Ishaan Chatterjee
Language Composition
Oskar-Poisson
March 6, 2016
Summary of The Year of the Flood
In canadian poet, novelist, and literary critic Margaret Atwood’s The Year of the Flood, exists a plethora of themes, characters and plots, that pool together to bestow upon the reader meaningful novel. taking place after a long-feared waterless flood (or plague) has occurred, altering Earth as we know it and obliterating most human life, the book gives little details about the whens and wheres, leaving the reader in a suspenseful and curious position, grasping every little detail that will provide a better insight to the unfamiliar setting of the story. The second of the MaddAddam trilogy, following The Oryx and Crake, The Year of the Flood is a tale of mankind’s struggle to
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She soon finds out by Adam One, the highest ranking member of the gardeners, that Blanco is detained for committing murder. Blanco is detained in a place called Painball, overlooked and run by Corpsecorps, the oppressing corporate presence in Atwood’s dystopian society. As later expounded on in the story, Corpsecorps is found to be a growing power that exploits the environments and oppresses the people. The climax of the story is when Ren and her mother Lucerne become fed up with their present lifestyle among the gardeners and decide to leave. Ren finds it hard to adapt to her new life outside of the gardeners. She struggles to eat the weird unknown meats and adapt to the now unfamiliar culture. However, she enjoys going to school and makes friends with a male named Jimmy. Over the course of a few weeks, the two grow close and engage in a intimate but complex relationship. Jimmy eventually breaks her heart in high school. Back at the Gardeners, Blanco shows up, after being released from Painball and attempts to kill Toby. The
hydrology of a great flood on a great river, you many only be interested in parts of the book, and I would suggest looking elsewhere for more detail.
In Ray Bradbury’s " There Will Come Soft Rains, " he fabricates a story with two themes about the end of the world. The first theme is that humans are so reliant on technology, that it leads the destruction of the world, and the second theme is that a world without humans would be peaceful, however no one would be able to enjoy it. Bradbury uses literary devices, such as narrative structure, personnification, and pathos to effectively address human extinction. One aspect which illustrates how he portrays human extinction can be identified as narrative structure, he structured the story in a way that it slowly abolishes the facade of technological improvements made by people to reveal the devastation that technology can cause. The story started
Veronica Roth was born in New York City on August 19th, 1988 and is the youngest of two other siblings. They all were raised in Barrington, Illinois where she went to High School. After she graduated, she went to Carleton College, then transferred to Northwestern University. She later married Nelson Fitch in 2011 to present day. Some of the activities that she likes are: cooking, psychology, biology, theology, fashion, contemporary art, and poetry. Roth is known as an American novelist and short-story writer, as well as young adult fantasy and science fiction. She has already written the Divergent Trilogy, and Four: The Divergent Collection.
Margaret Atwood's Oryx and Crake." Studies in the Novel 43.4 (2011): 470. Academic OneFile. Web. 30 Mar. 2014.
The story of the great flood has been debated many times as far as its historical accuracy. Many experts seem to think that such an event would be unnatural while others believe that this great worldwide flood actually did occur. In today’s society, more people are beginning to question catastrophic events that occur in nature. This great flood seems to be a very common example of this. This research paper will investigate the Holy Bible’s reliability as scientific and historical literature by focusing on its recording of the great flood. Many people are interested in these world phenomena’s; this paper will aim to end some of the controversy about this particular phenomenon.
Over the course of Kurt Vonnegut’s career, an unorthodox handling of time became one of many signature features in his fictional works (Allen 37). Despite The Sirens of Titan (1959) being only his second novel, this trademark is still prevalent. When delving into science fiction, it is often helpful to incorporate ideas from other works within the genre. This concept is exemplified by the “megatext,” an aspect of science fiction that involves the application of a reader’s own knowledge of the genre to a new encounter (Evans xiii). By working within the megatext, Ursula K. Le Guin’s The Dispossessed (1974) provides an insightful avenue in exploring the handling of time and its consequences in Vonnegut’s The Sirens of Titan.
