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Architecture of the Victorian Era
Short note on victorian age
Architecture of the Victorian Era
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“He had already lost the strength and instinct vigor of a man, his muscles were thin, his nerves weak, his face (a meek, woman’s face) haggard, yellow with consumption” (Davis 11). This is just one description of the main character, Hugh Wolfe in the story “Life in the Iron Mills” by Rebecca Harding Davis that alludes to his femininity which was a characteristic that made him unfit to perform the roles that were expected of men during the time period in which this story was written. Throughout the short story, Davis illustrates several social issues related to inequality, which left many contemporary readers shocked and critical. The intertwined gender roles and contentious portrait of the division of the working class and upper class are a …show more content…
In the Mills, he was referred to as “Molly” for possessing feminine qualities, which was looked down upon, especially for a man working in the Industry that he did. As a modern reader, is important to understand the historical context in which this story was written. Charles Rosenberg discusses gender roles and expectations in his book, “Sexuality, Class and Role in 19th-Century America.” He states, “To be more specific: despite a superfluity of evangelical exhortation, the primary role model with which men had to come to terms was that which articulated the archaic male ethos – one in which physical vigor, and particularly aggressive sexual behavior was a central component”(Rosenberg 144). Men were expected to have certain characteristics and qualities that were specific to men only, and if they did not have these qualities, they were viewed as weak and incompetent. In the book “The History of Men: essays on the history of American and British masculinities” by Michael Kimmel, the idea of the superiority of men and the praise of masculinity in society is discussed. Kimmel quotes a newspaper editor, “ ‘There is no place in the world for nations who have become enervated by soft and easy life, or who have lost their fiber of vigorous hardiness and masculinity’. A newspaper editor from Kansas praised Roosevelt’s masculinity – his ‘hard muscled frame’ and his ‘crackling voice’- as a model for Americans (cited in Dubbert, 1980, p 313” (Kimmel 99). Hugh’s passion for art, weak demeanor, and his higher level of education than the other men working in the mill violated social norms for men and violations like these made many people living in the 19th century uneasy and were not generally accepted in society. For this reason, many contemporary readers were shocked by Hugh’s feminine characterization in “Life in the Iron
Nineteenth century industrialism presented the United States with a unique and unprecedented set of problems, as illustrated through the works of Rebecca Harding Davis and Horatio Alger Jr. Although both authors felt compelled to address these problems in their writing, Rebecca Harding Davis’s grasp on the realities faced by the working poor and women was clearly stronger than Alger’s. Not only did Alger possess a naïve view on exactly how much control an individual has over their own circumstances, but he failed to address the struggles of women entirely. As a result, Alger conceived a rather romantic world where the old-fashioned American ideals of hard work, determination, and self-sacrifice enable a young boy to lift himself from poverty.
In Gail Bederman’s, Manliness & Civilization: A Cultural History of Gender and Race in the United States 1880-1917, Bederman asserts, manhood, race, and gender are three cultural issues that are inseparable and have shaped our American and human history (4-5). Bederman supports her theory using the journalistic works of those effected, political giants using these social constructions for personal gain, and through pop culture during the period being analyzed.
He described how women were forced to work in shops and factories instead of focusing on how the United States helped people to earn more money. He tells the history of the industrial revolution in a dark but true way. An example of that is the way he tells how angry the Irish immigrants were because of the racism in 1849. “The anger of the city poor often expressed itself in futile violence over nationality or religion. The crowd, shouting ‘Burn the damn den of aristocracy,’ charged, throwing bricks” (227).
Although the roles of women were altered completely by the new machines, they were taken advantage of and overworked. The Lowell mills caused many deaths, but it helped many families to survive because each cent counts. Even the hardest times in history can lead to the brightest moments and such was the case for the United States during the Industrial Revolution. People were dying, starving and struggling to survive; however, the strong industrialized nation have those people to thank for their improved economy, extensive railroad and telegraph lines, and the improved rights of women. One, let it be a person or a nation, does not gain strength without struggle.
Different documents in the Gilded Age prominently illustrated gender inequality in their portrayal of men and women within society. Many photographs in the time period by Jacob Riis and Lewis Hine did not shed light on a woman’s hardships, but rather undermined their domestic work. Society failed to give women credit for their work at home due to the common misconception that a woman’s work was easier than that of a man’s. Margaret Byington’s article Homestead: The Households of a Mill Town contrastingly gave an accurate portrayal of the distress women faced in their everyday life. The representation of women in the Gilded Age varies significantly between that in the photographs, and their domestic, weak personification, and in Byington’s article, which gives women a more accurate depiction through their domestic duties.
