Over the years America’s ability to address taboo issues by channeling them through popular culture has become increasingly popular (Pruitt, 2007). Among the many taboo issues as evidenced by the number of mainstream films which minimally address the matter, is the issue of men living on the down low (Hamilton, 2009). An example of such is the 2011 film “For Colored Girls.” The film like many bring up the issue of men being on the down low, but they have neglected to go in-depth as to why men chose this lifestyle – rather than the age old notion that they fear social rejection (Pruitt, 2007). As it relates to the drama “Angels in America,” written by Tony Kushner, the work does a great job highlighting men who have secret lifestyles and two of the characters within the drama that exemplify characteristics of living on the down low – Joe Pitt and Ray Cohn (Kushner, 1993) To begin with, ‘Down Low’ is a phrase that was coined by members of the African American urban culture during late 1980’s which defines gay men who appear to be straight (Hamilton, 2009). Many characteristics of men living on the down low include individuals (who appear as though they are straight) who are sometimes married with children, members of the clergy, elected officials, ex-convicts, and most notable in a number of low-budget and often overlooked films – straight acting thugs (Hamilton, 2009). It is almost virtually impossible to be appreciative of the drama “Angels in America” without having an understanding about the history of the AIDS crisis as well as a more extensive story of lesbians and gays in the United States of America. While men and women have engaged in homosexual conduct in all times and various cultures, it was only in the twentieth centu... ... middle of paper ... ...me to time. Is this an indicator that men are lying about who they truly are, or are they simply going along with something for a thrill? Works Cited BGC LIVE. "BGC Discusses Men on the Down Low." BGC Live. July-Aug. 2011. Web. 1 Mar. 2012. . Hamilton, Anette C. "The Truth About Men Living on the Down-Low." Editorial. Keepin' It Real Weekly Autumn 2009: 11-24. Print. "J.L. King Quotes." J.L. King Quotes (Author of On the Down Low). Web. 01 Mar. 2012. . Kushner, Tony. "Angels in America." By Tony Kushner Book (9781854591562). 1993. Web. 01 Mar. 2012. . Pruitt, Eursla L. On the Down Low: An In- Depth Analysis. Diss. University of Mississippi, 2007. Oxford, 2007. Print.
Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their lives. Geanne Harwood, interviewed on an National Public Radio Broadcast commemorating the twentieth anniversary of the Stonewall Riots, said that “being gay before Stonewall was a very difficult proposition … we felt that in order to survive we had to try to look and act as rugged and as manly as possibly to get by in a society that was really very much against us.” The age of communist threats, and of Joseph McCarthy’s insistence that homosexuals were treacherous, gave credence to the feeling of most society members that homosexuality was a perversion, and that one inflicted was one to not be trusted.
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
The media portrays the upper class as something to strive for. Obtaining wealth and material possessions will bring you a happy life. The only way to get ahead is to emulate the rich and powerful and to live vicariously through them (Kendall 316). The media’s emphasis on the upper class takes away from people living life for themselves. Instead, they are persuaded to obtain a lifestyle that is realistically out of their means. Kendall states, “Largely through marketing and advertising, television promoted the myth of the classless society, offering on one hand the images of the American dream fulfilled wherein any and everyone can become rich and on the other suggesting that the lived experience of this lack of class hierarchy was expressed by our equal right to purchase anything we could afford”. Exaggerated views of the rich and successful in America are largely portrayed via television. Which gives a false idea of what happiness, wealth and material possessions can bring (Kendall 317). The poor and homeless are at the bottom of the class structure and are often overlooked, ignored and only portrayed as deserving of sympathy. They are stereotyped to be people who have problems such as drugs or alcohol (Kendall 318). Kendall goes on to explain that the middle class is considered the “working class” and are
well-known stereotype. Sexuality is described in two different environments, showing how circumstances can change what is socially accepted.
In Tony Kushners to part play, Angels in America, readers are introduced to a closeted gay man, Joe Pitt and are exposed to his relationship with his Mormon mother, Hannah. An underlying conflict occurs when Hannah finds out her son is a homosexual; a problem which forces her to question her love and acceptance towards her son and her strong Mormon anti gay sentiments and beliefs. This conflict between mother and son helps Kushner illustrate the complexity of sexuality and the changing views of homosexuality.
