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Use of Symbolism
Use of Symbolism
Essays on symbolism in literature
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To begin, innocence is represented through Connie’s character in both versions. As a matter of fact, Connie is only 15 years old which means it is the period where she is searching for her own identity. Consequently, many of her actions will be innocent due to a lack of knowledge. In the movie, we can see that she is always dressing up in a provocative manner to seduce any boy that comes in front of her. For instance, when Connie and her friends are at the mall for the first time in the movie, we can see that Connie is dressed up with a tight overall and a cleavage that reveals her shapes. While they are taking the escalator, some boys come from the other way. Connie then bend over to show them her "assets". This is a proof of innocence. She …show more content…
By doing that, it also gave Arnold Friend a hint that she was easy to manipulate. Then, concerning the dialogue element, the explanation for both the movie and the short-story will be the same since I use the passage between Arnold Friend and Connie at her house. Since Connie is responding so naively at the very beginning of their conversation, it is almost certain that Arnold would succeed to manipulate her. In fact, the biggest mistake she made was to actually get out of the house and start the conversation with him: "She went into the kitchen and approached the door slowly, then hung out the screen door, her bare toes curling down off the step" (314). Through this action, it already gave Arnold Friend the idea that she is innocent and vulnerable; the only thing left was to seduce her with his words. Finally, I believe the movie would better suits the theme because we can visually observe how innocent she is with her mimics, her behaviour, her clothing. Although Oates’ short-story is very descriptive, the message behind this story doesn’t have the same effect on us than the
In the story “Where Are You Going? Where Have You Been?” Arnold Friend is depicted as the antagonist of the book, trying to seduce Connie into going with him on a ride. He could be shown as an evil person intent on doing harm to Connie, but by the way Oates wrote the book you can almost feel the frustration building up in him as Connie keeps denying him the satisfaction of Connie saying yes. This can essence can be felt when Arnold Friend “wobbled again and out of the side of his mouth came a fast spat curse, an aside not meant for [Connie] to hear. But even this ‘Christ!’ sounded forced. Then he began to smile again,” As if Arnold friend is trying to hide something from Connie, “She watched this smile...
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
A child is known for having innocence, and bad experiences strip kids of it. In Sarah’s
Connie's character plays a big role in what ultimately happens to her. Connie is a vain girl that thinks the way you look is everything. She plays the stereotypical part for girls in today's society. She thinks that as long as you are pretty and dress a certain way then you are everything. This comes across when Oates writes "Connie thought that her mother preferred her to June because she was prettier" (980). By flaunting her looks she could easily give a guy like Arnold Friend perverted ideas about her. It could make them see her as easy, which he did.
Through Arnold Friend, Connie learns that her rush to grow up is foolish and that she is trying to jump into a world that she knows nothing about and that could be potentially dangerous. She ultimately releases her dream and clings to her family as never before, realizing that their firm grasp on her is not for their benefit, but her own. Joyce Carol Oates?s vivid description of Arnold Friend carries the most emotional freight, as the evil behind his apparent glamor brings about Connie?s change. Though he takes the outer appearance of a normal boy, everything about his behavior suggests that he is the Devil himself in disguise.
