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The role of art in our life
The role of art in our life
The role of art in our life
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Harryette Mullen is one of the poets who enjoys the glory that comes with good writing. Her initial works are considered to be masterpieces especially because they emerged during the era of black arts movement. As she progressed, her pieces started having a deeper meaning, making the masses draw to her. One of her famous and most influential works is found in Sleeping With The Dictionary. This is a book that comprises short poems that have been carefully thought out and are full of surprises. Some of the poems take on humor while some leave the reader in deep thought. Of importance are the poems that have been written from a political angle. These are Bilingual Instructions, Elliptical and We Are Not Responsible. The three poems showcase how …show more content…
However, she also makes it clear that she is in control. By breaking away from the norm, she is able to keep the reader interested in her work. The use of short sentences is almost hypnotic. What catches the readers’ interest by far is her consistency in the theme of politics especially in these three poems. She uses playful language to make it interesting for anyone to go through. However, she also makes her message assertive. Give her background, life was not always easy. Art becomes her way of expressing her emotion and making people aware of the things that go on. These are things that people allow. Things that can be changed if people worked together. The poet is careful not to lean on any side of politics. Her major role in the poems is passing information. Undoubtedly, she does her part …show more content…
Just like the way the three poems have been written differently but covey the same message, so is life ad its complexities. There are times when matters politics will abide by the book rules. However, most of the time, what we do not know is far much worse than what is revealed. It is necessary for people to always e-alert. To try and decode every message they receive. Politics often hide behind the myth of democracy. People are aware of this but choose to let their hearts cry in silence. The poem, we are not responsible, is an eye-opening message that shows the mediocrity people choose to believe. Mullen tries to show the public that that should not be the case. The humor in the poem is what makes the reader realize his or her
Perception is a continuous theme as she requests readers to be privy to and does not forget differing factors of view. She also recognizes with others, pays attention and understanding their concerns. She observes fact as the method to revitalize and awaken human beings wrecked by means of some losses and burdens. She generates poems honoring humanity and nature to intensify readers’ appreciation of their international network and how their moves or indifference impacts distant humans and environments. Her poem, “One Boy Told Me,” demonstrate her fictional characteristics of openness, kindness, and concern, which call on readers to trust and recognize her
Her work resembles fossils and botanical illustration pages at the same time. Her simplicity and willingness to give back to her community is also an attribute I admire of her. Her work is important because of it has been used a medium to convey precious memories through the preservation of flowers. This artist inspires me because of her mastery of such a simple technique to create beautifully simplistic, yet intricately detailed works. This is an aesthetic I hope to achieve in my personal work because of my love of detail and organic shapes, such as flowers. It is amazing how she has achieved such wonderfully detailed and organic shapes using a medium that I never thought to be used in such an organic
...es her. The imageries of pink Mustang signifies her social class, while “Road” indicates her location as nowhere within a community. The commodification of her body means it can be touched in ways derogatory to her dignity whether she likes it or not because it is a saleable commodity that doesn’t belong to her. Her silver painted nipples identifies silver coins. Silver coins represent monetary value put on her body. Silver painted nipples also mean the attractive way in which a product is packaged. The poem also depicts the defiance of women against how she has been treated. She identifies man as the one that kisses away himself piece by piece till the last coin is spent. However, she cannot change the reality of her location, and temporal placement.
Through imagery, diction, and the personification of poetry, Ruth Forman reveals her personal connection and love for poetry and how poetry represents human need in “Poetry Should Ride the Bus”. The images of young girl cartwheeling and a woman dropping off a sweet potato pie bring you closer to the story, while the diction creates a connection between you and the people, this poem is a girl growing up realizing and seeking different things in her life and you realize that as Forman personifies the poem.
Gwen Harwood is a well renowned poet for her poems written during the 1950’s-90’s as she explores the realm of universal human concerns which are the source of her poetic inspiration, these include; love, friendship and memory. Today these concerns are still relevant in our society and are what connects us to each other and immortalises our sprit. Throughout many of Harwood poems she exposes her life in writing to create an intimate relationship with the paper. These documents create a personal account of the struggles and the love a woman feels in moments in changing times. This becomes evident in Harwood’s interpretation of marriage, motherhood and love. She uses symbolism and tone to hint to the undelaying meaning of the poems and the importance of them to her.
