When Shakespeare wrote Titus Andronicus, the issues of race were at their peak. It was the time where blacks were seen as barbarous and villainous, and that is exactly what Shakespeare gave his audience when he presented the character Aaron the Moor. Unfortunately white Europeans did not sympathize or connect with this character, mostly because Aaron seemed to symbolize the black population as a whole. Shakespeare makes it very clear that Aaron has a hard time of gaining the likeness and approval of not only the audience, but also the characters in Titus Andronicus. In his article, Uddalak Dutta states that “Shakespeare seems to attest that “blackness” is, indeed, not merely skin-deep but an essential character trait” (927). Aaron’s characterization is one that cannot be matched by any other character in Shakespeare’s plays. Aaron embodies the characteristics of …show more content…
To be more specific, Aaron is a product of his environment. He is brought up in the Goth and Roman cultures, and similar to the European cultures, Moors were still seen as “outsiders.” Dutta further explains in his article, “Without any cultural lineage, he must assert his identity only in terms of what the “civilized‟ Romans take him for. His bestiality is the only means by which he can define himself in the white society” (Dutta 929). Something important to note as well is that although Aaron is seen as one of the main villains along with Tamora, it is not him to does the majority of the violent acts in the play. According to Dutta, "Aaron is not really the "chief instigator" of the numerous acts of violence in the play. His primary motive is not unqualified malignity, but a desire to rise above the station that the white society has reserved for him" (930). Aaron delivers a monologue in the play that depicts his true feelings and allows for the audience to understand why Aaron does the things he does. He
The Other Wes Moore is a novel that shows the different paths of two different men, one successful and the other not so fortunate. We discovered their different identities and how their choices and role models effect their lives. Wes 1 was led by his brave, hard working mother and the great military men. He didn't make incredibly great decisions but the people in his life helped him turn into the successful man he is today.However, Wes 2 had a brother who dealt drugs. The novel guides you through the 8 crazy years that led to Wes Moore 1's success and Wes Moore 2's life sentence for prison.
In The Other Wes Moore, the author and a neighbor have the same name, Wes Moore, and they both begin their lives in similar ways. However, as their lives progress, they begin to part. For example, both “lost” their fathers when they were young. Because of the way their mothers respond to this loss, the boys’ lives begin to separate. Both mothers have different responses to challenges in general, which eventually leads them to respond to their child’s actions in contrasting ways. Throughout this novel, readers learn that depending on how a mother decides to react to the negative actions of their child’s actions, the child can either lead a successful life or lead a life of failure.
“The chilling truth is that his story could have been mine. The tragedy is that my story could have been his” (Moore, 2011). This quote perfectly describes the book The Other Wes Moore. This book was a story about two people who have the same name and grew up in similar environments, but had very different lives. The author of the book, Mr. Moore, became successful and was given the opportunity to receive “one of the most prestigious academic awards for students in the world” (Moore, 2011). On the other side of the spectrum, the other Wes Moore “will spend every day until his death behind bars for an armed robbery that left a police officer and a father of five dead” (Moore, 2011). Mr. Moore decided to contact the
Throughout Shakespeare's "Othello", one of the most poignant themes is that of race and racial prejudice. Various critics are of the view that "Othello" was written as a social commentary, depicting the discrimination present in formal Venetian society. These ideas of racial prejudice are portrayed through Othello, the protagonist, who is referred to as "the Moor", an African or a black man.
Have you ever felt so much guilt and shame that you want to kill yourself? Francis Cassavant in Heroes, by Robert Cormier, is a realistic and relatable character who has suffered from this feeling ever since he was little. Even as a child, he has felt unusual and out of place compared to everyone else. Francis’s characteristics determine his actions throughout his story and motivate him to join the army, beginning his expedition as a so-called “hero”.
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey
In Khaled Hosseini’s The Kite Runner, the author follows the development of protagonist Amir through a life filled with sorrow, regret, and violence. Amir encounters numerous obstacles on his path to adulthood, facing a new test at every twist and turn. Amir embarks on the long journey known as life as a cowardly, weak young man with a twisted set of ideals, slowly but surely evolving into a man worthy of the name. Amir is one of the lucky few who can go through such a shattered life and come out the other side a better man, a man who stands up for himself and those who cannot, willing to put his life on the line for the people he loves.
