“Sir Gawain and The Green Knight”: The Ultimate Test “Sir Gawain and The Green Knight” is a poem classified under the genre of Arthurian Romance. An in-depth analysis of lines 1208-1240 would certainly outline the importance of this specific passage as it is vital to the entirety of the poem for if these lines were omitted, the story would be lacking and many events would be unexplained. As this passage focuses on Gawain and the lady, one can assume that the text will highlight specific characteristics solely linked to these characters. The text is also likely to reveal any contrasting descriptions to the prior lines. Although this passage builds upon the character development of the lady, it seemingly makes Gawain the …show more content…
Gawain is outside of King Arthur’s court in this portion of the text, therefore the knight’s continuous chivalry allows the reader to notice the importance of courtliness as well as how crucial it is to a knight’s life regardless of where he is. Gawain remains in a state of perplexity and this is obvious in line 1212, “The lady laughed, making light of his quandary.” The conversation between Gawain and the lady is one which contains a lot of knightly courtesy. One such example is when Gawain attempts to not cross the line between politeness and …show more content…
Without a doubt, Christianity plays a role in Middle English literature of the Fourteenth and Fifteenth Century because it is generally the religion followed by the majority of the characters. The lady attempts to seduce Gawain several times throughout this poem, “not so, beautiful sir,” (1222) and “do with me what you will” (1236) are two instances in which the lord’s wife plans to tempt Gawain and his reaction to these words ultimately verifies Sir Gawain as an ideal Christian knight. An example of Gawain emulating Christian beliefs would simply be how he fends off the advances of the lady by not engaging in an adulterous affair. Gawain must listen to the lady, but he must also be cautious and not disobey the lord of the
In Sir Gawain and the Green Knight, a stranger rides into King Arthur's court with a challenge. This stranger, green in color from head to toe, proposes to play a game with a member of King Arthur's court. This game will be played by each participant taking a blow from a weapon at the hands of the opponent. The person that dies from the hit is obviously the loser. On top of this, the Green Knight offers to let his opponent take the first swing. This sets up the action in the passage beginning with line 366 and ending with line 443.
When the Green Knight arrives at Camelot, he challenges Arthur’s court, mocking the knights for being afraid of mere words, and suggesting that words and appearances hold too much power with them. Although the Green Knight basically tricks Gawain, by not telling him about his supernatural capabilities before asking him to agree to his terms, Gawain refuses to withdraw of their agreement. He stands by his commitments, even though it means putting his own life in jeopardy. The poem habitually restates Sir Gawain’s deep fears and apprehensions, but Gawain desires to maintain his own individual integrity at all costs which allows him to master his fears in his quest to seek the Green Chapel. After Gawain arrives at Bertilak’s castle, it is quite obvious that h...
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.
To establish the knight as worthy, the author first shows Gawain’s loyalty to his king. The Green Knight challenges anyone in the hall to the beheading game and no one takes him up on it. Arthur, angered by the Green Knight’s taunting, is about to accept the challenge himself when Gawain steps in saying "would you grant me this grace" (Sir Gawain, l. 343), and takes the ax from Arthur. This is a very convenient way for the author to introduce Gawain and also to show Gawain’s loyalty to Arthur, but it seems almost too convenient. There i...
