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Introduction of anti hero
Analysis of the matrix film
Analysis of the matrix film
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The Matrix, written and directed by Lary and Andy Wachowski, is a 1999 science-fiction action film that has been regarded as one of the most igneous and highly imaginative films of all time. It depicts the complex story of a dystopian future in which the reality perceived by most human beings is actually a simulated one created by AI machines who use the suppressed humans as energy sources. Though the main characters of the story have freed themselves from the matrix, one character named Cypher (a.k.a. Mr. Reagan) regrets learning the truth and wants to return back to the dream world. Cypher is an example of antagonist Agent Smith's belief that "as a species, human beings define their reality through misery and suffering" as he believes that he will be absent of suffering by retreating into the matrix (Andy and Lary Wachowski). Cypher's betrayal spurred on by his intense opposition of suffering parallels other figures from both history and fiction as well as introduces the philosophy of the problem of evil.
Probably one of the most apparent figures that Cypher parallels is Judas Iscariot, one of Jesus Christ's twelve disciples. In the same way that Judas is Jesus's disciple, Cypher is the follower of Morpheus, yet both decide to betray their leader with the prospect that they will obtain something better. In the Gospels, Judas is consumed with monetary gain and is upset when he sees a woman named Mary, anoint Jesus' feet with a "expensive perfumed oil" that was the equivalent of about one year's wages for a worker (Holy Bible, Matthew 26). Believing that this act was wasteful, Judas is spurred on by his greed when he goes to the chief priests and betrays Jesus in exchange for thirty pieces of silver. However, Judas is deceived...
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...he real world.
Works Cited
Charles, J. Daryl. "Articulating a Distinctly Christian Approach to Suffering."
The Center for Bioethics & Human Dignity. Trinity International U, 10
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Hume, David. Dialogues Concerning Natural Religion. 2nd ed. 1779. Indianapolis:
Hackett Pub, 1998. N. pag. PDF file.
Kreeft, Peter. “The Problem of Evil.” Chapter 7 in Fundamentals of the Faith. (San Francisco: Ignatius Press, 1988), 54-58.
Peterson, Katherine. Bridge to Terabithia. 1977. New York: HarperTeen, 2004.
Print.
Wachowski, Lary, and Andy Wachowski. The Matrix. 1999. Warner Bros. DVD.
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
Claudia Card begins by questioning the difference between wrong and evil. How do we know when something crosses the line between being just wrong, to being an evil act? How does hatred and motive play a part in this? How can people psychologically maintain a sense of who they are when they have been the victims of evil? Card attempts to explain these fundamental questions using her theory of evil; the Atrocity Paradigm (Card, pg.3).
The Screwtape letters, was written by C.S.Lewis. In this paper, I will be examining the good versus the evil. In The Screwtape Letters Lewis is trying to talk somebody into doing something wrong or think something that is not true, when it is. Martin Luther King Jr. once said “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.” If light is shown in the world more darkness would not be so abundant, if one loved more so much hate would go away. Sometimes it seems like you have a devil on one shoulder and an angel on the other, this is how I pictured this whole story. Those figures are making one say which way should I go? Portraying the good and the bad. Through the failures of temptations,
As individuals overcome the inevitable process of change, they begin to realize their full potential. In the set text, the 1999 Wachowski Brother’s film, The Matrix, the concept of change is significantly explored. In the related texts “Plato’s Allegory of the cave” and “The Door” clearly represents and reinforces this concept of change; that it is inevitable and experiences from this process leads to wisdom. In each text, the individual composers explore certain themes such as “the illusion of reality”, “choices and the endless outcomes of change” and “the fear and danger of knowing”. All the texts mentioned visible represents that “It is the process of transformation that ultimately allows potential to be realized”.
The Matrix is considered by many people to be a cyberpunk triumph. Declan McCullagh from wired.com writes: "When Neo/Reeves wakes up from his VR slumber and unplugs from The Matrix, he joins a ragtag band of rebels led by the charismatic Morpheus (Lawrence Fishburne). Their plan: To overthrow the artificial intelligences that have robbed humanity of reality" (McCullagh). Entertainment weekly also sees The Matrix as a movie about rebellion against oppression: "Neo is, of course, The One, the prophesied leader of the oppressed who will lead the people of Zion (an underground city populated by the last free humans) from bondage--but only if he can believe in himself and trust in the power of love" (Bernadin).
