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Impressionism historyessay
Georges seurat research paper
Impressionism historyessay
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A Sunday Afternoon on the Island of La Grande Jatte, located in the Art Institute of Chicago, is one of the most recognizable paintings of the 19th century, a painting made by Frenchman Georges Seurat. Finished in 1886, it has gained much of its recognition over the time of its completion; the pop culture of today has played a pivotal role into the popularity of it. An example of that is being apart in one of the most recognizable scene in Ferris Bueller's Day Off, where one of the main characters is solely staring at the painting until he can’t even recognize the artwork. This painting also gets much attention because it was an early example of the style of pointillism, at the time; pointillism was becoming a new way of expressing one self with the new technique. It also brought upon about the way we saw paintings, and what we gained from the artwork as whole. In all this painting has become an icon in the art scene, due to the technique it used, and how much of an impact it has had in today culture.
Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...
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...eurat was trying to express to viewer. I have always had a fondness for this particular piece due to seeing it in one of my favorite movie when I was a child; I remember the first time I went to see it, I couldn’t believe how it looked in person. I do believe that the reference of pop culture had made this piece an icon in the art scene, just like the Mona Lisa or American Gothic, if none of these painting were reference in today’s pop culture, we wouldn’t appreciate them as much as we do. It’s the icon status that makes these paintings relatable to everyone, and such a fascination to understand why they have such status.
Works Cited
"Georges Pierre Seurat." 2013. The Biography Channel website. Nov 15 2013, 12:05
Seurat, Georges, et al. Georges Seurat. Fabbri Editori, 1966.
Walther, Ingo F. Paul Gauguin, 1848-1903: the primitive sophisticate. Taschen, 2000.
Carol Armstrong begins her essay by pointing out the two main points that come about when discussing A Bar at the Folies-Bergere. These two points are the social context of the painting and its representation of 19th century Paris, and the internal structure of the painting itself with the use of space. She then goes on and addresses what she will be analyzing throughout her essay. She focuses on three main points, the still life of the counter and its commodities, the mirror and its “paintedness”, and the barmaid and her “infra-thin hinge” between the countertop and the mirror.
19th-century Parisian painters Georges Seurat and Edouard Manet intentionally produced innovative works that broke away from formal academic conventions and strongly influenced the course of the art world. Manet's 'Music in the Tuileries' (1862) was very first modern painting [1], marking the art world's turning point from realism to impressionism [2]. While Seurat's 'A Sunday Afternoon on the Island of La Grande Jatte' (1884-86) was a novel painting style composed exclusively in the style of Pointillism, which brought on the shift to neo-impressionism from impressionism [3]. Both paintings received criticism from commentators when first exhibited but gained posthumous reputations as highly creative and influential painters [2]. Both chose upscale locations frequented by affluent Parisians for their settings, Manet selecting the weekly musical concerts at the Tuileries gardens near the Louvre, and Seurat selecting the island of Grand Jatte by the river bank of Seine.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
Georges-Pierre Seurat was a French Post-Impressionist painter, as well as a fine draftsman. He was born and raised in a wealthy family in Paris on December 2, 1859. He lived a short life of thirty-one year of age, and in his time, Seurat not only invented his style of pointillism, but he also became the first Neo-Impressionist. In pointillism, Seurat used miniscule dots of various colors on a base color to produce the local color. This creates an optical mixture from afar for the viewer and makes the image livelier. As the first Neo-Impressionist, he systematically painted his works instead of the rough brushworks of the earlier Impressionists (Chu 410-411, Gage 452, Georges). Since Seurat first started to dig deep into the arts when he was merely sixteen, he really changed the modern art world within 15 years; barely half of his life! Seurat truly worked hard to get the reputation he has today and his works are unquestionably phenomenal through his techniques he used.
“A picture is a poem without words” – Horace, the purpose of art is to reveal the sensations of life but also allows humans to express their emotions and views on certain aspects. Jean-Michel Basquiat was a Neo-Expressionist painter throughout the 1980’s who was known for his style. He was African American artist and musician that was part of the SAMO. The SAMO was a graffiti group that wrote epigrams. While growing up, one of Basquiat inspirations that encouraged him to paint was his diverse cultural heritage. Basquiat was a creative self-taught artist who thought outside of the box when it came to painting. Most of the pieces he made were a collaboration of different ideas and constructed them together into a collage. During the 1980’s Basquiat’s art used the human figure to portray Minimalism and Conceptualism. His target market that were in many of his pieces was on suggestive dichotomies that focused on the lower class versus the higher class. Even though Basquiat work was remarkable, he was criticized and faced some challenges among his journey because of the symbols and words that were used his paintings. Despite the criticism,
Jean-Michel Basquiat was born on December 22, 1960 in Brooklyn, New York to parents Gérard Basquiat and Matilde Andradas. Little did they know at the time that Jean-Michel Basquiat would soon go down as one of the most important contemporary painters continuing to leave a legacy for decades to come after his passing. Basquiat would live a difficult life and experience many hardships until he later dies of a heroin overdose, but what he experiences during his lifetime is what shaped the way Basquiat expressed himself through his art. Basquiat’s exceedingly personal and relatable art is what guided him to being such an influential artist. “His work is likely to remain for a long time as the modern picture of
The dots on her veil, a dazzlingly white earring (likely a diamond) and an azure blue tuft of cloth noticeable at her neckline are particularly striking, and provide vibrancy... ... middle of paper ... ... e men from the title of flaneur. In the expression on their faces it almost seems as if there is some yearning for prior times. Because this painting is a modern cityscape it is ipso facto a painting of modernity (one thinks of Baudelair) and a record of the fashions of 1877.
