“Before I Came to Paris”, is the first chapter of Gertrude Stein’s novel, The Autobiography of Alice B. Toklas, in which Alice B. Toklas narrates a basic history of her life and the events leading to her departure for Paris. Alice was born in San Francisco, California where her grandfather, a pioneer, had moved to in 1849 and married her grandmother, a music lover. Men of the family participated in Paris battles leaving behind the family for some time, eventually returning as land owners. Alice was not a fan of the violence that her family participated in but rather had hobbies in needlework and gardening. She was also interested in paintings, furniture, tapestry, houses, flowers, vegetables and a view that was not looked at. Alice was the …show more content…
The now infamously famous portrait by Picasso was not appreciated by anyone at the time except by Picasso himself. Alice describes Gertrude Stein’s home; at 27 rue de Fleurus, of two stories with a pavilion and four bedrooms. In the year 1914, Stein added a hallway to the pavilion where guest either rang the doorbell of the pavilion or knocked on the door of the hallway, but Alice was allowed to do both. On Saturday evenings at Gertrude Stein’s home, everyone was invited to dinner cooked by Helene and everyone who was invited went to Stein’s dinner, Alice included. Helene was one of the best maids of that day and made it a requirement of all cooks to be able to cook the perfect soufflé. To Helene, she respected every guest of Gertrude Stein’s except for those who were French. If the guest were French then Helene would prepare a less demanding meal for the guest. By the year 1913, Helene resigned from her job with Gertrude Stein at the request of her husband. Life after leaving Gertrude Steins rue de Fleurus home was never as
Carol Armstrong begins her essay by pointing out the two main points that come about when discussing A Bar at the Folies-Bergere. These two points are the social context of the painting and its representation of 19th century Paris, and the internal structure of the painting itself with the use of space. She then goes on and addresses what she will be analyzing throughout her essay. She focuses on three main points, the still life of the counter and its commodities, the mirror and its “paintedness”, and the barmaid and her “infra-thin hinge” between the countertop and the mirror.
The form of this work is influenced by the fact that Janisse is a woman. She feels a deep connection with the land where she was raised. “The landscape that I was born to, that owns my body” (Ray 13). She definitely expresses her feelings of injustice for the environment much differently than a man would. She also focuses on her desire to not accept her role as a typical woman. Not only as a child did she refuse to act like a little, sweet, innocent girl, but when she grew up, she defied the norm and attended college – and she had a passion for science which is also uncommon in most girls. “When I was eighteen and away from my town, I dived recklessly and surely into the world, not because it was a form of rebellion, as people might think, but as a form of healing and revival.” By this we can see Ray’s desire to go off by herself and take a risk. She took the plunge and control of her life becoming independent.
North, Michael. “Stein, Picasso, and African Masks.” In Three Lives and Q.E.D., edited by Marianne DeKoven, 429-440. New York: W.W. Norton & Company, Inc., 2006.
The Salinas Valley is symbolic to Elisa’s inner feelings. The farm responsibilities Elisa shared with her husband Henry encouraged “cold and tender” thoughts that often left Elisa feeling “closed off from the rest of the world” (paragraph 1). Her consistent lonely and empty days began to “fog” the belief of any better days to come. The [quiet of waiting] was yearning for any “sharp and positive” (paragraph 2) notion that had yet to be nurtured. But until Elisa was given any chance to set free of such desires she had to remain forcibly content inside of her chrysanthemum garden.
... who settled on Manhattan’s Lower East Side, where we could see packs of books telling the stories and experiences of past immigrants. I felt the rush and the excitement that characterize the city, but I also couldn’t get enough of the multiple cultures in New York. One would spend days and weeks in the “City that Never Sleeps” but still, it would take many more to truly experience every aspect of it or understand how the diverse ethnicities were able to survive and succeed there.
There is truly a fine line between physical discipline and abuse, and many times in the black community, that line is crossed. This topic is centered on discussions found in both Brittney Cooper’s article published on The Salan entitled “The Racial Parenting Divide” and Ta-Nehisi Coates’ novel “Between The World and Me” . Both parallel one another in the ideas exhibited in their pieces. The article written by Cooper confesses the often times TOO authoritative parenting style that black parents use to discipline their children while Between the World and Me gives a first hand acknowledgement of that. Coates’ life testimonials throughout Between the World and the examples given by Cooper in her article both serve as a prime example to the fine
Many talk about the road less traveled; however, words mean nothing without the follow through of commitment. The rare person who is able to follow their true calling in life, must be totally focused on their goal and objectives without distraction, walks alone.