In the book, The Betrayal Bond: Breaking Free of Exploitive Relationships, author Patrick Carnes presents an in- depth study of relationships that are exploitative and can create trauma bonds. Dr. Carnes explores why these relationships form, who is more susceptible, and how bonds become so powerful. In the text he explains how to identify that traumatic bonding is occurring and he provides ways to examine these relationships. Dr. Carnes then provides specific steps to disentangle from these relationships.
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
When the trailer for this film was first introduced to the public, many expected The Matrix to be just another science-fiction film with phenomenal special effects which lacked an intriguing plot. The majority of the reviews definitely put an end to this misconception. Most of the reviews written on this film eloquently complement the Wachowski brothers on their excellent story line. The Biblical references of this film incorporated with the phenomenal cinematography distinguish The Matrix from all other science-fiction films in which the main characters are on a race to save humanity. "The script, written by the Wachowski brothers is intelligent but carefully not geeky."2
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
Arthur Koestler's Darkness at Noon depicts the fallacious logic of a totalitarian regime through the experiences of Nicolas Salmanovitch Rubashov. Rubashov had fought in the revolution and was once part of the Central Committee of the Party, but he is arrested on charges of instigating attempted assassinations of No. 1, and for taking part in oppositional, counter-revolutionary activities, and is sent to a Soviet prison. Rubashov, in his idle pacing throughout his cell, recollects his past with the Party. He begins to feel impulses of guilt, most especially in those moments he was required to expel devoted revolutionaries from the Party, sending them to their death. These subconscious feelings of guilt are oftentimes represented physically in the form of toothache or through day- or night-dreams. As his thought progresses with the novel, he begins to recognize his guilt, which emerges alongside his individuality. It remains in his subconscious, and it is not until Rubashov absolves himself through silent resignation at his public trial that he is fully conscious of guilt. By joining the Party, Rubashov allows himself to forget the questions of human nature and of his individuality. The nature of his guilt lies in this betrayal of his individuality.
Amy Bruckman and Howard Rheingold would probably find this movie interesting in that it disagrees and agrees with certain aspects of their beliefs about the use of computers. The Matrix specifically shows how advanced technology such as artificial intelligence (A.I.) may one day get out of the control of the people and become a dangerous enemy to mankind. It turns out that in the movie people believe that they are living normal lives in the 90's as common businessmen and families as we do today, when in reality the time is later in the 21st century and people are hooked up to machines in pods where they are merely interpreting electrical signals which tells them that the they are alive in the 90's. They call this set up The Matrix. The artificial intelligence machines put these people in these pods for their whole lives where they never use a muscle in their body; they only think that they are moving and living normal lives.
Deep within the cave the prisoners are chained by their necks and have a limited view of reality. Around them, by the distant light of the fire, they only see shadows and outlines of people or objects. From their conclusions of what they may think is real, are false. “The Matrix” parallels Plato’s “Allegory of the Cave” in a number of ways. Similar to the prisoners of the cave the humans trapped in the modern day puppet-handlers (the machines) want them to see. In the movie, Neo is a computer hacker, and on day he suddenly realizes that his world is fake, by finding out the truth after he was released from the pod. Neo discovers that what he has been presented with his entire life is only reflections or merely shadows of the truth. The theme is recognized throughout the movie as we see many objects, as well as Neo, reflected in other objects. The puppet-handlers (the machines) represent what Plato calls the influential and powerful members of society. The objects making the shadows in “The Allegory of the Cave” are also creating a false conclusion for the prisoners. In “The Matrix” the puppet-handle...
Wachowski, Andy, Dir. The Matrix. Perf. Reeves, Keanu, Lawrence Fishburne, and Carrie-Anne Moss. Warner Bros: 1999, Film.
The Matrix is a sci-fi action film about a computer hacker named Neo that has been brought into another world deemed “the matrix.” The Matrix is a prime example of cinematography. The film uses many different types of cinematography such as mise-en-scene, special effects, and camera shots to make it interesting and entertaining to the audience guiding their attention to the important aspects of the film.