In this brief poem by Martin Espada titled “Latin Night at the Pawnshop,” sacrifice is a harsh reality met by many people who come to America searching for the ultimate American dream. This unpleasant portrait of America represents the tension between societies that unify a mixture of cultures versus a society that requires people to renounce part of their cultural characteristics to assimilate into their new community. The complete set of instruments of a salsa band is for sale in a pawnshop window. Therefore, the discarded items describe the unfortunate failure of a salsa band. Why did the salsa band fail? Did the musicians simply lose interest with the hobby? Was it that the public didn’t accept and support salsa bands in the area? Was it merely the fact that the treasured cultural tradition of salsa music was gradually dwindling? The poem doesn't give a specific resolution, however, it leaves the reader with a gloomy feeling that indicates the death, sorrow, and loss of something extremely precious: objects in a pawnshop hanging motionless like tickets on a corpse.
The po...
Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been portrayed in the U.S. and Mexico. The canícula in the title symbolizes “The dog days of 1993,” an intense part of summer when the cotton is harvested in South Texas. The canícula also represents summer and fall; also important seasons and concepts of that bridge between child and adulthood. She describes imaginative autobioethnography life growing up on ...
As you read you can picture his settings and characters. For the purpose of this book review, the reader will discuss how a migrant community in search of the “American Dream” encounters the “American Nightmare” as described by Tomás Rivera in his novel, “ …And the Earth Did Not Devour Him.”
In this short story Sandra uncover the tension between Mexican heritage and demands of the American culture. Cleofilas life consisted of never ending chorus, no good brothers, and a complaining father. She is so excited when the day come for her to become married so she can move away from her town where she grew up, were there isn’t much to do except accompany the aunts and godmothers to the house of one or the other to play cards. She was excited to be far away, all she could think about was to have a lovely house and to wear outfits like the women on the tele. Her picture of the ideal Mexican wife soon became a nightmare when she finally arrived to Texas, where she
...cept of model Mexican Americans being traded, bartered, bought and sold for a price, as depicted in the play, is an accurate portrayal of what has taken place in Mexican American history. Mexican Americans have been accustomed to such inhumane acts and they continue to be looked upon as "Mexican" though their rights as citizens just as valid as the rights of any immigrant to this country. "Los Vendidos," or the sell-outs, had to familiarize themselves with the notion of selling short their heritage in order to establish a new heritage in this new land.
During the late 19th century and early 20th century, a form of Mexican folk music called the corrido gained popularity along the Mexico-Texan border (Saldívar). Growing from the Spanish romance tradition, the corrido is a border ballad “that arose chronicling the history of border conflicts and its effects on Mexican-Mexican culture” (Saldívar). A sort of “oral folk history,” the corrido was studied intensely by Américo Paredes, who then constructed his masterpiece, George Washington Gomez, around the “context and theme” of the corrido (Mendoza 146). But the novel is not a traditional corrido, in which the legendary hero defends his people and dies for his honor. Instead, through its plot, characterization, and rhetorical devices, George Washington Gomez is an anti-corrido.
The Statue of Liberty is an American icon because it symbolizes freedom, success, and the power of this nation. This image is what the U.S stands for to the outside world. Foreigners strive to move to America because of its wealth and acceptance towards all races and ethnicity. “How the Garcia Girls Lost Their Accents” recounts the story of how Carlos Garcia, Laura Garcia, and their four girls move from the Dominican Republic to the United States to escape a dictatorship, and establish a new life in flourishing New York City. Many unexpected culture shocks await them in their new country. Although the girls find it difficult to adapt at first, they soon begin to assimilate and Americanize. On the other hand, “The Struggle to Be an All-American Girl” by Elizabeth Wong illustrates the life of an Asian American having to embrace two entirely different cultural identities. Both the Garcia family and Elizabeth Wong's family have to deal with two opposing cultures without losing too much of their heritage. The book and the essay are similar in that characters in each story lose much of their original tradition. However, they are different in that the families move to the states for distinctive reasons, and the cultural preference of “The Struggle to Be an All-American Girl” is more evident than that of “How the Garcia Girls Lost Their Accents”.
I decided to analyze the poem English con Salsa by Gina Valdes, because I can identify myself with this poem in many different aspects. Both my parents and I were born in Mexico, but decided to move to the United States on February of 2000. With us moving here, we brought along our traditions and customs. My family has a blend of American culture with Latino culture since a few of my uncles married American women and had children. I feel that Valdes poem is about finding that “in between” feelings that are brought up when two cultures are mixed together.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Ragland, Cathy. Música Norteña: Mexican Migrants Creating a Nation between Nations. Philadelphia, PA: Temple UP, 2009. Print.
Julia Alvarez in her book, Once Upon a Quinceañera, explores the quince tradition from cultural, historical and personal angles. Herein, she seeks to clarify some of the myths and ideas that surround this tradition from the notion that quinceañeras are from old Aztec traditions to the idea that this rite has been passed down from one Latino generation to another. She discovers that most contemporary quinces are firsts for many families and are different from those of the past. Consequently, the tradition depicts a group that is experiencing transformation who seek to establish their roots in a past that is somehow bleak. Many have often described the US has a melting pot of cultures. Therefore, Americans from different cultures find themselves amalgamating their values with those of the American society, thus affecting the overall culture of their communities. In Once Upon a Quinceañera, the author demonstrate and applies the cultural myth of melting pot.
The author of this short story, Sandra Cisneros used this myth to make herself different from other American writers. She used ideas from things and stories she heard growing up as a Mexican-American woman, living in a house full of boys that got all of the attention (Mathias). Cisneros also grew up in the 19...
Jimmy Santiago Baca’s poem sends out a powerful message without the use of a strict structure. The modest wording and simple structure helps the writer send his message across. In addition, with the use of imagery, symbolism, diction, and tone, Baca is able to argue and ridicule American stereotypes on Mexican immigrants coming to the country and robbing them of job opportunities. The use of figurative language helps support Baca’s point of view on how the American misconception is irrational and prejudice.
Another way in which this play explores the social and political history of the Mexican-American is through the analysis of the set. For instance, in the window "Honest Sanchos Used Mexicans" indicates that the stereotypical Mexicans "sold" in the store are accurate representations of all Mexicans.
The language of Gloria Anzaldua’s “We Call Them Greasers” can be used to disseminate the culturally constructed codes and conventions which influence the realities of both the author, and the poems’ fictional speaker. The poem illustrates the intolerant and brutal nature of border rangers as they sought to rid Mexican border towns of their inhabitants. As well as its language, the subject matter of the poem, too, is telling of the author’s cultural influences, which influence the stance she takes on the subject matter. Anzaldua constructs the poem’s speaker, however, to be a person who holds views which are in staunch opposition to her own. This use of clear contradiction helps readers identify underlying messages meant to be conveyed and understood beyond the text of the poem itself.
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.