Nobody went unaffected by this movement millions of Chinese citizens were alienated that were attributed with old capitalistic traditions, and aggressively united those who strictly adhered to the communist party’s policies for achieving a solidified country of socialists.
Growing up in the People’s Republic is a detailed account of two individual women’s generational struggle during the controversial periods of The Great Leap Forward, the Cultural Revolution and the Cultural Fever of the 1980’s. Their case study tries to define their individual identity growing up in a Communist China. Ma Xiadong and Ye Weili’s life allow the reader to understand the struggle that ensued for the individual at a time of change that was the Cultural Revolution.
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Ye and Ma’s movement of “up to the mountains, down to the countryside” represented a unique reeducation where Ma was sent to a state farm in Yunnan and Ye went the other route to visit the village Shanxi. Ma became a cook and was determined to reform herself into the “iron girl” ideal and prove, “whatever men comrades can do, women comrades can do too”. This ideal forced Ma to rid herself of what distinguished her from her male comrades and hid these natural female tendencies for the higher purpose of unity which was reinforced by the CCP’s Communist ideology. Ye favored a relaxed environment and found that in the peasant village of Shanxi where the “higher a man’s generation the more respect he would get”. This idea directly conflicted with the urban party belief that your position in the party was related to your family’s background. Tradition was tightly held in the rural area of Ye’s reeducation and haunted Ye forcing her to realize just how backwards the rural area was compared to her urban society of downtown Beijing. Villagers had a lackluster belief in the communist practices who felt they hadn’t gained much under the new regime but continued their frail life as they lacked the tools to educate themselves otherwise. …show more content…
Their femininity was stifled by the Chinese Communist Party which enforced strict thought reform valuing the party above the individual. Mao’s Cultural Revolution most greatly affected the youth because they were sensible to adherence to the policies of the CCP. In the youth, Mao found scapegoats who he could brainwash and this is apparent most in Ma’s experience. Ma’s was successful in proving this case for the success of the party lay with the youth. Ma transformed herself to please the party and sometimes hid her individualism for the embracement of party
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.
Qiu Jin was a female revolutionary who died fighting the Qing Empire. In Qiu’s piece, An Address to My Two Hundred Million Women Compatriots in China, she addresses her 200 million strong female audience. Qiu tells her female audience that change is needed, “But I hope that from now on we sisters will do away with the state affairs from the past and exert ourselves to create new circumstances. It is as if we had died and been reborn as human beings.” . This message was progressive, as women in China at tis time did not have many rights. They were treated as second hand citizens in the eyes of most men. This call for equality that was coming from Qiu reached many women and recruited them to the communist cause. At the end of her piece, Qiu says something else that shows the importance of women in the communist revolution, “Men cannot be sure of their own survival, so how can we continue to rely on them? If we do not lift ourselves up now, it will be too late once the nation has perished” . Qiu made it clear that without the women’s help the fight for freedom would not be achieved. It was not only the female members of the communist party that were calling for equality for women. Mao Zedong wrote social reforms that explicitly gave women more rights. One that strands out is, “18. A women can dispose of her land the way she wishes when she is married” . The leader of the communist party made it clear that women need to have more rights. Hearing it from one of the major players of the communist movement reassured women that if this revolution were indeed to take place and succeed, then they would have more rights. If women were treated as equals they would be more willing to fight for Mao and the communist revolution. There were other factors that contributed in people joining the
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chinese culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member of the Chinese society nor the poor, we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, an American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity; they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
China’s Great Proletariat Cultural Revolution (GPCR) is a well-documented period in world history, but the most profound records are found vivified in the literature and films later into the 20th century, respectively. One of the most profound novels is “To Live”, authored by Yu Hua, which as a fictional narrative offers both a unique and realistic sense of the time period at the individual level. However, the provocative film adaptation directed by Zhang Yimou in 1994 was formidable enough that it was banned in Mainland China. Zhang paints a more realistic picture of how the GPCR influenced Chinese society but adds zest to Hua’s ambiguity but acceptable imperfection. Naturally, the film has many different characteristics yet still manages to overcome the challenges that implicate film adaptations.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Zhu Ying was a member of the military’s theatre troupe, and about to be a member of the party, until she refused to sleep with party members. After that, they transferred and then imprisoned her. While her role in the military could have made Zhu Ying an androgynous figure, an emblem of communist gender equality, the party’s expectation that she have sex with party members makes her a sexual object, which is its own form of feminization. Zhu Ying is allowed to retain her femininity only if she consents to being a sexual object; when she does not, she is sent to be a laborer, and later imprisoned. Moreover, by being separated from her boyfriend, her chance at domestic happiness is taken away. After imprisonment, she has no opportunity to fill the traditional female role of marriage and children (which she may or may not have desired). Thus, the party halts the “natural” order of marriage and
“I remembered feeling immediately that I could trust this woman” (3). Thus begins a relationship built on the struggles of tradition and modernity between Pang-Mei and her great-aunt Yu-i in Pang-Mei Chang’s memoir Bound Feet and Western Dress. Yu-i shares her stories of growing up in a traditional Chinese life, getting married by age fifteen, divorcing at twenty-two, and breaking through the challenges of who to rely on in a world she didn’t understand. shy girl who has grown to revere Yu-i Pang-Mei shares her ideas that conflict between cultures is inevetible through her own experiences and those of her great-aunt. Pang-Mei faced many cultural challenges as she grew up.
Zhong, Xueping, Zheng Wang, and Bai Di. Some of Us: Chinese Women Growing up in the Mao Era. New Brunswick, NJ: Rutgers University Press, 2001.
Mao zedong movement of Chinese Revolution influenced China’s economy, government and the people. His movement positively impacted China “from an undeveloped agricultural society to an industrial and military superpower in the long term”, as stated in “Chinese Communist Revolution 1911-1949” by Mary Chan. The movement effected China socially as well by ending the supremacy that men had over women , ending the feudal marriage system, and the people who believed in religion were persecuted. For example it is stated that “ Religion was considered as a threat for the Chinese communists.” Chinese Communists believed that religion was used to have control over people. “Scholar gentry system” and “the business class” were removed as well to help unify
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Chinese-Americans authors Amy Tan and Gish Jen have both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is not the problem in and of itself, indeed, it is natural for current culture to gain foothold over distant culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Women usually worked as secretaries or on the assembly line because “bosses felt that young women were more diligent and easier to manage” (p. 56). Men, however, were either in a high managing position in the factory or worked in the lowest of jobs available, such as a security guard or driver. It was interesting to learn that about one-third of all of China’s migrants are women. These women go to the factory towns to work, but also, a majority of them leave their homes to see the world and experience life on their own for the first time. Chang makes a point that “to some extent, this deep-rooted sexism worked in a woman’s favor” (p. 57). The statement is supported by the idea that women are less treasured in their families; therefore, they had more freedom to do what they wanted with little care from the family. Shockingly, Chang noticed that no woman ever complained about unfair treatment. “They took all of these injustices in stride” (p.58). The women were grateful for the opportunity leave home and gain a sense of freedom; injustice was not a prominent