...owing us with her great works. She has led a driven and captivating career. While she has received much controversy in her time she has managed to continue creating great works. She is widely acknowledge, and so far through out her life, has made quite an impact. Her love of nature and in it’s importance is rippled through out all her work, mostly in the freedom of her later works. Her ability to maintain balance between her love for architecture and art, has helped to make her stand out in both crowds. Her sculptures will please viewers for centuries to come.
The author argues that she is not a “scholar of English or a literature” but instead a writer. She notes that she has always been interested by language in daily life, spending
The ethical life of the poem, then, depends upon the propositions that evil. . . that is part of this life is too much for the preeminent man. . . . that after all our efforts doom is there for all of us” (48).
She shares her outrage and disgust at a racist society that can allow a child's death to be buried with no true justice found to help resolve the loss of an innocent child. Which pictures we can see in our society now. It is this experience as mothers and highly intelligent feminists that allow us to feel the unconditional caring towards humanity she is encouraging in her poem. "The difference between poetry and rhetoric is being ready to kill yourself instead of your children"(1-5), she immediately stresses the importance of putting your child before yourself. This is a metaphor for putting the needs of what is truly important before the needs of
Symbolizing liberty and freedom, the woman’s head - protruding off the canvas - represents resistance to gender norms as well as the racial discrimination, an “out of the box” challenge. Besides, imitating a great figure such as the Statue of Liberty proves to signify a new movement while referring back to the foundations of the work. Additionally, McCannon includes outlines all around her figure that separating the figure from the ground, which gives the work a more prominent valiant impression. Yet, despite the dauntless image, the figure of the woman encompasses curvilinear shapes that emphasize the femininity of the work; reminding the audience who exactly is defying and resisting gender and racial stereotypes are becoming the symbol of independence. The revolutionary sister also indicates a directional line from the bottom of her left leg to the top of her headdress. Therefore, this slightly diagonal directional line signifies the erect posture of the revolutionary sister as well as to imply a feeling of movement; representing the revolutionary movement behind the
The two poems best illustrate, through a reading put in a wider context of black suffering, Finney’s success in making the beautifully said thing intersect with the difficult-to-say-thing through her sharpened pencil (“Nikky Finney”), thus reshaping the present. The historical approach is necessary in order for given allusions to be situated in their social, political and cultural background. In order to escape intentional fallacy, a poet should relate his work to universal concerns. The application of the (auto)biographical-historical approach necessitates the investigation of some points: the relevance of the poet’s personal life and his/her poems; the expression of certain beliefs of the poet and his personal experience in relation to public concerns and beliefs of the time; the representation of historical figures in the poems; adequate depiction of the time/context of the poems (“Literary Criticism”); the poems as a reflection, a product of the time; the reformulation of actual events for special purposes; the difference between fictional representation and reality; the difference the time; understanding past events mirrored in the poems; and the impact of historical events/movements and literary works in formulating the poems.
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
By means of this her work shows enamour for unusual remnants that the society saw as useless understood by their actions of discarding these and offers a new strongly held perspective that allows us to see into the perspective of the world from a different angle, that at time was not seen as a tradition.
It is a way to crucially engage oneself in setting the stage for new interventions and connections. She also emphasized that she personally viewed poetry as the embodiment of one’s personal experiences, and she challenged what the white, European males have imbued in society, as she declared, “I speak here of poetry as the revelation or distillation of experience, not the sterile word play that, too often, the white fathers distorted the word poetry to mean — in order to cover their desperate wish for imagination without insight.”
Poetry is way to express one’s opinion on a certain topic. In the poems found in the collection Songs for Ourselves, one of the common themes is of the natural world. The natural world encompasses many different subtopics. It includes everything around us, such as the sky, the people who surround us, or even something as simple as a single bird. These poems use imagery to relay their message to the reader with multiple types of literary devices. The methods used and the message given may be different, but all of these poems do communicate a theme. The poems The Spring and Eel Tail both convey their own special meaning to the reader through the imagery in their poems.