More handpicked essays just for you.
Writing personal narrative reading and writing experiences
Autobiography personal narrative
Autobiography personal narrative
Don’t take our word for it - see why 10 million students trust us with their essay needs.
A strong message is brought forth by a piece written in the late 1980’s by Brent Staples. In his work, he details the racism that black men faced during the time period. He uses pathos and ethos to get on the side of his readers, thereby conveying his message effectively. Staple’s pathos is backed up by his use of strong diction in his opening paragraphs where he details an encounter with a woman. Here, he uses in-depth description and powerful verbs to make himself appear like a mugger or a rapist. This fictional type of tone allows him to create an interesting opening statement to grab the reader through strong imagery. His next sentence after this is “That was more than a decade ago.” This sentence is meant to jolt the reader back to reality and away from this fiction that he has created. The intriguing start to “Just Walk on By” keeps his readers attentive after his dream-like start to his paper. His persona is not only backed by strong diction, but also through his humor and irony. Staples …show more content…
His use of humor and irony once again make the reader stop and think about what society imposed upon him. Furthermore, his persona also shows him as a forgiving man and even shows his understanding for why things are like they are. He states that “Black men have a firm place in New York mugging literature.” He goes on to site authors like Norman Podhoretz who wrote pieces such as “My Negro Problem -- And Ours,” a piece that recounts the fear that he felt, growing up in terror of black
In his article “Just Walk on By: Black Men and Public Space”, which first appeared in the women’s magazine Ms. Magazine and later Harpers, Brent Staples explores the discrimination he faced as a black man living in Chicago and New York. In writing this piece, Brent Staples hoped to use a combination of pathos and ethos to demonstrate to the women that read Ms. Harper’s that Staples is actually the victim when the women treat him the way they do and to get these women to view him, and other black men, differently and to make them realize that they are people too. Staples use of his ethos and pathos serve well to support his position and convince others to take a new perspective. Staples uses ethos in multiple ways
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
The article “Black Men and Public Space” by Brent Staples, originally published in Ms. Magazine in 1986, under the title “Just Walk on by,” depicts the existence of racism within the unconscious prejudice of people. The main idea of this article is the fact that blacks are perceived as a violent and disastrous people, and this, in turn, puts them in danger. Staples uses a detailed imagery to illustrate the stereotype of individuals based on black people. In the article, the author portrays the poignant events that black people face and uses pathos to describe his melancholy of people judging him by his skin color. He attracts the focus of audience towards the main idea of this article by using onomatopoeia as well as diction. The usage of such rhetorical strategy has successfully clarified the main idea of the article and widened the approach of this article towards public.
In this essay, Dr. Brent Staples recounts his first time unintentionally scaring a young white women located in Hyde Park, Chicago. He recounts her worried posture, her hurried steps, and her repeated glances before she took off down the road. Dr. Staples, being a person of color, took slight offense to this. Before he had never really thought much about his skin color being a factor of intimidation, but rather just a piece of “normal” discrimination. It was the mid 1970’s after all, and it was no secret to anybody
In his essay, “On Being Black and Middle Class” (1988), writer and middle-class black American, Shelby Steele adopts a concerned tone in order to argue that because of the social conflicts that arise pertaining to black heritage and middle class wealth, individuals that fit under both of these statuses are ostracized. Steele proposes that the solution to this ostracization is for people to individualize themselves, and to ‘“move beyond the victim-focused black identity” (611). Steele supports his assertion by using evidence from his own life and incorporating social patterns to his text. To reach his intended audience of middle-class, black people, Steele’s utilizes casual yet, imperative diction.
America have a long history of black’s relationship with their fellow white citizens, there’s two authors that dedicated their whole life, fighting for equality for blacks in America. – Audre Lorde and Brent Staples. They both devoted their professional careers outlying their opinions, on how to reduce the hatred towards blacks and other colored. From their contributions they left a huge impression on many academic studies and Americans about the lack of awareness, on race issues that are towards African-American. There’s been countless, of critical evidence that these two prolific writers will always be synonymous to writing great academic papers, after reading and learning about their life experience, from their memoirs.
