Koichi Shimizu: From Obscurity to Bangkok's Music Scene

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Koichi Shimizu and SO::ON Dry Flower Koichi Shimizu was born in a small town in where he never mentioned the name only said that “nothing there”. When he was in twenties something he went to American and had an experience of New York’s underground music scene where he used to stay and studied there. In the late of 1990s, Koichi came to Bangkok when the first wave of Thai alternative movement was faded out, and then, he found that it was extremely difficult to invent new music space in Bangkok. As a music producer, Koichi worked as a freelancer for may advertisement companies and got an opportunity to meet Pen-Ek Ratanaruang; a Thai advertising director who turned to be one of Thai “new wave” film director, and arranged many music scores …show more content…

It was born by the shared interests and passion of like-minded Japanese musicians and Thai friends. After Koichi interacted with some Thai art and architecture students( most of the first groups was Thai students from Arts and Architecture schools from King Mongkut’s Institute of Technology Ladkrabang) who have played their music in the colleges and really wanted to do their albums, then, Koichi found the ways to make his own music scene by creating new music space which was not dominated by media, brands and sponsors. He mentioned. “ SO::ON stared from friendship. We don’t limit our genre of music. Basically we accept all kind of music inspire us”( interviewed Koichi Shimizu June 13, 2010). He then realized that the nature of creativities in Thai musicians whom he met would be suited into new music scene such as post-rock and experimental …show more content…

At this first show, except Koichi’s electronic music set, Assajan Jakgawan, an inventor of Thai-post rock scene, performed the first gig with SODF at well, but their audiences were the creative persons who were into Bangkok art scene more than music scene. Anyway, this gig marked a milestone of post-indie rock in Thailand when indies music and contemporary art mixed together. In 2006, Koichi got an opportunity to go to play in Europe and got an idea to make a small venue of music and art space from that place. With help of Japanese advertising agency which Koichi worked with. Sol Space( SOL: Soul of Liberty) was established by them at Lad Pawl, one of Bangkok’s old residence area, in 2008. After that most of music gigs and art exhibitions which were organized by SODF took place here. Nowadays, SOL and is definitely occupying a marginal spatial and symbolic representation of the struggle in the field of music industry in Bangkok and seems to be a SODF’s headquarter indeed. Ironically, they have their own space but SODF’s artists still joins the big music festivals in Thailand which are organized by Thai big media and brands such Fat Music Festival and Big Mountain Concert, it should be assumed that because of money, not

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