Analysis Of Gautam's Poem By Harish Raizada

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little in common and they simply maintain matrimonial bonds. To Maya freedom is not possible unless she removes her impression of Gautam in her inner consciousness. Maya strikes at Gautam’s reflection in the mirror and tries to kill him. This shows a gradual transformation of her character into a criminal. But the novelist dramatizes the character and the situation simply to give a clear shape to the inner self of Maya and thus she proves a medium for refracting experience. Maya seems to be self-seeking for a change in life. She connects her present with the past and tries to go into a sheltered life. Efforts by Gautam to heal up her internal wounds fall as her consciousness gives it a dramatic turn. Her continuous longing for something fails …show more content…

The terrifying words of the prediction, like the drumbeats of the mad demon of kathakali ballets, ring in her ears and unnerve her. She knows that she is haunted by “a black and evil shadow”-her fate, and the time has come: “And four years it was now, we had been married four years..i know the time had come. It was now to be either Gautam or …show more content…

Ramchandra Rao writes: “In case of Cry, the peacock, the problem is further complicated by the emotional instability of the heroine of the book. In the early part of the novel Maya is emotionally disturbed but very much in control of herself. But later the borderline that separates a nervous sensibility from an “insane imagination” becomes thinner and thinner. There are moments of lucidity followed by the murderous clarity of an insane woman with a frightening logic of her own.” Indifference, obsession and abnormality convey through various sets of symbols and image her fast disintegrating personality and make cry, the peacock, a novel of interior landscape. Maya is very much possessed by the vision of albino astrologer. She repeats it now and then: “and now I recalled that old-slick, sibilant tongue whispering poetry to me in the bat tortured dark. “Do you not hear the peacocks call in the wild? Are they not blood –chilling, their shrieks of pain? Pia, Pia, they Cry, Lover, Lover, Mio, Mio-I die, I die.” She feels that she would never sleep in peace. Therefore, she turns hysteric over the creeping fear of death. She has no rest any more-only death and waiting.” Maya herself admits: “Torture, guilt, dread, imprisonment, these were the four walls of my private hell one that no one could survive in long. Death was certain.” Desai’s central theme is the existential predicament of an individual. This main thrust on the inner life of her characters in Cry, the peacock, is

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