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How can family conflicts affect social development of the child
Family conflicts and child development
How can family conflicts affect social development of the child
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Blanche: A Character Warped By Her Grievances Blanche’s presence in the narrative exists to illuminate her path to purgatory through a series of conflicts, insecurities, and failed romantic interactions. Her history is plagued with the past; and she seldom forgets it nor lets those around her forget their alleged responsibility to comfort her. “I never was hard enough or self-sufficient enough. When people are soft - soft people have got to shimmer and glow - they’ve got to put on soft colors, the colors of butterfly wings, and put a - paper lantern over the light…It isn’t enough to be soft. You’ve got to be soft and attractive. And I - I’m fading now! I don’t know how much longer I can turn the trick.” - Blanche (92) Blanche’s downfall She is frequently debilitated by her need to calm down; which is a highly frequent event. Added to her nerves; she is incapable of calming them without the help of another or of an alcoholic beverage. This is likely because of her fear of the unpredictable future. When she first arrives in New Orleans to visit her sister Stella and Stanley, she remarks to Stella, “I want to be near you, got to be with somebody, I can’t be alone! Because - as you might have noticed - I’m - not very well,” - Blanche [Her voice drops and her look is frightened] (Williams 17). She needs Stella to provide her with attention so that she can be relieved of her grievances. Perhaps Stella, being her younger sister, is an outlet for Blanche to live quasi-vicariously through her. Stella is a married, mother-to-be, with a life in a big city. Blanche’s life is in ruins and Stella provides the opportunity to witness the life she had She proclaims “I want to deceive him enough to make him - want me …” (Williams 95) to Stella, thus exposing her seduction plan. Blanche has found her perfect man in Mitch, he is kind, hard-working, and easily deceived. She has essentially put on an act for him so that she can lure him into proposing to her for the purpose of recreating her failed romantic past. She doesn’t love him; she loves the idea of him. Kolin notes that, “as Mary stores in her heart great things to be done by her son, Blanche does the same with the eternal truths which she has found make all relationships meaningful and which unbelievers like Stanley can only sneer at or be threatened by.” (Kolin 85) Blanche is merely hopeful for the chance to redeem her past grievances, and thinks she can do so by following her warped view of a passionate relationship. Perhaps these “eternal truths” about relationships that Blanche feels she has discovered is the very fact that sometimes manipulation is needed. Stanley could concur to
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
Due to a combination of her being an airhead, and her want to start over and dismember her past from herself, Blanche begins self-delusion. She creates a fantasy life, in which she is still a young, beautiful, innocent woman who has ju...
Blanche and Marie are portrayed as emotionally fragile characters who are trying to escape traumatic pasts. Both Blanche and Marie have had a traumatizing past, which leads them to become fragile people. Blanche has come from her hometown, Laurel, to visit her sister in New Orleans after being fired from her job for having relations with a student and multiple other men at a hotel called Tarantula Arms. On the other hand, Marie set out to the city to escape the sexual abuse from her uncle that she endured back home. In A Streetcar Named Desire, it is evident that because of Blanche's rough past it is hard for her to open up and have relations with a man. When she first meets Mitch she asks him to place a paper lantern over a light bulb because
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
Up until the moment she sees the doctor at the end of the play, she is convinced her former man, Shep Huntleigh, now a millionaire, is coming to get her and take her away to a life of stability and ease. As the doctor leads her away she says, “I’ve always depended on the kindness of strangers.” This deluded calmness and happiness that Blanche has while being lead away to the insane asylum she still doesn’t know about, is suggestive that despite reality’s eventual and definite victory, fantasy is a strong and vital thing that is used by all individually in their own circumstances. Williams uses Blanche as one way to demonstrate and explore his points on the tragedy of reality versus
In contrast, Stella is overly mild-tempered and always striving to please. Generally, she is able to adapt to all situations. This ability to adapt proves to be useful, as both her husband and her sister, Blanche, have such strong personalities. From the beginning, it is apparent that Stella often plays the peacemaker. She was able to foresee that Stanley and her visiting sister would clash. In hopes of avoiding any confrontation, she warned them both to be on their best behaviour. Stella is soft-spoken, speaking only when it is needed, and expressing her grief only when it overwhelms her, whereas Blanche is the opposite: an outspoken woman, with many opinions.
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
In Scene Six she tells Mitch about her late husband Allan Gray, whom she married at the early age of sixteen years old. She says, “… He came to me for help. I didn’t know that… all I knew was I’d failed him in some mysterious way and wasn’t able to give the help he needed but couldn’t speak of! Then I found out… by coming suddenly into a room that I thought was empty[…] but, had two people in it […] the boy I had married and an older man who had been his friend for years…”(Williams 114). She does not share explicit details, but it can be concluded Blanche walked in on her husband committing adultery with another man. She continues on to tell Mitch, “Suddenly in the middle of the dance the boy I had married broke away from me… a few moments later–a shot!…He’d stuck a revolver into his mouth, and fired…”(Williams 115). She admits she was horrified with Allan’s sexually deviated actions, telling Allan “I saw! I know! You disgust me…”(Williams 115). From author Bert Cardullo, “[Blanche] refuses from the beginning to forgive herself for denying Allan the compassion that would have save and perhaps changed him, or at any rate, made his burden easier to bear.” Blanche implies that her deliberate act of cruelty, that her lack of compassion towards him when he needed to be “saved” by his homosexuality is what drove him to suicide. She made clear that though his death was decades ago, she
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
She is introduced as a fragile woman, who the readers begin to feel sympathy for her. She had been asked to leave her job, and she lost the family estate. The readers also learn that Blanche is conflicted with her past; she tries to hide who she was.... ... middle of paper ...
As I stand here is Stanley's arms and hear my sister inside, I have so many thoughts that run through my head. I wish Stanley had not told Mitch about what he found out about Blanche's past. I saw how they were getting along, the adoring star's in Mitch's eyes everytime he looked at Blanche, and the contradicting peace and excitment that came over Blanche everytime she waited for Mitch to come and see her. If given time they would have had a chance. A chance at love and happyness. Not the kind of love that hits you like a freight train, like me and Stanley. But more of the gentle love that flows and mingles until it connects two people to the point that they are inseperatable. Everyone has something in their past that they are not proud of and try to hide. Though I am reluctant to beleive the stories that Stanley tells about my sister, I must admit that there could be some truth in what he says, even with his great dislike for my sister, he would not hurt me deliberetly in this way with mistruths.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.