Women have had to constantly find their place in this world. Education was not so easily, or freely given for women. Women had to take and authoritative stand and take action to gain equal rights. The fight for equality among genders was heavily prevalent not only in education, but also in the realm of American Literature. During the eighteenth century, Anne Bradstreet went against the close-minded belief of society and lead the way to being considered one of the first American feminist novelist. Bradstreet’s works such as, “The Author of Her Book” and “The Prologue”, puts emphasizes on socially critiquing societies unequal gender roles and identity. The power of education lies within the knowledge of free will and self thinking.
Anne Bradstreet
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I washed thy face, but more defects I saw, And rubbing off a spot still made a flaw.
Anne Bradstreet metaphorically views her writings as an unappealing and ugly baby. The imagery of these lines showcases the narrator heavily and heartily scrubbing the babies face, trying to remove the the blemish on the babies face. The narrator is trying to alter her baby into being the ugly little duckling and transform into the gorgeous, stunning and flawless swan. Sadly, the blemish does not seem to be able to remove as it is a permanent stain situated on the babies face. The scrubbing of the babies face symbolizes how Bradstreet feels about her own work. Bradstreet is unsatisfied with her work and wanted to revise it by “stretched thy joints to make thee even feet” and desired to continuously keep on fixing it. The more she tried to continuously fix and change it, it yet it was still “hobbling than is meet”. Bradstreet soon realized that there is no such thing as a truly “perfect” piece of
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“But when my wond’ring eyes and envious heart / Great Bartas’ sugared lines do but read o’er”. Great Bartas was a male French Protestant writer, who was highly favored and looked up too by the Puritan society. The voice compares herself to the French Protestant writer. She believes that she can not compete with the artist and might as well not try to excel at becoming an accomplished writer. “A Bartas can do what a Bartas will, / But simple I according to my skill”. The author can not become a successful writer because she believes that she does not possess the literary skills, such as a man of Bartas status. The narrator lightens the mood the the joke by being sarcastic, “From School-boy’s tongue no Rhet’ric we expect, / Nor yet a sweet Consort from broken strings”. Society would not expect females to know the rhetoric and works of professional and great writers, just as society would not presume that school boys know such information either. The poem addresses that there is no perfect person, author or text. Nor perfect beauty where’s a main defect.” A muse is a person that encourages and inspires a person to embrace their creative and innovative personality. My foolish, broken, blemished Muse so sings” Bradstreet continues to go on and say her inspirations muse is not perfect and it transpires into her writing. She then formally address her critiques, calling them a
Bradstreet was a Puritan and was therefore raised with a simplistic view of the world. This, combined with the fact that she was a woman, carried over into her way of writing. Her writing style was not eloquent but plain, humble, and pleasant to read. Her poems dealt with topics such as faith, family, and adversity and were easy to understand. Bradstreet had great faith which she gained through the experiences she encountered in life.
She writes a letter to husband, almost instructing him on what to do after her death. Unlike other demure housewives of her time, she acknowledges the risk birthing her child brings by saying, “And when thy loss shall be repaid with gains / Look to my little babes, my dear remains” (107). Bradstreet also approaches a taboo subject by acknowledging that her husband might remarry. Bradstreet does not tread lightly on this subject either by writing, “And if thou love thyself, or loved’st me, / These o protect from step Dames injury” (107). In this poem, Bradstreet faces the possibility of not only the loss of her life but the loss of her husband’s love. Bradstreet challenges Puritan beliefs by showing that she will still be concerned with her earthly life after her
In all of Bradstreet’s works she is constantly expressing herself through her figurative language that whoever reads the poetry can’t help but sense the feelings through any piece. An...
Anne Bradstreet is seen as a true poetic writer for the seventeenth century. She exhibits a strong Puritan voice and is one of the first notable poets to write English verse in the American colonies. Bradstreet’s work symbolizes both her Puritan and feminine ideals and appeals to a wide audience of readers. American Puritan culture was basically unstable, with various inchoate formations of social, political, and religious powers competing publicly. Her thoughts are usually on the reality surrounding her or images from the Bible. Bradstreet’s writing is that of her personal and Puritan life. Anne Bradstreet’s individualism lies in her choice of material rather than in her style.
After reading Anne Bradstreet’s poems I liked “Before the Birth of One of Her Children” the most. In this poem Bradstreet is writing about the possibility of death after she gives birth to her children. During this time period 1 out of every 3 women die during childbirth. This poem was addressed to her husband as she goes on to say that if she does die that he remember everything positive about her. She even says that he must protect their children from a “step mother injury” and constantly remind them of their mother. Anne goes on to describe the possibility of this tragedy could happen to her. If this does happen to her she wants her husband to kiss the poem to symbolize kissing her after she is gone.
...e from her love to the world. Perhaps, she believed that in this love of her, she became God-like and God thus punishes her. Nevertheless, the presence of God in her poems is more than clear. Perhaps, it was due to religious beliefs that she though that it was wrong to feel too strong feelings to world and she considered herself to be a sinner who deserves punishment. Today, there are few followers of Bradstreet, but she, her ideas and her thoughts about sufferings still remain in modern books.
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
When the speaker's book is returned by the publisher, the speaker's attempt to "wash (the) face" of her child only worsens the image of herself that she sees in it. Washing the child, rubbing off a blemish, and stretching its joints but failing to improve his imperfections all contribute to an image of the speaker rewriting her book, desperately trying to raise its quality up to her high standards, but discovering in the process that its imperfections and errors run too deep to be corrected, as do her own.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
By reading Bradstreet’s work, a fair sense of what Mrs. Bradstreet was like can be grasped. She clearly stated her opinion of those who objected to her writing: “I am obnoxious to each carping tongue, / Who says my hand a needle better fits.” (Bradstreet,“ The Prologue”155). Bradstreet refused to give up her passion for writing even if it meant going against the opinions of anyone in her colony, including religious leaders. Although Bradstreet referred to herself as being obnoxious, her written works portray an entirely different Bradstreet. She seeks no reward or fame for her writing: “Give thyme or parsley wreath, I ask no bays” (155). Bradstreet seeks no reward for her writing because she doesn’t think her work is very good: “My foolish, broken, blemished Muse so sings” (154). She refers to her writing as her: “ill-formed offspring” (“The Author To Her Book”165). Even after her work is published she is ...
Feminism today remains prominent because even while women’s rights are very strong, women are still fighting for equality every day. In the time of Anne Bradstreet, women had few rights and they were seen as inferior to men. Anne lived among the puritans whom ruled her everyday life. Although it was against the puritan code for women to receive an education, Bradstreet’s father, Thomas Dudley, loved his daughter dearly and made sure that she was well educated which shows in her works. Anne Bradstreet’s literature became well known only because her family published her works under a male name. This was done because writing poetry was a serious offense to the puritans since poetry was considered creative and the only creating that was done was by God. In the works of Anne Bradstreet, she conveys a feminist attitude, and could very well be one of the first American Feminists.
When Bradstreet’s next grandchild, Anne, passed away, she was unable to resist it. She lost her control and become disappointed. She wrote a poem under “In Memory of My dear Grandchild Anne Bradstreet, Who Deceased June 20, 1669.”5 The poem starts with the speaker
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a