Although an effort is made in connecting with the blacks, the idea behind it is not in understanding the blacks and their culture but rather is an exploitative one. It had an adverse impact on the black community by degrading their esteem and status in the community. For many years, the political process also had been influenced by the same ideas and had ignored the black population in the political process (Belk, 1990). America loves appropriating black culture — even when black people themselves, at times, don’t receive much love from America.
He does so by giving personal accounts of this horrific discrimination and utilizing descriptive vocabulary that get the audience to notice a sense of knowledge within the author. He begins to discuss the judgment he faced by stating “I grew accustomed to but never comfortable with people crossing to the other side of the street rather than pass me” (Staples, 189) which allowed the audience to step into the Staples’ shoes and somewhat experience the treatment he endured on a daily basis due to his appearance. The author also justifies his credibility by giving further examples such as when he was racially profiled in a jewelry store to the point where a woman worker brought out a red Doberman pinscher. By implementing these appeals to ethos, Staples was able to effectively convince the audience that he was a credible witness regarding these unjustifiable acts by describing to the reader events that he himself experienced. He was able to put forth this example which not only various African-American males could relate to, but also one that he himself personally endured which assisted in further strengthening his argument and successfully pulling the audience towards his
Fueled by fear and ignorance, racism has corrupted the hearts of mankind throughout history. In the mid-1970’s, Brent Staples discovered such prejudice toward black men for merely being present in public. Staples wrote an essay describing how he could not even walk down the street normally, people, especially women, would stray away from him out of terror. Staples demonstrates his understanding of this fearful discrimination through his narrative structure, selection of detail, and manipulation of language.
In his essay, “On Being Black and Middle Class” (1988), writer and middle-class black American, Shelby Steele adopts a concerned tone in order to argue that because of the social conflicts that arise pertaining to black heritage and middle class wealth, individuals that fit under both of these statuses are ostracized. Steele proposes that the solution to this ostracization is for people to individualize themselves, and to ‘“move beyond the victim-focused black identity” (611). Steele supports his assertion by using evidence from his own life and incorporating social patterns to his text. To reach his intended audience of middle-class, black people, Steele’s utilizes casual yet, imperative diction.
Brent Staples focuses on his own experiences, which center around his perspective of racism and inequality. This perspective uniquely encapsulates the life of a black man with an outer image that directly affects how others perceive him as a person. Many readers, including myself, have never experienced the fear that Staples encounters so frequently. The severity of his experiences was highlighted for me when he wrote, “It also made it clear that I was indistinguishable from the muggers who occasionally seeped into the area from the surrounding ghetto.” (135) Having to accept that fact as a reality is something that many people will never understand. It is monumentally important that Staples was able to share this perspective of the world so others could begin to comprehend society from a viewpoint different from their
Staples successfully begins by not only admitting the possible faults in his practiced race but also by understanding the perspective of the one who fear them. Black males being opened to more violence because of the environment they're raised in are labeled to be more likely to cause harm or committing crime towards women but Staples asks why that issue changes the outlook of everyday face to face contact and questions the simple actions of a black man? Staples admits, "women are particularly vulnerable to street violence, and young black males are drastically overrepresented among the perpetrators of that violence," (Staples 384) however...
Brent Staples effectively used his personal experiences personal experiences that he has had in the past and present to convey his message to the reader. Staples conveys his message with the Prejudice is still occurring. The article Black Men and Public Space for Harper’s Magazine was effective in the rhetorical strategies staples used such an appeal to pathos with strong diction and imager, and
He writes, “black men have a firm place in New York mugging literature” (1). The literature in his time have key influence to encourage negative thoughts towards black men. Staples mentions an essay that was popularized at the time; the essay by Norman Podhoretz titled “My Negro Problem—and Ours” narrates the childhood memories of terror that he experienced while encountering men of color on specific streets. This piece of literature creates a false image and displays encounters with black men as a scene from a horror film. It inspires hate and generalizes the image of African-American men. Staples also mentions the essayist Edward Hoagland, who openly displays his prejudicial beliefs regarding black males. Hoagland states that when he encounters a black man he views him as “a mugger who is clearly screwing up his nerve to do more than just ask for money” (1). Due to Hoagland’s influence, he spreads more unnecessary hatred towards the image of this racial
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.