Analyzing Paul Berlin's 'Going After Cacciato'

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Throughout the history of literature, the quest for a goal has always been evident in an assortment of writing styles. A hero normally tries to obtain something or someone; whether it would fill a void in his life or if it was stolen from him, they would always try their hardest. However, in Going After Cacciato by Tim O’brien, Paul Berlin’s goal was aspiration and bravery. To many readers it was more than just a war story, it was a look into the minds of the soldiers that fought in the Vietnam War, and how some of the soldiers dealt with the things happening around them. Thomas Hardy said it best with this statement,“ A story must be exceptional enough to justify its telling; it must have something more unusual to relate than the ordinary …show more content…

For example, Doc Peret states, “What you remember is determined by what you see...where did it tilt from fact to imagination?” (O'Brien 206). All of Paul Berlin's unusual and exotic imaginations came directly from his experiences and what he saw previously in his explorations throughout Indochina. One of the most prominent encounters he made was when he was residing in the village of Quang Ngai. Paul Berlin recalls meeting a Vietnamese girl with gold hoops in her ears and ugly scabs on her brow (262). This girl makes him rethink his appearance and personality, and he wonders what she thinks of him. This contrast of two completely dissimilar characters represents Berlin's sub-conscious behavior. Even though he has never met her, or much less even talked to her for that matter, Berlin has an interest in how she views him. For Paul Berlin, it is heartbreaking to meet someone who he desires very dearly, but just can't acknowledge. Astonishingly however, he does see her again, but this time in his mind. The girl with the golden hoops is equivalent with Sarkin Aung Wan, the girl he falls in love with on his excursion to Paris. This deep longing for love tells us that Paul Berlin most likely had never had a girlfriend and the way that she, “... licks his wounds” whenever gets hurt makes me wonder if Paul Berlin doesn’t understand the difference between imagery and what's

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