In the past decades, the struggle for gay rights in the Unites States has taken many forms. Previously, homosexuality was viewed as immoral. Many people also viewed it as pathologic because the American Psychiatric Association classified it as a psychiatric disorder. As a result, many people remained in ‘the closet’ because they were afraid of losing their jobs or being discriminated against in the society. According to David Allyn, though most gays could pass in the heterosexual world, they tended to live in fear and lies because they could not look towards their families for support. At the same time, openly gay establishments were often shut down to keep openly gay people under close scrutiny (Allyn 146). But since the 1960s, people have dedicated themselves in fighting for
In every walk of life, people seek refuge from the judgmental perception of their contemporaries. Thus, many people live in secrecy. For them, secrecy is an absolute necessity in dodging undesired scrutiny and maintaining normalcy in public. When it comes to gender and the expression of it, lines are often blurred. While some hide, others brazenly parade their sexuality in public and their alternative perspectives on gender roles. In “The Bowery as Haven and Spectacle” from Gay New York, by George Chauncey, explores the emergence of the Bowery “fairy” bars, and how they became a sanctuary for the queer and working-class of New York City. He discusses in great length the tension that arises between the middle-class and working-class, the bars as a spectacle and a place to be entertained, the solicitation of sex work, and the makings of gay culture in the bar scene. The lines of gender were blurred when men took up cross dressing and the mannerisms normally associated with women. On the other hand, Merril Mushroom, writer of "How to Engage in Courting Rituals 1950's Butch-Style in the Bar", complies a laundry list of rules for butch lesbians on methods of attracting other women. Here, females cross gender boundaries and take on masculine personas. With this said, both pieces show the development of alternative gender identities. However, this switch in gender roles seldom occur outside the bar scene. Despite the semi-public gender blurring, those who identify with this lifestyle still feel the need to express themselves in an environment most accommodating to their blatant disregard of gender norms. The aforementioned pieces answer questions in regards to why one must live in secrecy, and how this secrecy gives way to the developme...
Kimmel, Michael. “ “Bros Before Hos”: The Guy Code.” Rereading America: Cultural Contexts for Critical Thinking and Writing. Colombo, Gary, Robert Cullen, and Bonnie Lisle. 9th ed. Boston: Bedford of St. Martin's, 2013. 464. Print.
Angle in America by Tony Kushner explores the critical issue of what it means to be a homosexual at a time when Republican Right Wing ideals dictated the country with anti-gay propaganda. Many characters in the book are homosexuals struggling to fit in the conservative society at the time wether they followed those ideologies or not. The already isolated queer community faced even more backlash as the AIDS became a negative label associated with them. But not everyones struggle with homosexuality came from a desire to be treated as an equal and have legal rights, some struggle with self acceptance. Joe Pitt, a deeply closeted homosexual with strong religious values and Left Wing ideologies, struggles with his own sexual identity and is unable to come to peace with who he is.
‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).
Sexism serves as the constant reminder that, although in our history there have been many changes, we still have much to work on. The equality of all people has yet to be achieved and while the progress made should be noted, there are facts of our culture that demonstrate we still haven’t reached where we need to be. As for how The Bro Code comes into play, Director Thomas Keith explores the aspect that society still harbors and in most ways promotes the inequality between men and women. Director Thomas Keith clearly states in the beginning of the documentary that even he grew up believing that “women were here for our sexual enjoyment” (Keith). His documentary serves to focus that our society has allowed for men to objectify women and to believe that they are better. These thoughts that he presents are not foreign or stretches of the imagination but simply observations of the society in which we live.
This fieldwork aims to sociologically analyze gender roles and expectations within the movie White Chicks. In this film brothers, Marcus and Kevin Copeland, play the role of two black FBI agents looking to get back into good graces with their superior after they accidentally ruined a drug bust. They are assigned to escort two rich white females, Brittney and Tiffany Wilson, to the Hamptons for Labor Day festivities. While traveling they experience a minor car accident, leaving the girls with a single scratch each on their face. Because of their socialite status, the sisters no longer wish to continue their trip in fear of humiliation. The agents fear losing their chance of redemption, so they decide to disguise
The American social environment has revolutionized the ways in which people express their sexual identity. Years ago it was taboo for a young lady to talk about sex or even arouse her interest about the topic. Sheltered under her parents wings a girl was not given the opportunity to explore her sexuality. Parents molded their children in their image and did not allow them much choice or opportunity for diversity. It was not as socially acceptable for a young person to be allowed to express themselves through clothes, music or lifestyle as it is today. Stuart Ewen presents an excellent point in his article “First Impressions'; about young people and how they have come to shape their own identity . Although this article is about the influence of urban styles on materialistic impressions, he makes a remarkably strong point about the historical transformation of individual identity. Ewen states “The old world of the parents was rooted in a continuity…the new world on the other hand, demanded a sense of self that was malleable, sensitive to the power of increasingly volatile surfaces. Addressing the historical transformation of individual identity, historian Warren Susman describes it as a shift from the importance of “character'; to the importance of “personality'; (Ewen, 411). Audrey Lorde incorporated this theory throughout her book “ZAMI a New Spelling of My Name'; Lorde takes us on a journey through her life starting with her early childhood years. As a young black girl being raised by a strong, independent homosexual mother living a hetrosexual lifestyle, Lorde shows us how she secretly takes on many of her mother’s characteristics. Audrey Lorde uses her mother’s sexual identity as a foundation in developing her own sense of sexuality while struggling to express herself as a young, homosexual black woman in an extensively critical society.
The 1990s saw a surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek
Today’s society is a sexual playing field. Celebrities on television and movies, models on the covers of magazines, and even politicians have become sexual legends in the map of American society. The issue of sex is publicly discussed, on media and otherwise, and as such, it has become, to a great degree, a measure of self-worth. Issues such as breast size, penis size, and sexual stamina have flooded the American public with the idea that one is defined by how sexually appealing s/he is.