An Analysis Of Going Abroad

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In staging reality, setting is critical for both Chad and Undine’s performances. In expatriate fiction, Europe is associated with more freedom than Puritanical America and is used as a medium for performers to present and explore both themselves and cultural and social differences between their home in America and abroad. In Going Abroad, William Stowe suggests that Europe is a space in which higher class and non-essential laborers can “prepare for or advance their careers” (Stowe 7). As a continent with a vast collection of cultural goods, Europe conflicts with the barren American landscape. Acquiring a “Europeanized” persona helps Undine and Chad to gain experience that they employ at home, and cultural accumulation provides an advantage …show more content…

As a first generation wealthy American woman, the only good she has to negotiate with is her body and marriage allows her to use this to gain access into higher classes. Undine lacks desire and her emotional distance in marriage causes her to see it as” nothing more than a calculated, profitable, investment” (Cite). As a wife, she is associated with the culture and respect of her husband despite her personal vulgarity. Husbands are a good to Undine. The value of consumption lies in the experience the good promises to deliver and each of Undine’s husbands offer a new role for her to play from respectable socialite to European aristocrat (MacCannell 23). However the irony in Undine’s performance through marriage is that she is a commodity as well and her value rises and falls as her marital status changes throughout the novel. In her marriages, Undine is compared to a stock that is always changing in value relative to external factors. Upon receiving her first divorce she realizes that she is “diminished trading capacity” after failing to obtain a marriage to Peter van Degen and being left alone and unwanted (Wharton 252). While she believes herself to be in control men still dominate the business world and consequently the marriage market. The men she is connected to determine Undine’s social capital. When she is without a man, and not desired by any, Undine realizes she has no value. Even Undine’s name, likens her to a good rising and falling. She is named after a hair-waver her father marketed around the time of her birth. Being named after a product of her parent’s business wealth and one that relates to up and down like a wave, further stresses Undine’s status as a commodity (Wharton 57). Many critics argue that Undine represents a New Women figure in asserting independence and commodifying men and entering the business sphere (Patterson 213). However

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