Analysis Of Dorianne Laux's 'Memoirs Of The Hawk'

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The Sophistication Found in the Simplicity of Tate James Tate in his collection, Memoirs of the Hawk, presents believable yet absurd characters in the most vulnerable of settings and uses them to push humanistic truths that come full circle at his poems closing lines which work as epiphanies. The connection is collected in the sense that the direction and format is concrete for every poem, narratively or structurally there isn’t anything sophisticated going on that was presented in Dorianne Laux’s Facts About the Moon or Jamaal May’s Hum. This poeticness found in Tate is his ability to mask social or personal issues through humor and abstraction subtlety and with a degree of simplicity capitalizes Tate’s style in this collection. He …show more content…

Tate delivers the poem in a fascinating perspective, instead of that of the outcast he describes the perspective of those that feel the outcasts are intrusive to their own way of life. Something that they do not understand or accept seem less significant to them or un-superior. This ideology is masked under the representation of the town’s seaweed eating inhabitants. Tate’s signature talent to approach serious issues of society with weirdness and humor shines most appropriately here. Racial stereotypes and the accepting of one’s culture is guised in the everyday activities and life habits of these “seaweed eaters”. It starts simply by the narrator criticizing the food that these people eat, “There are these people in town who only/eat seaweed,” (Lines 1-2). Then it begins to make a progression to the color of their skin, language, as well as their beliefs. The voice of the narrator is also intentionally judgmental to match the mentality of how everyone else in that town feels toward these strange people. The narrator ends on a bit of a harsh note by labeling these people as “brininess” which means salty, which means looking stupid. Interesting enough the seaweed makes a return image from the beginning lines. As in the same case with Jessie’s sandwich and Africa in the earlier poem, the seaweeds return in the end has a changed meaning, “seeking out/the seaweed source, the packs of carnivores/parting to let them through, not wanting to be/smudged by their brininess.” (Lines 13-16). The brininess is the guise for the seaweed which not only characterizes its flavor but characterizes the popular view towards these people. The components of the seaweed here act as a double meaning, one being literal and the other as a

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