Sir Lancelot, from the stories of King Arthur and the Knights of the Round Table, has become by far the most popular and well-remembered knight. Through Malory's rendition of traditional materials, we have inherited a character that has become the image of the quintessential knight. How is it that "the outsider, the foreigner, the 'upstart' who wins Arthur's heart and Guinevere's body and soul" (Walters xiv) has taken the place that, prior to Malory, was reserved for Sir Gawain? Malory has made this character larger than life. Of the grandeur of Lancelot, Derek Brewer says, "In the portrayal of Lancelot we generally recognize a vein of extravagance. He is the most obsessive of lovers, as he is the most beloved of ladies, and the greatest of fighters" (8). To achieve this feat, Malory has molded Lancelot to fit the idea of the perfect knight and the perfect lover.
Christopher Johnson McCandless, a.k.a Alexander Supertramp, “Master of his Own Destiny.” He was an intelligent young man who presented himself as alone but really he was never lonely. However, he believed that life was better lived alone, with nature, so he ventured off throughout western United States before setting off into Alaska’s wild unprepared where he died. Some may say he was naive to go off on such a mission without the proper food and equipment but he was living life the way he wanted to and during his travels he came across three people: Jan Burres, Ronald Franz, and Wayne Westerberg. McCandless befriended these people, it is believed that he made such a strong impression on them that their connection left them with strange feelings after finding out about McCandless’ death.
Through studying Shakespeare’s and Cinthio’s Othello, I explored the concept of ‘The Moor’. ‘The Moor’ is a disrespectful and racist term , often used by white Europeans referring to arabs and blacks, and people of other races with relatively dark skin, such as Othello. During Shakespeare’s time, blacks are considered to be outsiders and are inferior to white people. In Cinthio’s work, it stated that moors are hot-headed as evident in this quote ‘you moors are of so hot a nature that every little trifle moves you to anger and revenge’ which is evident that moors are hot-headed. In scene 1 of the play, Iago told Desdemona father that his daughter was robbed by a thief, Iago uses metaphor to describes Othello as a “black ram”. Desdemona’s father was shocked that his daughter will fall in love with a black man. He believed that Othello must have use some magic to make his daughter fall in love with him; as there is social class difference at that time and it is unimaginable that a white woman will love a black men.
Orkin, Martin. “Othello and the “plain face” Of Racism.” 2nd ed. Vol. 38. N.p.: n.p., n.d. 166-88. Shakespeare Quarterly. Folger Shakespeare Library in Association with George Washington University, Summer 1987. Web. 12 Mar. 2014. .
The discussion of race in Shakespeare's Othello has received a great deal of critical attention. Virginia Mason Vaughn, in her book Othello: A Contextual History, surveys this critical history, beginning with Marvin Rosenberg's 1961 book The Masks of Othello (a book documenting the nineteenth-century tendency toward representing Othello as light-skinned), and continuing through to Jack D'Amico's 1991 book The Moor in English Renaissance Drama. According to Vaughan herself, "The effect of Othello depends . . . on the essential fact of the hero's darkness, the visual signifier of his Otherness" (51). Arthur L. Little, Jr., in his article "'An essence that's not seen': The Primal Scene of Racism in Othello," claims that "The three crucial structural elements of Shakespeare's play are Othello's blackness, his marriage to the white Desdemona, and his killing of her" (306, emphasis added) as if there were no other "crucial structural elements." It is not my intention to undercut or undervalue the attention that has been given to the discourse of race, the opposition of black and white, in Othello; however, I contend that an exclusive focus on this discourse radically reduces and simplifies the play, and I wish to focus on a different discourse, a different opposition in the play-the discourse of honesty and whoredom, the opposition of falseness and loyalty.
In the play by Shakespeare, Othello, we see a similar distinction between racial identity. Othello being a Black Moor and is seen inhuman to Iago. Othello and Desdemona are deeply in love. Consequently, society did not approve of Othello, being a man of color, to be with Desdemona while was seen as a perfect innocent human being. Iago describes Othello as an "old black ram" that “is tupping your white ewe” (Act 1 scene 1). Iago is referring to a hideous animal, as well as not being a real human. Society is applying stereotypical views onto Othello, although he has done nothing
In this play, three timeless elements that are very relevant today and throughout history are prejudice, money, and love. Shakespeare included many examples of all these themes in his play. Bassanio, Antonio, Gratiano, Lorenzo, Portia, and Shylock are the main representatives of these themes. You could take anyone in history and compare him or her to anyone in this play. An example of this would be the prejudice and mean spirit that both Shylock and Hitler share. Shakespeare did a very good job showing these elements in real life scenarios. Samuel Taylor Coleridge put it perfectly; this play is a “representation of men in all ages and all times.”