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The 18th-Century Inspired Fashion: Alberta Ferretti Alberta Ferretti’s 2017 Resort Collection (Figure 2) adapted two fashion features showed in Marie Therese de Savoie, Comtesse d'Artois (Figure 1). Firstly, the Comtesse in Figure 1 wears a linen and silk-blend gown that is trimmed in lace. As shown in the picture, the Ferretti’s dress is made with the similar fabrics, which are linen and silk. Ferretti chose the light fabrics to evoke memories from the past. Moreover, in Figure 1, the sleeves are 3/4 in length and are very fitted. The fitted sleeves go until the elbow, which leads to three layers of linen. This style was very popular in the 18th-century. In Figure 2, Ferretti added three tiers of linen on the fitted sleeves as well. The most
Jarrod J. Rein is an eighteen-year-old with dark brown hair and brown eyes to match the brown arid dirt of Piedmont, Oklahoma. His skin is a smooth warm tan glow that opposes his white smile making his teeth look like snow. Standing a great height of six foot exactly, his structure resembles a bear. He is attending Piedmont high school where he in his last year of high school (senior year). He is studying to be a forensics anthropologist. Also he is studying early in the field of anatomy to be successful in his profession. While not always on the rise for knowledge Jarrod’s swimming for his high school. In a sense it’s like you see double.
Barbara Strozzi was one of the most talented figures of the seventeenth century. Strozzi was born in Venice in 1619 to Isabella Garzoni, servant to Giulio Strozzi. In 1628, Giulio Strozzi acknowledged Barbara as his natural daughter by referring to her in his will as his “figliuola elettiva”, meaning elective daughter and designating her as his heiress. (Spiller, Melanie. 2012)
It is essential to understand the revolution of the female silhouette throughout history, specifically looking at the corset “an undergarment traditionally made of stiffened material laced tight to the body in order to slim a woman's waist” now and then and how the silhouette changed. Understanding the importance of this history and being aware of the evolution in women’s lifestyles, it will be practical to use traditional construction methods that will give us the ability and possibility to apply this knowledge to our future fashion design. In the fifteenth century women began wearing an undergarment of thickened linen, tightened by front or back ties which was known as corset to give the women a snug shape. It was made of two layers of linen tightly held together with stiff glue. Corset makers by the sixteenth century then changed the process of making corset by introducing a thin piece of whalebone in between two layers of corset material which was like knitting needles.
Her garments are usually very feminine, delicate and finely tailored. Dinnigan’s label drew inspiration from classical vintage styles. Her products are designed to be suggestive of the body, rather than revealing; thus achieving the sense of confidence, sensuality and individuality. Her style can vary, but her trademarks include lace, tulle, and chiffon dresses, inspired by the art deco period. The Swarovski crystals used in ‘Swarovski Drapes V-neck dress (2004)’ represents her transition from evening to bridal wear. Collette Dinnigan describes her label's style as being romantic bohemian and timelessly elegant, based on the reworking of historical
She transformed traditional, functional country garments into new luxury items, all beautifully tailored and beautifully made in the finest fabrics.
Robe a la Francaise is a painted silk gown made in the 18th century. The artist is unknown but the dresses
In Deauville, she introduced casual knit dresses which was shockingly different from what others were creating and wearing. “She introduced relaxed dressing expressing the aspirations of the 20th century woman, replacing impractical clothing with functional styling.” (Martin 80). Her designs stressed simplicity and comfort and revolutionized the fashion industry. Within five years of her original use of jersey fabric to create a poor girl look, had attracted the attention of influential wealthy women seeking relief from the prevalent corseted style. In 1954, Chanel presented her new collection of the signature suit. The Chanel suit is a standard garment in modern fashion. “The key to her design philosophy was construction, producing traditional classics outliving each season’s new fashion trends and apparel.” (Martin
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
The Chronicle of Western Fashion: From Ancient times to the Present Day.
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
Stent, S., 2011, ‘Fetishizing the Feminine: the Surreal Fashion of Elsa Schiaparelli’, Nottingham French Studies, September, 50, 78-87.
Lawson, David "History Of Renaissance Clothing - How Today's Fashion Is Affected." 6 Jul. 2011 EzineArticles.com. 16 Nov. 2011
Köln: Taschen, 2006. Print. The. Mackenzie, Mairi. .isms: Understanding Fashion.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...