among this fierce industry that the world lusts after. Fashion can speak volumes about ones personality, or also about the condition the world is in at the time. In France, fashion changed rapidly and feverously as the times changed.
Research by Adam and Galinsky (2012) found that clothes have a systematic influence on the wearer’s psychological process, and have even coined the term “enclothed cognition” to describe this systematic influence (Adam & Galinsky, 2012, p. 918). In addition, Adam and Galinsky (2012) also propose that, “enclothed cognition involves
The realm of the fashion industry in its entirety is a major cultural phenomenon. Within its historical and socioeconomic framework, fashion is inevitably affected by infrastructures of power that lend to analytical and critical thoughts
As the the persons identity is not only being defined by their way of dressing, it can only to a certain extend be said that 'the choice of clothes as an expression of ones identiy ...(is) too simple.'
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Dress and fashion can be used not only to symbolize culture, religion or spirituality, but it can also be used as a tool of oppression as well as liberation. For many people, dress is an expression of personality, faith, choice and identity. It can also deeply affect one’s spiritual self and help connect the wearer to her inward self. Marco Pallis describes the significance and meaningfulness between dress and spiritual identity and how, according to him, clothing ranks among the most important but least analyzed sites of colonization. He is particularly interested analysing clothing as a component of spirituality. He writes that ‘of the many things a person puts to use in the pursuit of her earthly vocation there are none, perhaps, which are so intimately bound up with her whole personality as the clothes she wears (Pallis, p.9). The first thing that Pallis notes is how clothing greatly modifies the appearance of a person and even his/her facial
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...
The idea that fashion in dress follows a cyclical phase structure is not new. The sociologist, Quentin Bell made such an observation over fifty years ago in his book, On Human Finery. Moreover, his observation was based on accumulated evidence of an uninterrupted cyclical flow in dress change in Western society since at least the thirteenth century.
particular taste. Specifically in terms of clothing, fashion refers to the trends and styles in garments. It is influenced by variables such as demographics, financial resources and media amongst other things. In this essay fashion throughout the decades will be compared to state whether it has changed with time or with influence. Firstly, the change in fashion from the sixties till the 21st Century will be discussed followed by the correlation between fashion and lifestyle and how Money, People and Media have influenced the Fashion timeline.
To begin with, I shall look at what fashion is; it is a currently popular style or practice involving clothing, footwear or accessories. It mostly refers to the current trends in looks and dressing style of a person (Cumming 234). In most cases, fashion is confusedly related to costumes; when a person talks of fashion they are seen to mean fashion in terms of textile. Fashion is seen to originate from the Western world and it is copied by other places. In this paper, we shall look at how fashion affects lifestyles and the group of people who are affected most. The paper further investigates how media is used to transmit fashion from one region to the other. Although it has been seen to affect people’s lives many people have different perspectives on fashion and dressing.