Analysis of the Themes in Fight Club
It is easy to understand how and why many who view Fight Club
(Fincher, 1999) would argue that is in essence a critique of post
modern consumer culture within America or indeed the western world.
After all we are faced with Character(s) Jack (Edward Norton) who
seems to gain no cultural sustenance from the world in which he
inhabits. More over it seems to do him harm in the form of insomnia.
This coupled with his obsession with Ikea and material goods leads to
the creation of Tyler (Brad Pit). Whose apparent goal is the
destruction of the capitalist system? The film seems littered with
examples of anti consumer, anti capitalist motifs. The blowing up of
credit card companies, the vandalising of coffee shops etc etc. But,
is there more to the narrative of fight club? Its extreme use of
violence on one hand might seem to represent the desperate act of
those trapped deep within the void of consumer culture driven to
violence in a desperate bid to escape; to re claim some sense of
individualism. This view does however ignore many key issues regarding
Fight Club and gender. Especially those of masculinity and femininity,
and the positions they occupy within the film.
Primarily using the work of Laura Mulvey and Henry A. Giroux I
believe that it is clear to see that the themes and issues which are
central to Fight Club are based primarily on gender. Additional to
this, the fragility of man and narratives surrounding masculine
supremacy are present throughout, and undermine any notions of
critical morality.
“Ostensibly, Fight Club Appears to be a critique of late capitalist
society…But Fight...
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...hic economy encourages male
violence against women. In short, male violence in this film appears
directly linked to fostering those ideological conditions that justify
abuse towards women by linking masculinity exclusively to expressions
of violence and defining male identity against everything that is
feminine. (2000:12)
Bibliography
Cohen, S & Hark, I R. (ed’s). 1993 Screening The Male: Exploring
Masculinities In Hollywood Cinema. Routledge: London.
Giroux, H A. 2000. Private Satisfactions and Public Disorders: Fight
Club, Patriarchy and the Patriarchy and the Politics of Masculine
Violence. Dr. Henry A. Giroux Online Articles. henrygiroux.com.
Mulvey, M. 1989. Visual And Other Pleasures. Macmillan: Basingstoke.
Nelmes, J (ed) 2003. An Introduction To Film Studies (Third Edition)
Routledge: London
Can you recall the very last night that you spent with your high school buddies before packing your bags and leaving for college? The films American Graffiti and Dazed and Confused bring you back to that through the recreation of those great experiences. American Graffiti is based on a closely-knit group of teenagers who will all be leaving each other the next day for new adventures. This gang of teenagers, despite their differences, all goes out together and share their last memorable evening. Throughout the night, friendships are strengthened, conflicting struggles arise, and romances are created and disrupted. Dazed and Confused dealt about life during wartime – the wartime of high school, where the faculty is irrational, the parents are
As I read the novel, I couldn’t help but to compare each word to the movie. I may have just recently watched it, but I was suddenly unsure of what I had seen. Was my memory failing me or were things truly that different? I felt like these differences changed the entire story line. The narrator shouldn’t be in a building that was about to be destroyed, this defeated the purpose of Project Mayhem. Then again, I was only on page one.
BIBLIOGRAPHY An Introduction to Film Studies Jill Nelmes (ed.) Routledge 1996 Anatomy of Film Bernard H. Dick St. Martins Press 1998 Key Concepts in Cinema Studies Susan Hayward Routledge 1996 Teach Yourself Film Studies Warren Buckland Hodder & Stoughton 1998 Interpreting the Moving Image Noel Carroll Cambridge University Press 1998 The Cinema Book Pam Cook (ed.) BFI 1985 FILMOGRAPHY All That Heaven Allows Dir. Douglas Sirk Universal 1955 Being There Dir. Hal Ashby 1979
In the film Fight Club, the political message being relayed through the scenes if of the government keeping its citizens under control. Susan Bordo explains,
In Palahniuk’s Fight Club, Tyler Durden is a conformist to society that experienced a personal tragedy which led him to disengage from the societal normality and found an organization known as Fight Club, an underground street fighting competition. Tyler was once an aspiring businessperson. His failure was the cause of his conformity. Tyler then began to work as a security guard, primarily conducting after hour duties. This led him to begin stealing left over human fat to create the ingredients for the manufacture of explosives with the aim of supplementing his income (Schuessler). Here a personal tragedy, specifically failure, led to a behavioural condition known as disengagement. Tyler retracted himself from the typical American societal expectations and rebelled through forms of crime and backlash.