Innocence is defined as the state of being not guilty of a crime or other wrong act. The definition does not have any exceptions depending on race, age, gender or other physical characteristics. Yet in the south, the innocence of a guilty white man, is more important than the innocence of an innocent black man. In the novel, To Kill a Mockingbird by Harper Lee, is about a young girl named Scout who lives in Maycomb County, Alabama. The novel is separated into two parts, the first part is about the adventures of Boo Radley. While the second part is about the trial of Tom Robinson. In the first part of the novel, Scout along with her brother Jem and her friend Dill investigate the mysterious life of their neighbor, Boo Radley. Boo has not left
Arnold Friend’s layers of deception. Connie’s blindness is the pretext of her loss of innocence
A mysterious car pulled into Connie’s driveway and the driver proceeds to get out of his vehicle, showing that he belonged there, not recognizing the car Connie opens the door to her house and leans out it. “She went into the kitchen and approached the door slowly, then hung out the screen door,” (2). Without even knowing who or why this person has come to her house, Connie opens her door and leans out to possible talk to the driver, who would turn out to be Arnold Friend and wants to take her on a “date”. Connie’s ignorance towards Arnold and his arrival almost immediately puts her in a vulnerable state without her even realizing it, this vulnerability would be the first event to foreshadow Connie’s inevitable kidnapping. After greeting and talking to Arnold for a little, he proceeds to ask Connie if she wants to go for a ride in his car. Instead of turning down the offer since she barely, if at all, knew Arnold, Connie somewhat debates it. “Connie smirked and let her hair fall loose over her shoulder,” (3). Though she lacks any information about Arnold, Connie kind of debates taking up his offer to go for a ride, further letting her ignorance towards the entire situation usher her into an even more vulnerable
The mysterious Arnold Friend goes to Connie’s house. He tries to convince Connie to take a ride in his car. Most people will deny the offer, but seeing as though Connie is unruly, she is easily persuaded by Arnold . Arnold deceives Connie with his charm and ride. He takes her to a place where she does not know. We find that Mr. Friend is not so friendly, but a sick soul with a loose tongue. In addition to this I agree with author Christina Marsden Gills of “Short Story Criticism, vol.6” when she explains that:
When Connie first meets Arnold, she doesn’t know who he is: he’s just a creepy guy in the parking lot. However, Arnold sees her as an adult woman who is ready to pursue a relationship with her because that is what her appearance says about her. In reality that’s all it is, her appearance and she is not ready for that type of relationship. So, when Arnold Friend came by and was persuading her to come with him saying, “Don’tcha wanta see what’s on the car? Don’tcha wanta go for a ride?” (Oates 375). This line is one of the many that he used to persuade girls to get into his car. Also, he is making all moves to get closer to kidnapping Connie. Connie did try to avoid him but she had false hopes. Although Connie seemed to be confused there are many girls like this that fall for someone’s charms even if they are sincere or not just because these girls seek for someone to appreciate them. Arnold Friend said. “But I promise it won’t last long and you’ll like me that way you get to like people you’re close to.” (Oates 383). These statements give Connie confidence to leave her house and go with him regardless if they just
Themes in literary works are central, recurring ideas or messages that allow us to understand more deeply about the characters. It is a perception about life or human nature that is often shared with the reader. In The Catcher in the Rye, there are several themes that can be found in the words and actions of the narrator, Holden Caulfield. The dominating theme in this novel is the preservation of innocence, especially of children. We can see this throughout the novel, as Holden strives to preserve innocence in himself and others.
To begin, the author uses the experiences of Connie to portray to the readers that this could, in fact, be a trashy daydream. This is shown through the quote “But all the boys fell back and dissolved into a single face that was not even a face, but an idea, a feeling, mixed up with the urgent, insistent pounding of the music and the humid night air of July” (Oates
I really like how the even though mockingbirds has a very little literal connection to the plot it comes to symbolize idea of innocence throughout the book. Examples of innocents that have been injured or destroyed by ‘evil’ are Jem, Tom Robinson, Mr. Raymond, Boo Radley. This connection is made several times in the novel such as when Tom Robinson is shot dead, when Jem is attacked by Mr. Ewells due to drunken rage, Mr. Raymond who has been alienated against for socializing with African Americans, and Boo Radley who was emotionally damaged due to his cruel father. Thus to kill a mockingbird is to destroy innocence. Another example of symbolism in the novel is when Atticus is forced to shot the rabid dog. The dog represents the racism in Maycomb
That’s right. Come over here to me… Now come out through the kitchen to me, honey, and let’s see a smile, try it, you’re a brave, sweet little girl’”(Oates 7). “She put her hand against the screen. She watch herself push the door slowly open as if she were back safe somewherein the other doorway, watching this body and this head of long hair moving out into the sunlight where Arnold Friend waited”(7). What had gotten into Connie, why would she go out with Arnold knowing that all he is going to do is hurt her. Readers may think she is a state of shock and the only thing she can do to protect her family is by going with Arnold.
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew