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“Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe” (206). The term “free man” is the sense that the man exists only for himself, for the indulgence of his desires and impulses; in this case, the free man is Cholly. By the end of the novel, he has nothing left to lose. Cholly and Pecola both search for love and acceptance in a world where African-Americans deny and devalue their own race. The element of Cholly within Pecola is shown as Toni Morrison unravels Cholly’s childhood and Pecola’s current situation. Both father and daughter are victims of a society still plagued by the premise of slavery and the mode of white inferiority. Cholly’s rape of Pecola describes the psychological, social, and personal devaluation by white society that raped Cholly his entire life.
Abandoned almost at birth, Cholly is rescued by his beloved Aunt Jimmy, who later dies when he is sixteen. After her burial, Cholly is humiliated by two white hunters who
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Cholly has trouble expressing the care he has for his daughter Pecola. Cholly’s twisted attempt to show affection to his daughter is through sexual intercourse. In this scene, Cholly demonstrates his internal battle, “the hatred would not let him pick her up, the tenderness forced him to cover her” (163). He encounters these mixed feelings in a state of liminality when he leaves her on the kitchen floor covered by a blanket. Cholly thinks he shows her the only loving attention she has ever received, he touches her when no one else would, and he also took pleasure in a body everyone calls ugly. Cholly’s rape of his own daughter culminates, as his surname implies, he can only breed, not love. His aggressive act against his daughter leaves her with nothing but her fantasy of having blue eyes, thus leading to her
As a result of racism and white supremacy, Cholly did not know where to place his anger. He does not direct his anger towards white men (who are socially superior to Cholly) but instead towards black women (who are socially inferior to Cholly). Cholly takes the example of the white men by abusing his own social power over Pauline. This longing for superiority and skewed view of love also contributed to the rape of his
Other People’s Words: The Cycle of Low Literacy by Victoria Purcell-Gates recounts the author’s two-year journey with an illiterate Appalachian family. Purcell-Gates works with Jenny, the mother, and her son, first grader Donny, to analyze the literacy within the household. Throughout the journey, we learn the definition and types of literacy, the influences of society and the environment, and the impacts of literacy on education from the teacher’s perspective. In order to evaluate literacy in the household, one must study multiple types, including functional, informational, and critical literacy. As the name implies, functional literacy incorporates reading and writing as tools for everyday survival. Informational literacy is used through text to communicate information to others. The highest level of literacy, critical literacy, requires critical interpretations and imaginative reflections of text. In her study, Purcell-Gates strives to teach Jenny and Donny functional literacy.
Cholly Breedlove is Pecola's and Sammy's father, Pauline husband, and a drunk. Even though the reader learns of his terrible temper, his abusing his wife, and the subsequent rapes of Pecola, and his abandonment of his family, the reader still has an inkling of sympathy for him. This sympathy may stem from Morrison's depiction of his childhood.
“Where does discipline end? Where does cruelty begin? Somewhere between these, thousands of children inhabit a voiceless hell” (Francois Mauriac, Brainyquote 2016). These statements posed by French novelist Francois Mauriac can be applied to Toni Morrison’s Beloved. The novel centers around Sethe, a former African American slave, who lives in rural Cincinnati, Ohio with her daughter named Denver. As the plot progresses, Sethe is confronted with elements of her haunting past: traumatic experiences from her life as a slave, her daunting escape, and the measures she took to keep her family safe from her hellish owner plague Sethe into the present and force her to come to terms with the past. A definitive theme
Toni Morrisons novel 'Beloved' demonstrates how the African American people, oppressed by marginalization and racism, endure the strain of slavery even after they are liberated from it. The establishment of slavery’s horrific dehumanizing, through the estrangement of families and destitution of fundamental human rights is distinctly existent in the novel. Opposite from this setting, Morrison moves us from one location to another; with movements in time through the memories of the central characters. These characters yearn to repress the painful memories of their pasts and are often driven out from a character’s mind or contained securely within; Paul D functions by locking his memories and emotions away in his imagined “tobacco tin”. The case
In order to truly understand Cholly's interaction with others, one must see the circumstances of his childhood. Cholly, never having a father figure himself, learns only from negative experiences in his life. A specific event that helped shape his attitude and effect on others was his first sexual experience. When Cholly sees Darlene at his Aunt Jimmy's funeral, his first impression of her is an innocent attraction. As their relationship transpires in a matter of hours, Cholly has his first sexual experience. However, the event becomes flawed when two white men find them in the woods. In his helplessness, Cholly's hatred for the white men becomes a hatred for Darlene.