Louise Mallard is a woman who enjoys freedom and independence. She feels soaring relief and fiery triumph upon realizing that, yes, she is finally free. She is free of the weighted ropes of marriage. She fantasizes of her days ahead, living for herself and only herself. “A kind intention or cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination” (Chopin 234). She views the imposing of one’s will on another person as a crime, no matter the intention behind it. She has a taste of freedom after Mr. Mallard’s death and can finally see days without stress ahead of her. Prior to her husband’s death, young Mrs. Mallard feels tied down and even oppressed. “She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength” (Chopin 233). Despite the typical oppression of women throughout the centuries prior to the 1920s, Mrs. Mallard possesses a free spirit.
When Marie-Neige believed that she was in the extreme depth of hopelessness, the unexpected generosity and kindness from Lucien allowed her to re-evaluate herself regarding her previous negative outlook of life. Lucien’s decision to purchase her property and sign it under her name after realizing all the pain and miseries Marie-Neige experienced instigated a substantial change within Marie-Neige’s character. This revelation caused Marie-Neige to transform from someone who had “been given nothing in her life, on even the slightest scale” (pg.6) to someone who began to “recognize the sudden lightness” (pg.6) in life by discovering the limitless possibilities of her own farm. Because of Lucien’s compassion and kindness, Marie-Neige realized how such a simple act could greatly positively influence her view of the world. This feeling of hope and optimism has allowed her to destroy the barriers encompassed around her poverty-stricken life and discover her true aspirations in society filled with endless opportunities. In addition, the allusion to Cornelius also demonstrates the importance of the farm to Marie-Neige since it is an essential for her way of living. When Marie-Neige was still living a poverty-stricken, difficult life, she attempted to cultivate her plants successfully in order to one day be able to enter society and forever leave her destitute, poor state. Now that she has rights to her own land, she believes that she is now able to “enter the world of the grower of the black tulip” (pg. 6). This means now that Marie-Neige has possession of her own property, she will be able to properly tend her own flowers by herself and compete within the mainstream, competitive society while abandoning her previous sufferings and
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
“Goodbye to all that” is a captivating story of young women and the journey she takes to identify who she is. Through the expressive writing by Joan Didion, the emotions in this text are truly tangible. Didion writes from her own experience as a young writer living her dream of being in New York City. Throughout her story there is miscommunication and through each obstacle, she grows as a person, learns what priorities are important, and overall she finds herself. I find this very appealing because everyone can relate to a life changing experience and reflect on how it changed you.
Edna seeks occupational freedom in art, but lacks sufficient courage to become a true artist. As Edna awakens to her selfhood and sensuality, she also awakens to art. Originally, Edna “dabbled” with sketching “in an unprofessional way” (Chopin 543). She could only imitate, although poorly (Dyer 89). She attempts to sketch Adèle Ratignolle, but the picture “bore no resemblance” to its subject. After her awakening experience in Grand Isle, Edna begins to view her art as an occupation (Dyer 85). She tells Mademoiselle Reisz that she is “becoming an artist” (Chopin 584). Women traditionally viewed art as a hobby, but to Edna, it was much more important than that. Painting symbolizes Edna’s independence; through art, she breaks free from her society’s mold.
Historically, power has been manifested hierarchically within the social training of genders. Simone De Beauvoir’s concept of ‘otherness’ has theorized how individuals’ personal manifestations of self are influenced deeply by their social position and the available power to them within these circumstances (2000:145). She remains one of the first to develop a feminist philosophy of women. In her book The Second Sex (1950), Beauvoir provides “a philosophical account of the development of patriarchal society and the condition of women within it” (Oliver, 1997:160). Beauvoir’s fundamental initial analysis begins by asking, “what is woman” and concludes woman is “other” and always defined in relation to man (Beauvoir, 2000:145). “He is the Subject,
Le Monde des Jeunes - French Paper Pour celebrer notre centieme anniversaire on fera un reportage especial, dans lequel on va faire une comparaison entre Londre et Paris. !!! Londres contre Paris!!! Mon experience personelle de Paris etait un peu limitee donc j'y ai visite seulemont une fois. Mais je connais Londre comme mes poches.