Advertising In The 1950's And Present Time

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How possible is it for one person in the present world not to see an advertisement in one day? In the twenty first century, advertising is omnipresent from television advertisement to print advertisement on magazines, posters or even billboards. According to Yankelovich’s 2007/2008 Monitor Multicultural Marketing Study, a marketing firm, it is estimated that thirty years ago, an adult exposed to two thousand advertising messages a day comparing to five thousand messages a day in 2007 (Story, 2007). In fact, advertising has become popular in consumers’ lives for centuries. Evidences of commercial messages have been found since the ancient time. Commercial advertising and political campaign on the wall can be traced back to 4000 BC in the …show more content…

Specifically, the paper will analyse advertisements in the American market.
Linguistics
Linguistically, fragrance advertisements in the 1950s and present time bear some resemblances. One of the similar features of advertisements in two decades is the genre of vocabulary using for naming the products. The perfume houses use metaphors and metonymies to send the messages to the consumer. Parprotte and Dirven (1985) argued that perfume names are not just the mere name-giving process anymore. Parprotte and Dirven (1985) divided perfume name into different categories, including characteristics of the fragrance (for example: refreshing, penetrating, etc.), metaphorized characteristics to ultimately describe the consumers’ feeling that the products can bring (for instance: sexy, potent, etc.), names of glamourous places, time precious gems, objects like flowers, abstract concepts like secret, mystery human beings (for example: London, New York, Paradise, Daisy, etc), and lastly, in some rare cases, just a mere name with a number or a name (Chanel No. 5). And these categories of names have been used for since the early years of …show more content…

In terms of text density, the current advertisements barely have any text. There are, however, some exceptions. For instance, appendix 17 has a sentence “The fragrance for women” or appendix 13 with “the new eau de parfum”. Other advertisements like Appendix 14 or Appendix 17 adds the website page of the product. On the other the hand, most of the advertisements in the 1950 offers a lot of text. A common theme can be seen through the linguistic devices in these advertisements. The most popular type of sentence is the superlative statement. To be more specific, appendix 7 demonstrates that the fragrance is “the most successful perfume I’ve ever worn”. Appendix 5 also claims that “The woman of taste prefers one of the greatest perfumes of France”. Additionally, Germaine Montel considers Gigolo to be “the most feminine fragrance ever come out of Paris”. Jean Patou (Appendix 3) calls Joy “the costliest in the world”. Besides comparative device, exaggeration is another common technique used by advertiser in the 1950s. Chanel (Appendix 1) declares that “Every woman alive loves Chanel No. 5”. Jean Patou (appendix 3), likewise, insist that “there is only one joy perfume and only one joy”. When looking at perfume advertisements, it is impossible not to look at the sound pattern. The most popular methodology of sound pattern is alliteration or

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