One of the most engaging arguments about Toni Morrison’s book Beloved is centered around the nature of the girl Beloved. The argument is whether Beloved is simply a young woman who herself had suffered the horrors of slavery, or the ghost of Sethe’s crawling already? baby girl. The evidence shows that Morrison intended Beloved to be the ghost of the crawling already? girl.
Dedicated to the “sixty million and more” lost lives due to slavery, Toni Morrison wrote a slave narrative, Beloved, after being appalled by the lack of concern modern time has for the horrific crime of slavery (Beloved Dedication). Occurring during the 1600s, slavery is undoubtedly part of American history, and Morrison refuses to allow present day America to forget in her novel, where she forces readers to comprehend the cruel treatment slaves once endured. Her novel focuses on once slaves who are haunted by a ghost, representing slavery, refusing to let the characters forget and move on from their slave past. The characters recalls memories of cruelty inflicted up on them, and reveals the themes Morrison wishes to convey. In the novel Beloved by Toni Morrison, the characters and events establishes that perpetrators of cruelty cannot empathize with victims and the definition of cruelty is defined by the socially powerful.
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled with the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly should be detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents. According to literary educator Allen Alexander, even though Cholly was cripplingly flawed and often despicable, he was a more “genuine” person to Pecola than Pauline was (301). Alexander went on to claim that while Cholly raped Pecola physically, Pauline and Soaphead Church both raped her mental wellbeing (301). Alexander is saying that the awful way Pecola was treated in a routine matter had an effect just as great if not greater than Cholly’s terrible assault. The abuse that Pecola lived through was the trigger that shattered her mind. In The Bluest Eye, Toni Morrison uses the characters of Cholly Breedlove and Frieda McTeer to juxtapose sexual violence and mental maltreatment in order to highlight the terrible effects of mental abuse.
Margaret, like Sethe, greatly adored her children and had no intention of seeing them suffer the life she did. The trial that continued afterwards obtained nationwide awareness and was a focal point of attention for many apart of the anti-slavery movement. To entirely comprehend what provoked her to execute such an immoral crime, Toni Morrison endeavors on a journey to write a novel based on the troubles Margaret similarly faced as Sethe. It is vital to inspect the circumstances of enslavement that she and many were forced to serve. In this novel, the main character takes the most severe route to avoid slavery when she attempts to kill her children.
Like Shylock in Shakespeare’s The Merchant of Venice, the black slave women are dehumanized by the other characters in Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point” and Harriet A. Jacobs’ Incidents in the Life of a Slave Girl Written by Herself. Sexually harassed by their white masters, these slave women are forbidden to express the human emotion of love. Pressured into a shamed motherhood, they cannot love their children in the same ways that a white mother can. Moreover, slave women are treated like chattels. The black women in Browning and Jacobs’ works are oppressed sexually, forced into unwanted motherhoods, and stripped of their identities. Yet, because they face these cruelties with courage and dignity, these black slaves emerge as heroines of their own fates.
The characters in this book as well as the time period mark a time in American history that played an important role in the ideas of equality and freedom. All of the elements on which this country were founded upon were twisted so they no longer applied to blacks and other minorities in this country. The life led by Pecola as well as others like her good or bad is a part of history that was experienced by many Americans in all parts of the country. While it is questionable whether total equality has been reached in this country, many ideas have changed for the better. This book is significant because it shows a different side to American literature as well as life. Morrison points out what has changed and what has stayed the same. While people are generally equal, there are still prejudices in the idea of what is beautiful and who is worthy.
Toni Morrison, the author of The Bluest Eye, centers her novel around two things: beauty and wealth in their relation to race and a brutal rape of a young girl by her father. Morrison explores and exposes these themes in relation to the underlying factors of black society: racism and sexism. Every character has a problem to deal with and it involves racism and/or sexism. Whether the characters are the victim or the aggressor, they can do nothing about their problem or condition, especially when concerning gender and race. Morrison's characters are clearly at the mercy of preconceived notions maintained by society. Because of these preconceived notions, the racism found in The Bluest Eye is not whites against blacks. Morrison writes about the racism of lighter colored blacks against darker colored blacks and rich blacks against poor blacks. Along with racism within the black community, sexism is exemplified both against women and against men. As Morrison investigates the racism and sexism of the community of Lorain, Ohio, she gives the reader more perspective as to why certain characters do or say certain things.