Alfred Hitchcock's Techniques in Psycho

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Alfred Hitchcock's Techniques in Psycho

At the time of release, 1960, psycho was a ground breaking project.

After its primary screening it was an immediate box-office success,

earning over $15,000,000 in its first year, over 15 times as much as

it cost to make. When I first saw the film, I would not of classified

it as a horror, more of a suspense thriller. But looking back I begin

to realise what a great effect this film would have had on people in

1960.

It was the first of its kind, comparing this to "Tod Brownings

Dracula" and others of such kind, would be like comparing "The

Exorcist" to "My Little Pony." Armed with its master-class cast,

consisting of Janet Leigh, Anthony Perkins and many other household

names, its most excellent story line and script and one of the best

directors of the time, Psycho stormed Hollywood and tested family

values such as motherly love.

As I have previously stated the film had a very good story line. Based

on the book written by Welles, the story of psycho influenced our

modern day "slasher" film. But unlike most horror films psycho

questioned the ultimate dichotomy of good and evil, for example making

us relate with and feel sorry for, thieves and mass murderers.

The scene after the opening sequence is set in a shabby motel in the

city of Phoenix. It revealed that Marion was sleeping with a married

man in debt named Sam. The film progresses to a point where Marion has

the opportunity to steal $40,000 very easily. Ultimately Marion leaves

Phoenix with the money and heads in the direction of Fareville where

Sam lives. Events occur that lead her to buy a new car and end up in

the Bates Mo...

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...ple of this is Norman Bates

but without realising it Marion herself is somewhat of a

schizophrenic. We first meet a respectable person, we are led to know

her as a good person. But she is ultimately a thief. But the audience

does not see it that way and they are made to sympathise with her.

This also leads to another main theme of mirrors throughout the film.

Symbolic of similarity or resemblance, but who between? When we think

about it the two main characters in the film, Bates and Marion are

almost identical in their situation. Both have secrets, both are

criminals and both are very lonely.

So with all of the films audience traps, quirky camera angles,

marvellous soundtrack and groundbreaking narrative, I conclude that

Alfred Hitchcock fully deserves his title as the Master Of Suspense.

By Harry Smith

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