Posted By Maggie Flanigan on May 11 2012 in Entertainment
Any actor interested in studying the Meisner technique should explore what’s known as the actors instrument. The instrument analogy can be helpful when breaking down all the various aspects that can determine how good an actor is. As an audience member, it becomes apparent very quickly who the good actors in a piece are or who might be falling short. But, can we pinpoint what makes us feel that way? They can also sense when an actors instrument is not well developed, because they don’t “believe” the character portrayal.
The actors instrument is comprised of six different elements, all important. They are: physical expression, emotional expression, imagination, sensory expression, intelligence
…show more content…
Stallone is certainly able to express emotionally, but overall his most powerful tool onscreen is his physical expression. As an actor he expresses emotional in a very physical, often external way. This is why actors must focus on learning about each and every aspect of the instrument, so that they can be as well rounded as possible.
Emotional expression is one of the first things most up and coming actors focus on. Thinking deeply about how a character feels about something and trying to emulate it is a very common thing for up and coming actors to try and master. While it can be short sighted to put too much weight on any one aspect of the actors instrument, emotional expression is certainly a key acting tool to master. All six of the aspects of the instrument should be studied diligently until they are
…show more content…
Emotional expression is they way that the internal aspects of a character’s conflicts, needs, and feelings are expressed. Those that study Meisner acting in nyc use an imagined emotional history of a character which they must then express using all the aspects of the instrument. Students of Meisner acting must study the range of human emotions in all their complexity. They work hard to create a foundation of human emotion and way of communicating based on real people and fictional characters. When called upon to create a specific character, they dig very deep and create and imagine (another part of the instrument) what that character’s emotional story is. They create and live the emotional life that the character would live so that it is instilled in them and can be called upon at will.
Take as an example, vulnerability which is an expression of insecurity or perhaps innocence or even strength. Actors might work hard to develop this emotion and the complex ways it can be expressed. But, if they have strongly developed other aspects of their instrument, such as physical expression and empathy, they will be able to present an authentic, vulnerable character. A single tear, without words can accomplish this, but how about a sense of vulnerability shown while one is smashing a clock to pieces? These are very nuanced yet, essential things to
In this area of theatre i have learned more about brainstorming, character position, the effectiveness of music, the effectiveness of light and at what darkness and more about character goals and character formation both physical and vocal.
persuasions. For that reason, using only pathos for emotions of the audiences is not enough
...houghts and feelings; their inner journey is described verbally, so that the audience receives a first-person recount from the key characters.
Acting and dramatization is used by actors and actresses across this movie through their facial expressions. These facial expressions easily display the severity and mood of the scene to the viewer. "Essentially, it says, when you're smiling, the whole world smiles with you.” (Pescovitz, Nov.2, 2017). Therefore, when an actor
knowledge to create a character that is strikingly lifelike in the way he expresses his emotions.
An actor is a person whom profession is acting on stage, in movies, television, or plays. All actors are different, they have their own personalities. Every time Taming of the Shrew is reenacted it is interrupted different by the audience. This reason can be arise from the actors’ appearance, the voice of the actor, and the way they carry their
...rong sense of pathos and pity in the audience. The viewers are meant to feel connected to the experiences of the actors by being reminded of similar circumstances in their own lives.
Emotions are a truly fascinating thing. They can affect basically everything you do, from writing an essay to commiting a crime or even to making a sandwich. The concept of emotions affecting the way people act is especially prominent in literature, or more specifically the play A Midsummer Night’s Dream by William Shakespeare and the Novels Night by Elie Wiesel and Lord of the Flies by William Golding. In A Midsummer Night’s Dream the group of lovers is subject to many emotions that affect the actions they pursue. Next, in Night the protagonist, Elie, is subject to many atrocities that cause him to develop a sort of anger that affects his actions an judgement.
Emotions manifest themselves in people through various ways. Some individuals are very expressive of their emotions while others are highly impassive of their feelings, and most people are in-between these two polarities. The movie Napoleon Dynamite, illustrates the behaviour and emotions of individuals who are extremely impassive. Despite the immense lack of emotions in the film, there are still elements of emotion exemplified, such as psychological responses, subjective feelings, and expressive behaviour.
According to Erving Goffman’s performances theory, the way we interpret ourselves is similar to a theater in which we are all actors on a stage playing a variety of roles. The way in which we act in front of a group of observers or audience is our performance. Goffman introduces the idea that we are always performing for our observers like actors performing on a stage. The impression that we give off to an audience in a scenario is the actor’s front. You can compare an actor’s front to a script. Certain scenarios have scripts that suggest the actor how he or she should behave in every situation. The setting for the performances includes the location and scenery in which the acing takes place.
I will use close-ups to bring out the emotions behind each action. Camera movement and pace (created through editing) can emotionalize the action. By using these techniques, I can create subtext. The subtext is what will drive our film forward because of the reliance on the underlying emotions of our main character that is prominent throughout the narrative. Every action and word of our main character conveys her emotional state.
The performances included opera-styled singing with intricate hand gestures. I used to think that the Chinese theater performances my grandparents watched on TV were too over-the-top and unnatural, but after reading about the history and meanings behind Chinese theater, I’ve developed a new perspective on the style and have come to admire the beauty of cultural differences in theatrical arts. Chinese theater’s “traditional performance” features a synthesis of poetry, singing, and dancing. In present day, “traditional performance” has undergone an improvement toward what can be termed “characterization performance,” which emphasizes the performer’s internal experience of the character played and the artistically truthful portrayal of feelings and thoughts (cite). Different cultures contribute to the varying theater styles. For example, “chinese playgoers are familiar with the stories, characters, and conventions...the objective of the Chinese performer is to meet the high expectations of the playgoers” (cite). Thus, Chinese performers are more conscious of ensuring that their gestures and body movements appear aesthetically beautiful to satisfy their audiences’ expectations. The knowledge of the diverse approaches of theater in different regions is significant for respecting a theater piece, because theater from different cultures than one’s own should be evaluated and appreciated with the viewpoint of that
Al pacino said, "The actor becomes an emotional athlete. The process is painful - my personal life suffers". In other words, "Acting is simply more than walking out on the stage" as Dr. Stevenson would put it. It is more than just reading the lines. To be a true actor, I believe it takes inner capabilities such as learning life. In all the books I have read, all the chapters we have reviewed in class, and in all honesty…Al Pacino is an actor I cannot forget.
“Acting is not about being someone different. It’s finding the similarity in what is apparently different, then finding myself in there.” ― Meryl Streep. I love exploring and gaining knowledge about the beautiful craft of acting. During my journey of being an actor, I notice there are two types of actors: stage and film. Stage and film actors are different in their times of rehearsal, their relationship with an audience, and their emotional challenges.
The point of this essay was to illustrate the key concepts of the Performance Theory, to show how to understand them and apply them on the actual performances and actions. I think that the most important thing to elucidate is that „everything around us is a performance.“ So after all, everybody is a performer and an actor in their own way. And life is a performance.