Does the use of graphic novel help Satrapi propel her idea?
Persepolis the Story of a Childhood by Marjane Satrapi’s at first impression looks like an unsophisticated comic book; however the book is much more intricate than it looks. It appears like the author Satrapi uses a graphic novel style to add to the stories and supplement profound thoughts what words probably cannot express in novels: layers of visual intuitions. However, does the use of graphic novel help Satrapi propel her idea? In the comic book it seems like she really has propelled her idea.
The graphic novel is a book that tells the story about the childhood of an Iranian girl named Marji, while instantaneously attempting to display what the Iranian people are like in nature. It states the many actions and thoughts Marji has to go through during the histrionic and dramatic times in Iran’s history including the reign and the fall of the Shah, the Islamic Revolution, and the Iran and Iraq war. It also expresses multiple effects these dramatic events had on the families, mainly Marji’s family. To add to that, Marji g...
In the novel Persepolis by Marjane Satrapi, Satrapi’s childhood was highly impacted by American culture. The purpose of this paper is to analyze the affect American culture had on how Satrapi viewed the Iranian Revolution.
In the graphic novel, Persepolis, the main character, Marjane, faces many coming of age moments. Each one of these change her in a way that impacts her view on the world around her as her and her family strive for a better life amongst a war that hinders their ability to follow their beliefs. Marjane learns to forgive, experiences pain and suffering, and changes her opinions on God and her own views on religion forever. Marjane’s life has been filled with hard times, but also glorious moments as well.
The most significant similarity that Satrapi shows in persepolis is the similarities of Iran and American schooling. He does this through the main character Marji. The western view that the author challenges is the view that the
Persepolis is a inspirational story written by Marjane Satrapi in the perspective of a young girl’s life during a powerful, historical moment in Iran. The Islamic Revolution was a life-changing moment that impacted her view on the world around her and her innocence shaping her into the woman she is today. Not many people understand what it feels like to feel pain, hurt and abandonment as a child from major and minor things. The author writes this story and decides for it to be a graphic novel to allow the not only young readers, but also for those who do not understand what happens everyday in the world they live in. Satrapi uses all rhetorical stances, ethos, pathos, and logos to show problems, purpose and emotions.
The Persopolis is the autobiographical graphic nove l by Marjane Satrapi that describe her childhood up to her early adult in the Iran during and after Islamic Revolution. This comic is all in black and white. According to Wikipedia, the title of novel, Persepolis,is from the ancient captial of Persian Empire, Persepolis. I am analyzing the visual elements of Pride of Baghdad, race and cultural identify, racism, & stereotype play a significant in The Lady and The Tramp, and describe the Marjane archetype and personality.
The story Persepolis uses the medium of graphic novel and the perspective of a child to convey her message. The events of Persepolis are very dark and in some
... hand in hand with Persepolis’ use of visual rhetoric to advertisements. The way Satrapi and advertisement companies convey their messages varies, they still contain similarities such as the underlining themes of oppression and desire to attract their audiences.
If I took the text and images as separate elements, I might not have realized the levels of emotional Satrapi portrays or the significance of the larger context of the Iranian Revolution. It is only after reading several graphic narratives that I have realized the multitude of elements that must be acknowledged and understood while reading such texts. This mixture of unique image and text creates a versatile platform that can be an expressive form of art for marginalized persons who feel that they are trapped by the normative literary cannon. As Michael Pagliaro argues in Is a Picture Worth a Thousand Words?, graphic novels are useful as people from different backgrounds “can find their experiences authentically and respectfully portrayed” (35). I would further contend that people who occupy privileged positions can also, through graphic narratives, understand representations of marginalized persons who may appear separate or unlike them, as I was able to through Persepolis. Thus, graphic narratives foster a form of expression and understanding that is prime for working to debunk stereotypes, exploring authentic diversity in writing, and ultimately “writing against the
In Marjane Satrapi’s Persepolis and in Ishmael Beah’s A Long Way Gone, both authors commentate on the romanticism of violence that is often associated with war. Because of this, the authors are able to dispel misconceptions surrounding war. Furthermore, the memoirs allow the authors reflect upon their own experiences of war during their childhoods, as well as examine how cultural shifts perpetuated by both war and the increased influence of western culture that took place within their cultures shaped who they became. Through their memoirs, the authors portray the reality of war and violence through cultural experiences.
When writing any sort of narrative, be it novel or poem, fiction or non-fiction, scholarly or frivolous, an author must take into account the most effective manner in which to effectively convey the message to their audience. Choosing the wrong form, or method of speaking to the reader, could lead to a drastic misunderstanding of the meaning within an author’s content, or what precisely the author wants to say (Baldick 69). Even though there are quite a bit fewer words in a graphic novel than in the average novel, an author can convey just as much content and meaning through their images as they could through 60,000 words. In order to do that though, their usage of form must be thoughtfully considered and controlled. Marjane Satrapi, author of the graphic memoir The Complete Persepolis, took great pains in the creation of her panels in order to reinforce and emphasize her narrative, much like a novelist utilizes punctuation and paragraph breaks. Through her portrayal of darkness and lightness, Satrapi demonstrates that literary content influences, and is primary to, the form.
In the graphic novel, Persepolis, by Marjane Satrapi, Satrapi’s childhood was highly impacted by American culture. The purpose of this paper is to analyze the effect of American culture on Satrapi’s view of the Iranian Revolution.
Persepolis 2: The Story of Return is anchored around how Marji is affected by the social injustice that occurred during the Islamic Revolution. Growing up as “a westerner in Iran and an Iranian in the West,” (Satrapi 274) changes and molds her into the young woman she is at the end of her journey. In this second chapter of Satrapis life she moves away from the comfort of Iran and finds a life in Vienna. Marji desires to find her purpose and identity during her brief time here and faces many battles with language barriers, people and herself. Marjis past from Iran haunts her and instills the idea that she needs to make something of herself while in Austria. Finding that Austria took her down a darker path where the light was scarcer and the
Throughout the book, Persepolis, there is this constant theme involving the education system of Iran, which is that the education system revolves around whoever is in charge of the country. The two figure heads that are in charge of the country throughout the book are the shah and the Islamic regime. The Shah was in power for the first part of the book, until he was forced to step down and the Islamic regime took over in his place. There are numerous examples in the book showing how the education in Iran is shaped by those who are in power. The different education systems of the the shah and Islamic regime failed the children of Iran not because they were kaput systems in themselves, but because the change from a secular education to a religious
Currently, I find myself to use pictures to comprehend new information even a child as well. When I was learning about World War II in middle school, I discovered that the images of the war were very intriguing than reading a textbook in social studies class. In the book, Persepolis, by Marjane Satrapi, this piece of literature included so much history that had been tied into the novel displaying comic strips of what Satrapi imagined from her childhood, what had really happened and the life the people in Iran experienced in times of war. Not only the Iran-Iraq War has images that depict the tragic event, but the Holocaust can be taught through pictures as well. War and human cruelty in an image reveals a thousand words much more superior than
middle of paper ... ... The implementation of the innocence of a child plays well on the conscience of the American audience and is fantastic in conveying the simplicity of her message. Satrapi needs to use the simple pictures and simple text to enable the common man and even the children of the United States to read her book and learn of the prejudice towards her homeland. She is doing her best and has done a marvelous job in writing the graphic novel Persepolis.