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Differences between claudius and hamlet
Theatre analysis full essay
Hamlet and claudius power struggle
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In a story, there will always be a villain or a protagonist, which makes the story what it is. Without the conflicts or problems that the villains start, there really wouldn’t be any stories, or if there were they would be boring because nothing dramatic would happen in them. William Shakespeare wrote many plays that had villains or protagonists in them, and because of this his plays were very appealing to the audience to sit and watch them. Some of the plays that Shakespeare wrote include the texts Othello, Midsummer Night’s Dream, and Hamlet, all which have a villain or protagonist in the story line. In Shakespeare’s play Othello, Iago is the character that causes most of the problems in the play, and can be classified …show more content…
He does something awful to the king, which is also his brother, just so he can become the king of Denmark. Claudius does show some regret to what he had done, but also says that he enjoys being king to much to fully be sorry for what he has done. “He tries to ask God's forgiveness in a moving soliloquy but he realizes that he still reaps all the benefits of his crimes and cannot give them up” (Mabillard) Claudius can be seen as a very selfish character, and a villain because he did kill the king and he doesn’t have enough remorse to own up to it. Claudius puts on a front for everyone else, but in private he is completely different, and the only people who know this are Hamlet and the ghost of the dead King. The Ghost refers to him as "that incestuous, that adulterate beast" (1.5.42),and after this comment the audience really starts to figure out what is going on. At the beginning of the text, Claudius puts on a good show for everyone saying how sorry he is about the loss, but that they as a kingdom will have to move. This lack of grief and remorse is one characteristic of him being an evil …show more content…
Iago Analysis. N.p., n.d. Web. 26 Jan. 2014.
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
Shakespeare's villains seem to fall into one of two categories: those who are villainous of heart (inherently and genuinely evil or Machiavellian) and those who are circumstantially turned antagonists. Richard III's carefully plotted plans to usurp the throne contrast heavily against Aaron's (of Titus Andronicus) rambling which contrasts with Aaron's lack of action. The motivations of these two characters are different however. Richard seizes the opportunity to take over the throne by Machiavellian means when presented with the opportunity. Aaron represents the evil presumed of a "godless moor," his character being a symbol as much as his skin colour particularly to an audience familiar with the conquests.
There are many characters that Shakespeare has portrayed to the audience as being responsible for the tragedy.
Iago is the main antagonists against Othello, throughout the entire play. Iago is not realistically motivated. Even though Iago makes many of his decisions with careful thought, he does have a main flaw that will come back to haunt him in the end. Iago unlike other characters, doesn’t have true honorable morals. Because of this, he makes many situations which are manageable, and takes them further out of proportion he does this for his own pure enjoyment to create havoc for sport. Iago manipulates the characters who trust too easily, such are Roderigo and Othello. Iago uses them as an addition to his plans, which he manages so they will work in his favor in the end, or so he believes they will.
A Shakespearean play always includes a typical villain character. He is boisterous, egotistical, sometimes witty, and all too eager to seek revenge. In William Shakespeare Othello, Iago is the well-liked, trusted, and brave ensign of the great Venetian general Othello, or so it appears. Iago actually possesses all of the typical villainous qualities, however Iago conducts himself with great composure, and by manipulating his counterparts, he makes people believe he is on their side. I find this characteristic to be a very intriguing one that is not easy to perform. It is perhaps Iago's villainous actions throughout this play that lead me to believe that he is the hero rather than the typical villain.
Whether you hate your King, your Christian rival or a neighboring foe, if you're in a Shakespeare play then you will be punished. In the first act of each play Shakespeare shows a conflict between two groups of people, one is vengeful the other virtuous. After the conflict is introduced, the malignant characters have important parts of their lives taken away and in the end the ultimate penalties of each are inflicted. All of the antagonists are left desolate in the end of the plays by either lost fortunes or their lives. Shakespeare takes good care to give the protagonists of the plays much reward for being on the right side of the spectrum. As the characters hate increases throughout the play they begin to loose what is precious to them, first in small amounts, but in the end, they are stripped of all they love and value.
