An Analysis Of Juxtaposition In Legal Alien By Pat Moora

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How does one define what culture is? Culture is defined as the system of shared beliefs, values, customs, behaviors, and artifacts that the members of society use to cope with, their world and with one another - transmitted from generation through learning. This is particularly meaning a pattern of behavior shared by a society or group of people; with many things making up a society’s ‘way of life’ such as language, foods etc. Culture is something that molds people into who they are today. It influences how people handle a variety of situations, process information and how they interact with others. However, there are events when one’s own culture does not play a significant role in the decisions that they make or how they see the world. Despite …show more content…

Pat Mora discusses the cultural identity of Hispanic Americans; despite belonging both to an American community and a Mexican community, one can never really be fully integrated into the other; “an American to Mexicans/a Mexican to Americans” (lines 14 and 15). To be constantly “sliding back and forth/between the fringes of both worlds,” (lines 17 and 18) is strenuous and disaffirming. Likewise, she juxtaposes her perception of being viewed as “exotic” but “inferior” at the same time. Another juxtaposition starts with the title of the poem, Legal Alien. In this sense, Pat Mora is legal but feels alien. Despite being an American citizen, Mora feels like an outsider as she is continually singled out for her foundations. To the Mexican people likewise, she depicts her sentiments of being far expelled from their way of life. She is along these lines torn between two universes characterized here by dialect occupation, and ethnicity (“Bi-lingual, Bi-cultural”, line 1). Mora’s poem epitomizes how she noticed the differences in culture and being treated differently; split between the two …show more content…

In the novel excerpt, Two Kinds by Amy Tam, it portrays a young girl named Jing-mei who instead of being affected by her mother’s culture, she is impacted by the American society that she resides in, along with her own persona that emerges. Jing-mei’s mother has high hopes that her daughter will be a great success as a prodigy, but through that process, Jing-mei’s true self-begins to come out. Jing-mei has no desire to cooperate with her mother, fighting her every step of the way. “I didn't have to do what my mother said anymore. I wasn't her slave. This wasn't China. I had listened to her before and look what happened. She was the stupid one," she decides (page 23, paragraph 60). She continues, ““No!” I said, and I now felt stronger, as if my true self-had finally emerged.” (Page 23, paragraph 64). Determined to thwart her mother's ambitions, Jing-mei neglects to practice the piano. This excerpt demonstrates how two strong personalities with their own beliefs are able to come together, while still sticking true to themselves. Associating it with Siddhartha, the novel states, “But one thing this doctrine, so clear, so venerable, does not contain: it does not contain the secret of what the Sublime One himself experienced, he among the hundreds of thousands. This is what I thought and realized when I heard the doctrine. This is why I am continuing my wanderings-not to seek another, better doctrine, because I know there is none, but to

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