Organizations have been leading the world for a recorded 5000 years. 1984 and Fight Club predict that mankind will fall as figurative slaves to large organizations. Both share an identical theme: figurative slavery to organizational bodies. The novel and film mirror the mechanics of figurative slavery in the modern world through various forms of propaganda shown within the plot, the characters’ ideologies revealed in their methods of escapism, and their display of rebellion.
People today enjoy the same things that people enjoyed during the Roman Empire. In the movie, Gladiator, Maximus fights in the Coliseum in front of all the people of Rome. In the movie Fight Club they have fights between different people in front of all the people of the club. This shows that people who lived 1000s of years before us where entertained by violence just like most of us are today. The theme that ties both Fight Club and Gladiator together is people are entertained by violence.
Fight Club is a novel written by Chuck Palahniuk. This is a story about a protagonist who struggles with insomnia. An anonymous character suffering from recurring insomnia due to the stress brought about by his job is introduced to the reader. He visits a doctor who later sends him to visit a support group for testicular cancer victims, and this helps him in alleviating his insomnia. However, his insomnia returns after he meets Marla Singer. Later on, the narrator meets Tyler Durden, and they together establish a fight club. They continue fighting until they attract crowds of people interested in the fight club. Fight club is a story that shows the struggles between the upper class and lower class people. The upper class people here undermine the working class people by considering them as cockroaches. In addition, Palahniuk explores the theme of destruction throughout the book whereby the characters destroy their lives, body, building and the history of their town.
Society becomes so rationalized that one must push himself to the extreme in order to feel anything or accomplish anything. The more you fight in the fight club, the tougher and stronger you become. Getting into a fight tests who you are. No one helps you, so you are forced to see your weaknesses. The film celebrates self-destruction and the idea that being on the edge allows you to be beaten because nothing really matters in your life.
Friday, Krister. ""A Generation of Men Without History": Fight Club, Masculinity, and the Historical Symptom." Project MUSE. 2003.
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
The Trouble with Men: Masculinities in European and Hollywood Cinema - Phil Powrie, Ann Davies and Bruce Babington.
Cinema studies: the key concepts (3rd ed.). London: Routledge. 2007. Lacey, N. (2005). The 'Standard'. Film Language.
Tyler Durden encourages the narrator to give up his consumerist, meaningless life to fight the exploitation inherent in corporate society. Similarly, Marx believed that the capitalist system inherently exploited workers, arguing that the interests of the capitalist class conflicted with that of the working class. Additionally, Marx’s core concept of historical materialism is realized in Fight Club. The narrator in this film strives to express himself through the items he possesses, searching for meaning in his life through physical objects. He looks for release in buying more and more things he does not need. This illustrates historical materialism, in which Marx argues that people are what they have. Additionally, Marx argues that the flow of ideas is also controlled by the capitalist class. The narrator in Fight Club is forced to come to terms with these ideas. He learns that buying and consuming more material objects does not make him happy, and is forced to confront the destruction of his consumerist identity when his apartment is suddenly destroyed. Additionally, the narrator’s thoughts are never completely his own, suggesting that he is grappling with the controlled flow of ideas inherent in capitalist society. All of these factors combine to force the narrator to look for life fulfillment elsewhere, hence the formation of fight club and the friendship of the dangerous Tyler
“My boss doesn’t know the material, but he won’t let me run the demo with a black eye and half my face swollen from the stitches inside my cheek”(Palahniuk, par. 1). Chuck Palahniuk’s “Fight Club” deals with a man frustrated on many different levels; from his childhood to present day life. Fight Clubs' setting contributes to what makes Fight Club such a powerful story. The narrator who is never named, starts off in chapter six with what could be described as an office hell; complete with empty smiles and feeble minded speak of which color icon they will use for office reports. The beginning of chapter six reminds the reader of mindless zombie office speak and a lack of life, that is all too common in many peoples lives. The reader will most likely identify with what is written in a manner easily transferable to anyones life. I believe most people, when reading would characterize the office environment as the light side and the hours during fight club at the bottom of the bar the dark side. I would argue the complete opposite. For the narrator, all the hate, the disgust, the total contempt for humanity is created in that office environment. All the feelings of life, and meaning, and what I would characterize as happiness is all felt during the time fight club is in effect in the bottom of that bar.