Throughout history women have pioneered their way into occupations that were once occupied solely by men. Not surprisingly, many achievements have come from women challenging and stepping out of their expected social roles. Today most women are free to voice their opinion and express themselves in every aspect of their lives, including their marriage. It was not long ago when women were deprived of this freedoms. In “The Story of an Hour” by Kate Chopin Mrs. Mallard has been informed of the death of her husband. At first she feels melancholy because they both loved each other. He never mistreated her but at the same time she was chained to him. She quickly changes her mood when realizing what the death of her husband has given her. In the story “The Storm” by Kate Chopin, Calixta is a loving
In a passage from his book, Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America, author John M. Barry makes an attempt use different rhetorical techniques to transmit his purpose. While to most, the Mississippi River is only some brown water in the middle of the state of Mississippi, to author John M. Barry, the lower Mississippi is an extremely complex and turbulent river. John M. Barry builds his ethos, uses elevated diction, several forms of figurative language, and different styles of syntax and sentence structure to communicate his fascination with the Mississippi River to a possible audience of students, teachers, and scientists.
Flood stories have been a common thread in many religions across the globe. One of the stories we are most familiar with in our culture, the story of Noah’s Ark, is a well-known segment of the old testament, and an interesting story of how God punished the world for how corrupt it had become. God accomplished this by flooding the world, and annihilating all the creatures upon it, save for Noah and his family and a pair of each type of creature on the earth . This story, however, has roots deep in the past, some of which have only come to light with the development of new archeological techniques and technology. As more and more is found out about the era from when this story originates, discoveries are made as to the origin of the story, what tale it was based upon, and as to the authenticity that such an event may have actually even occurred, if on a somewhat smaller scale. Based on the information available at the present time, one can make fairly confident inferences as to the root of this story. One could argue that the story of Noah’s Ark was based on the Epic of Gilgamesh, and that in turn was based on older stories that were based on a real flood of the Black Sea.
In The Way To Rainy Mountain, the author N. Scott Momaday makes a clear use of figurative language throughout the story and descriptive language to describe the nature around them, explains their myths about how their tribe came to be a part of nature, as well as the importance in nature that are a part of the Sundance festival and the tai-me.
when she says “they used to go over it as fast a possible” then later
Oryx and Crake, by Margaret Atwood is a novel that warns us of possible dangers in the future, such as the destruction of the human race and nature. Throughout the novel, Atwood uses examples of destruction as a way to convey the danger of greed when combined with science. There are many examples of destruction within the novel; however, every example of destruction displayed throughout the novel is ultimately caused by greed.
Raymond Carver’s The Bath is a revised version of his early work of A Small, Good Thing. In his two pieces of the short story, the length of the story significantly varied as The Bath is a lot shorter. Moreover, his former work has more detailed emotional expressions while The Bath lacks communications and leaves to the reader a suspenseful ending. The story begins in a third person view with a mother has her son’s birthday cake made to order at a bakery. Then his son is hit by a car when crossing the road. The mother and father come to hospital and exchange words from the doctor. Finally, the story ends with an unfinished ending which doesn’t show any sign of boy’s fate but a strange phone call that says the son’s name. There are several things
The Handmaid's Tale presents an extreme example of sexism and misogyny by featuring the complete objectification of women in the society of Gilead. Yet by also highlighting the mistreatment of women in the cultures that precede and follow the Gileadean era, Margaret Atwood is suggesting that sexism and misogyny are deeply embedded in any society and that serious and deliberate attention must be given to these forms of discrimination in order to eliminate them.
Margaret Atwood sheds light on two concepts that are intertwined; fertility and motherhood. Nevertheless in Gilead these notions are often viewed as separate. The Republic State of Gilead views women as child-bearers and nothing more. In Gilead, these women are known as handmaids, who’s function in society is to produce children for barren females of a high status. Gilead also prohibits the handmaids from being mothers to their previously born children, meaning before Gilead was created, for instance, Offred, who is separated from her daughter. Thus it is evident that Margaret Atwood generates a state that views birth only as growth in population rather than the beginning of a relationship between mother and child.