This essay will compare Marx’s understanding of the relationship between laborers and capitalists and Wollstonecraft’s understanding of the relationship between women and men. Both Marx and Wollstonecraft’s conception of these groups of people show a large gap between their treatment and status in society. Marx argues that capitalism is not created by nature and the unequal relationship between laborers and capitalists is not humane. In other words, it is actually the cause of social and economic problems during that time period. On a similar note, Wollstonecraft believes that the oppressive relationship between men and women is also unnatural. The standards for men and women are placed by society, not by biological facts. Society and how people
Juniper Ellis’ “Gendering Melville” argues that not enough attention has been paid to masculinity in relation to other major features in nineteenth century America, including femininity, race, and class....
Evidence of this can be seen as Kirby and the overseer, Clarke, comfortably joke around about the fate of the men within the iron mill. “Judging from some of the faces of your men, they bid fair to try the reality of Dante’s vision some day.” (Davis, 27) From this excerpt, we can already distinguish that these political figures do not see the mill workers as equals. Further evidence can be seen later on within the novel as we see that Kirby further denounces the value of these workers, stating “If I had the making of men, these men who do the lowest part of the world’s work should be machines, -nothing more, -hands.” (Davis, 34) This statement even further diminishes the value of the iron mill workers according to Kirby, Mitchell and Doctor May. Their views on the iron mill workers became especially apparent in the treatment of Wolfe and his art, as Mitchell quotes “And so Money sends back its answer into the depths through you… Money has spoken!” (Davis, 35), noting that due to the lack of monetary value within Wolfe’s life, he would not be discovered and have his longing desire for beauty satisfied. This is also clearly stated through Kirby, as he claims, “What has the man who pays them money to do with their souls’ concerns, more than the grocer or butcher who takes it?”
One of Reginald’s paintings, Subway 14th Street, depicts a scene from the depression era in New York City. An energetic lowly group, its shabby boulevards swarming with Bowery bums, vaudeville entertainers, and men who remained on breadlines. Marsh was fixated on the American women as a sexual and capable figure. In the 1930s amid the Great Depression more than two million women lost their occupations, and were said to be abused sexually. The women may be half dressed or completely bare, and are intentional and solid. Marsh’s work demonstrates this misuse by depicting men and women in similar artworks. As for this painting Reginald thought the middle-class folks were more interesting than any other class during this time, due to how he dressed them to distinguish their social class to other tactics such as color choice etc.
Until the last hundred years or so in the United States, married women had to rely on their husbands for money, shelter, and food because they were not allowed to work. Though there were probably many men who believed their wives could “stand up to the challenge”, some men would not let their wives be independent, believing them to be of the “inferior” sex, which made them too incompetent to work “un-feminine” jobs. In the late 19th century and early 20th century, feminist writers began to vent their frustration at men’s condescension and sexist beliefs. Susan Glaspell’s “A Jury of Her Peers” and Zora Neale Hurson’s “Sweat” both use dialogue to express how women are capable of and used to working hard, thinking originally, being independent
In the Victorian era, in New York City, men and women roles within the society were as different as night and day. A man regardless of his extra curricular activities could still maintain a very prevalent place in society. A woman’s worth was not only based family name which distinguished her class and worth, but also her profession if that was applicable.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Rebecca Harding Davis wrote “Life in the Iron Mills” in the mid-nineteenth century in part to raise awareness about working conditions in industrial mills. With the goal of presenting the reality of the mills’ environment and the lives of the mill workers, Davis employs vivid and concrete descriptions of the mills, the workers’ homes, and the workers themselves. Yet her story’s realism is not objective; Davis has a reformer’s agenda, and her word-pictures are colored accordingly. One theme that receives a particularly negative shading in the story is big business and the money associated with it. Davis uses this negative portrayal of money to emphasize the damage that the single-minded pursuit of wealth works upon the humanity of those who desire it.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
Men were the ones in the family who worked and provided for his family's wellbeing. Because of the family's economic dependence on the husband, he had control over all of his family members. This showed the amount of progress needing to come in the future to allow women to start receiving some of the many rights they deserved which men had and so frequently took for granted.