Sir Gawain is presented as a noble knight who is the epitome of chivalry; he is loyal, honest and above all, courteous. He is the perfect knight; he is so recognised by the various characters in the story and, for all his modesty, implicitly in his view of himself. To the others his greatest qualities are his knightly courtesy and his success in battle. To Gawain these are important, but he seems to set an even higher value on his courage and integrity, the two central pillars of his manhood.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Individuals in Sir Gawain and the Green Knight. Sir Gawain is, undoubtably, the most varied of the Arthurian characters: from his first minor appearance as Gwalchmei in the Welsh tales to his usually side-line participation in the modern retelling of the tales, no other character has gone from such exalted heights (being regarded as a paragon of virtue) to such dismal depths (being reduced to a borderline rapist, murderer, and uncouth bore), as he. This degree of metamorphosis in character, however, has allowed for a staggering number of different approaches and studies in Gawain. The greatest part of these studies have involved the middle-English text Sir Gawain and the Green Knight.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Tragic and hero may not be words that easily reveal a relationship, but throughout literature the two have been linked to create an enthralling read. The emergence of the tragic hero seemed to take shape in ancient Greece where such works as Oedipus and Antigone were popular among all classes of people. Aristotle defined a tragedy as "the imitation of an action that is serious and also, as having magnitude, complete in itself. It incorporates incidents arousing pity and fear, wherewith to accomplish the catharsis of such emotions." Though Greece may be credited with the creation of tragic heroes, the theme is seen in literary works across many different cultures, including England. Sir Gawain and the Green Knight is one such English work where the development of the main character, Gawain, follows the pattern of the classical tragic hero. In this paper, we will explore the characteristics of the tragic hero and show how these traits are demonstrated in Gawain.
Of all the themes in Sir Gawain and the Green Knight, the one which stood out the most to me was that of deception. With the Green Knight, the “evil” and Sir Gawain, the “good”, we see both forces partake in deceptive practices to achieve the desired outcome they sought. Throughout the poem, Sir Gawain’s moral compass was constantly being tested with deception being used to gage his level of loyalty, morality, and chivalry. The “game” that the Green Knight was hell bent on playing was not an honest one. He utilized a host of deceptions to gain the results that he sought after—there was little to no room for error with him. First, he presented a challenge in which he alone knew that he would not perish. When he asked for a volunteer to strike him with the ax, the Green Knight
In the poem Sir Gawain and the Green Knight by Poet Pearl, Sir Gawain, knight of the Round Table, acts chivalrously, yet his intents are insincere and selfish. It is the advent season in Middle Age Camelot, ruled by King Arthur when Poet Pearl begins the story. In this era citizens valued morals and expected them to be demonstrated, especially by the highly respected Knights of the Round Table. As one of Arthur’s knights, Sir Gawain commits to behaving perfectly chivalrous; however, Gawain falls short of this promise. Yes, he acts properly, but he is not genuine. The way one behaves is not enough to categorize him as moral; one must also be sincere in thought. Gawain desires to be valued as
When Gawain spurns the lady 's advances, she questions the validity of his reputation: "So good a night as Gawain is rightly reputed / In whom courtesy is so completely embodied / Could not easily have spent so much time with a lady / Without begging a kiss, to comply with politeness / By some hint or suggestion at the end of a remark. " Here we see the first example of Gawain 's values being thrown into opposition: he cannot hope to hold his honor, fellowship, and chastity without calling his chivalry and courtesy into question. Gawain faces a fork in the road in the first bedroom scene, yet it quickly becomes clear that neither road ends with perfection. The perfect, archetypal knight, one who seamlessly, simultaneously embodies all of the qualities so harmoniously unified on Gawain 's shield, cannot exist, as the five points of Gawain 's pentangle cannot fully be kept
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
In almost every example of romantic epics, and definitely every story concerning King Arthur and the Knights of the Round Table, the characters carefully adhere to a strict code known as the chivalric code.. The five main tenets of chivalric code or in other words the knightly code are: showing courage and bravery, being honest, having honor and being respected among peers, being kind to others, and being courteous and well-mannered especially toward females. Gawain is the very embodiment of these chivalric values but through his encounter with the Green knight and the lady he fails to uphold the code because of its rigidness and strictness.. Violence is the mechanism that Gawain uses to gain his capital which is honor and the upholding of the chivalric code. Even though violence does lead Gawain to respect and honor in the end of the poem Gawain points out how cowardly it is to follow a code that is so strict, that it allows no room for any human mistakes and that he was justified in trying to save his life over his honor.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.