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The analysis of psycho movie
Techniques used in the film psycho
The analysis of psycho movie
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Alfred Hitchcock's Film Psycho
The film 'Psycho' was produced by Alfred Hitchcock (1899-1980), a
British-born American motion-picture director. He was noted for his
technically innovative and psychologically complex thrillers. The film
'Psycho' was produced in the year 1960 and screened in New York. It
was a groundbreaking film as by the end of its first year 'Psycho' had
earned $15 million-over fifteen times the amount it took to make the
film. The film created a lot of tension and anticipation for the
audience. It violence, sexual content and the flushing of a toilet
onscreen broke the ground for a mainstream Hollywood film. It was the
first time a woman had ever been shown in a bra. This type of film was
called "madman with a knife" or a "slasher". This film influenced
suspense films such as Fatal Attraction. The film was controversial
and was blamed for many murders in America. It was reported the
Hitchcock pretended to re-edit the shower sequence as the film
industry thought it was too violent. Hitchcock actually re-submitted
it unchanged. He got away with it! Hitchcock wanted his audience to
get right into the film. He did this by making it very tense, and
adding a lot of suspense. "The point is to draw the audience right
inside the situation instead of leaving them to watch it outside from
a distance."
The title 'Psycho' itself builds up tension and anticipation. This is
because you know that it will be a horror film. Psycho means mad so
therefore leads us to believe there will be starring a "madman with a
knife". Psychos are unpredictable so you are not quite sure how bad
the violence will be. You have the nerve to know that someone is
definitely going to die.
The music in the opening titles build up tension, as it has fast and
sudden beats. It has ascending and descending beats, which creates and
excitement, like you are on a roller coaster. The ascending and
descending differences are within one whole. This is like Norman and
to the film. Psycho is a fifteen in England to buy on video these days
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The plots that are played out before his eyes become more important than his own personal life. In fact, Jeffries renounces the idea of marriage due to the scenes he witnesses from within his apartment. This is displayed by his initial rejection of the beautiful Lisa Freemont, played by Grace Kelly. She is unable to divert Jeffries’ attention from the window even with the most forward flirtations. It is not until she puts herself on the other side and into the “movie” that he becomes interested in her. Lisa finally becomes the subject of the gaze and only then does Jeffries show any sexual attraction towards her. When Lisa breaks into Thorwald’s apartment, Jeffries does not see the same Lisa he saw when she stood by him and sat in his lap. He now looks upon a “guilty intruder exposed by a dangerous man threatening her with punishment” (Mulvey 207). He is aroused by this new spontaneous side of her. From this scene we see that Lisa Freemont cannot become a part of the movie until she becomes a character in the “movie within the movie.” This creates a new perception of Lisa for Jeffries and clears away many of his marriage anxieties, providing closure to their dispute and foreshadowing a relationship and eventually a marriage between the two.
Westford, Massachusetts: The Murray Printing Company. Company, 1978 Kulik, Sheila F. Home Page. 17 Feb. 2000 http://www.feminist.com/femfilm.html. Rosenberg, Jan. “Feminism in Film.”
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Ingrid Bergman and Gregory Peck star in this mystery/thriller that dabbles in psycho-analysis and the troubles of the mind. Constance Peterson is a renowned psycho-analyst, whose ability to analyze data is unquestionable, but who has no life outside of her work. This all changes the day the new Chief of Staff, Dr. Edwardes (Peck) arrives. It is love at first site, and Constance’s barriers break down in a flash.
David Lynch's Blue Velvet is an exploration of things above and below the surface. This surface is really a borderline between not only idyllic suburban America and the dark, perverted corruption that lies underneath but also between good and evil, conscious and subconscious, dream and reality. Although this division seems quite rigid and clean-cut some of the most important implications of the film stem from the transgressions of these borderlines. In the initial scenes of the film Lynch introduces Lumberton, the typical small town in Middle America where the fireman waves at you, the children are well protected, the lawns are green and there is a smile on everybody's face. Naturally, the most important clich?
With women’s new found sexual independence came film’s focus on women’s sexuality. Even though the Motion Picture Production Code was created in 1927 and the Hays Office opened in 1930 for the purposes of self-censorship, it wasn’t strictly enforced until 1934 . The production code itself allowed more of a woman’s body to be seen than a man’s. The movie’s focus is on the beautiful chorus girls who wear shorts and dance around. During the casting scene, Julian Marsh wants to see the women’s legs so he can decide if they are beautiful enough to be in the chorus. In fact, one of the promotional posters for this movie highlights the legs of the chorus
To this day Rope, Alfred Hitchcock’s first color film, remains one of the most original motion picture dramas. With the exception of the opening credits, Rope was shot on one individual set located within a soundstage, similar to as if a play was being performed on stage. Despite the confined space the film occupied, the atmospheric anxiety carried on up until the very end. Furthermore, Hitchcock successfully created a deception, of the same repetitive shot. Nonetheless, during the one hundred and eight minute film, it’s hard not to notice the closeness Phillip and Brandon shared sexually together, making them homosexuals.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
Murder on the Orient Express by Agatha Christie is a novel about mystery and crime. It takes place in winter on a train that’s on its way to Paris. Unfortunately, they run into a snowdrift. Now, they’re stranded in the middle of nowhere with a murdered man on board.