An Analysis of the Final Passage in Chopin’s The Awakening

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An Analysis of the Final Passage in Chopin’s The Awakening

As this passage commences, Chopin, through Edna’s thoughts, describes the seemingly endless sea that presents itself before her. Edna, through personification, shows the intimacy of her relationship with both nature and the sea. This large, “[…] never ceasing […]” (Chopin 139) body of water has entranced and enthralled Edna to the point where she is now beginning to see this natural element that amazes her so much as the only option left to her in life. Chopin reveals these intentions to the reader by describing the sea as “[…] inviting the soul to wander in the abyss of solitude” (Chopin 139). The word abyss in itself leaves the reader the impression of a mysterious place in which one might not return from; and it is later implied that Edna accepts this sensuous invitation from the sea.

In this final passage, Chopin seems to emphasize words describing the ecstacy of solitude that Edna encounters in her final visit to the sea. When Edna speaks of there being “[…] no living thing in sight” (Chopin 139) around her, her thoughts never stray to a memory of her past experiences, acquaintances, or even emotions. Even when Edna sees her bathing suit from the past summer, her thoughts remain fixated on solely the unending sea that lies before her.

Chopin also uses Enda’s encounter with her old bathing suit to show how distanced Edna is from her former life. Edna, seeing the garment, describes the former piece of clothing as being faded. As the color has fled from this garment, similarly has Edna’s soul fled from her former life. Edna originally begins to put the bathing suit on, however, the garment, seeming unpleasant to her skin, is almost immediately cast off. This garment, representing Edna’s former life, also shows how foreign Edna’s past life seems to her presently. Edna is so far removed from her former life, in fact, that the garment is shown as being physically irritating to her skin.

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