From the very beginning of Shakespeare’s Othello, Iago is held in very high regard within the community in Venice. He is often called “honest Iago” by many people, including his superior, Othello. There is a large juxtaposition between Iago’s character in the beginning of the play, and the general perception at the end of the play, due to Iago’s many character flaws that cause him to create devious plans and a web of deception and lies, spun by his intense anger and hatred. The exposition of Othello holds many indications of the negative traits Iago possesses, and they escalate quickly as the play progresses. There are many points within the play that present Iago falling prey to his issues and therefore lets them control him. Iago’s anger and hatred kept him from dealing with these character flaws and lead to his descent into moral
Iago is a villain because he is manipulative. This is proven when Iago convinces Othello that Desdemona is cheating on him by just dropping little hints and letting Othello piece it together for himself. Iago would start the jealous trip by saying such simple things like that he “likes not that”, later Othello would return and say that he had “found not Cassio’s kisses on [Desdemona’s] lips” (III.iii.393). This shows that Othello put together pieces from little things that Iago said with a purpose to make Othello jealous and believe he was being cuckolded. Another instance of Iago’s manipulative tendencies is when the reader finds out that all along, Iago has been taking Roderigo’s money to purchase jewels to give “as gifts to Desdemona”, but that Iago ended up keeping and using for his own personal needs without Roderigo’s knowledge (V.i.17-18). Another example of Iago being manipulative in his villainous ways is when Emilia “has a thing for [him]” and ends up giving him Desdemona’s handkerchief from Othello (III.iii...
Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ... n the end of the play.
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
...le to comedies, when considering A Midsummer's Night Dream, As You Like It, and Measure for Measure, in which the heroes are mostly virtuous ("innocent"), and the villains are devious ("cunning"); however, since the Duke and Iago are both cunning villains, Steinbeck's notion of villains is also appropriate for tragedy. More importantly, though, as previously noted, these “heroes” are directly responsible for their fall, and therefore challenge readers to consider the roles of heroes and villains in tragedy less traditionally; Othello is not cunning, nor is he innocent, and so Steinbeck's parameters exclude him. Thus, a more encompassing generalization would be that tragic heroes are responsible, and "villains are cunning" (Steinbeck).
Claudius decieves everyone in different ways and at different times , always and only to protect himself from everyone else finding out that he killed the king. We can't truly say that he deceived Gertrude or not because we still don't know if she knows about Claudius killing the king or not because that is part of her own deception , but we know that he deceived the people and Hamlet himself (before he talks to the ghost). This next quote comes from the ghost of the king convicting Claudius of the murder ,"If thou didst ever thy dear father love- revenge his foul and most unnatural murder(p.57, act1,scene5 ,lines29-31). This quote proves that Claudius actually did commit the murder. This next quote is from Claudius himself after the funeral and the wedding giving a speach about the death of the king and the whole deal with Fortinbras,"To our most valiant brother-so much for him(p.21, act1 ,scene2 ,line25)." This quote shows that Claudius obviously doesn't have much remorse for his dead brother and might be covering up the fact that he killed him. And we all know what that means...What does it mean?! It means that he actually is the rat and is the evil one in the play.
The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters. Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes. Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Claudius was motivated to take the throne for many reasons but one of the mains ones was his enormous greed. Claudius was not happy being the king’s brother, or being super wealthy, but rather he wanted to be the king himself, he wanted to be the wealthiest and most powerful man in entire kingdom. Claudius reflects back on what he has done when he says, “Forgive me my foul murder? /That cannot be; since I am still possessed/ Of those effects for which I did the murder-/ My crown, mine own ambition, and my queen.” (Hamlet 3.3.52-55). Claudius knows that he has done wrong but his greed has consumed him and he cannot simply give up everything he has taken. The wealth and power he has acquired is what he has wanted his whole life and now he cannot imagine himself without it. He has committed a murder and he has married the queen he will now stick to his ambitions and not turn back. Greed is often when someone wants something in an extreme or an excessive amount above what is necessary. A certain amount of everything is