On December 2, 1859, in Paris, Georges Seurat was born. He was the third child of Ernestine Faivre of Paris and Antoine Chrysostome Seurat of Champagne (The Solomon R. Guggenheim Foundation). Seurat had an interest in drawing at an early age. Seurat first attended school at the municipal school of Justin Lequien (The Solomon R. Guggenheim Foundation). He was then enrolled in the Ecole des Beaux-Arts where he was taught by Henri Lehmann (The Solomon R. Guggenheim Foundation). Seurat was deeply influenced by his teacher who was a disciple of Jean-Auguste-Dominique Ingres (Pioch). Other influences in Seurat’s life included Rembrandt and Francisco de Goya. Much of the education that he received here resulted in his curiosity of the theory of contrasts (The Solomon R. Guggenheim Foundation). In 1879, Seurat enrolled in the military. Seurat only served a year in the military at Breton coast. After his service, he returned to Paris (The Solomon R. Guggenheim Foundation).
Overall, the painting “Nightlife” was one of the few paintings that were celebrated to Archibald Motley. Coming from an African American culture, Motley wanted to capture the warmth and richness belonging to their culture. In this painting, we truly discover the heightened tensions felt during that time by the intricate patterns and skeptic perspectives Motley presents. However, by including warm tones such as red and violet, we get the feel of the liveliness and carelessness of the Negro culture through music. We understand that music such as jazz was an escape from everyday racism. Motley successfully executed a painting that sends a message and makes the person wonder the motives for his selections.
When viewing Georges Seurat’s, A Sunday on La Grande Jatte (Fig. 31-37), perception is changed vastly depending on the viewer 's proximity to the piece. At close range, all that is visible is a mass array of countless circular dots and tiny lines in a vast range of colors. Greens, blues, reds, oranges, yellows, white, browns, black and purples are all visible in a multitude of intensities. The Divisionism technique utilized causes this piece to appear as an abstract collection of colors when viewed at close range. Yet when distance is between the piece and the viewer, these seemingly sporadic dots come together to create a complete and detailed scene. Primarily consisting of biomorphic shapes, Seurat’s incorporates in every inch of the canvas
We are first introduced to George as he is in the middle of painting his masterpiece, a real life work of art entitled, Sunday Afternoon on the Island of La Grande Jatte. He immediately begins to exp...
George-Pierre Seurat was born in France in 1859. Seurat began his career by studying at the “Ecole des Beaux-Arts in Paris under artist Henri Lehmann” ("Georges Seurat," n.d.), before adventuring out on his own. George Seurat was for the most part self-taught, only attending Ecole des Beaux-Arts for one year. He often visited museums, read about new techniques and studied the works of others. Seurat admired the works of Claude Monet and Camille Pissarro these artists and their techniques, particularly their use
Georges Seurat was born in Paris, France on December 2, 1859. He lived with his mother, Ernestine Faivre, and his two older siblings. His interest in art started in his early childhood and he eventually was encouraged by his uncle, an amateur painter and textile dealer, who gave him his first art lessons. Then in 1875, Seurat entered an art school where he started receiving professional lessons from sculptor Justin Lequiene. About three years later, he entered Ecole des Beaux Arts School and began sketching from plaster casts and live models. On his free time he would visit libraries and art museums in Paris and seek instruction from other well known artists. Michel-Eugene Chevreul was one of the artists who introduced Seurat to color theory. “Chevreul's discovery that by juxtaposing complementary colors one could produce the impression of another color became one of the bases for Seurat's Divisionist technique” (Remer). Seurat served in the Brest military for one year then returned to Paris and immediately continued with art. His first major painting was Bathers at Asnieres which was rejected by the jury ...
Le Grenouillere is a typical example of how much the style of painting had changed. The piece has been painted outdoors using light and bright colours, and is of a fairly ordinary everyday scene. It is a work in which we see his art losing the last of its stiffness and clean cut edge.
...t is Impressionism. We see that without Paris and its artists there would have been be no break from the traditions and regulations laid down by the L’École des Beaux-Arts and Le Salon. Without Paris the movement would not have gained the recognition that it did. It was aided by the industrial revolution, the Haussmann project, the growth of le café and the revenue from trade by Parisian art dealer Paul Durand-Ruel. We also note how Paris was highly influential in the subjects of impressionist paintings. We see how the camera and colour theory influenced their work as well as how the modern cityscape and social interactions consumed their creations. Even today Paris plays a role in Impressionism. Its museums house some of the greatest examples of period impressionist work on view, showing that nearly two centuries later Paris is still at the heart of Impressionism.